For want of a theme

This post contains spoilers for episode 5.06, “Analysis of Cork-Based Networking,” of Community.

Sometimes, I watch an episode of a TV show and wonder, “What version of this scene ended up on the proverbial cutting-room floor?” Or I watch an episode and think, “That was a strange cut. It totally changes the tone or pacing of the scene.” Most of the time, I know I’m overthinking these sorts of editing choices. (Full Disclosure: I have an awful habit of overthinking things, as Kerry and Becca can attest. They’ve received several early morning emails from me on the subject of my former college crush, stemming from Facebook stalking compounded by me overthinking inconsequential things. My point? Give me a topic, I’ll think way too much about it.)

Last night’s episode of Community was no exception, as I wondered how what was ostensibly the A-plot somehow became the C-plot, the B-plot slipped into the lead, and the C-plot moseyed into second place. But I’m getting ahead of myself.

This week’s episode, “Analysis of Cork-Based Networking,” was (relatively) heavily promoted, given its stable of guest stars:

Whedonverse-regular and star of ABC’s Castle, Nathan Fillion; Paget Brewster, alumna of CBS’s Criminal Minds;

ABC Family’s Katie Leclerc, best known for Switched at Birth; and action movie favorite, Robert Patrick. Plus, Jonathan Banks was back as Professor Buzz Hickey, and Brie Larson returned as Rachel the Coat Check Girl. Some of the guest spots were brief – Larson’s was tucked into the final minutes of the third act – while others, like Leclerc’s, were woven throughout the entire episode. Each appearance was a pleasant surprise, and added a new layer to the world of Greendale. (Because herpes transmitted by the water fountains? Sure. But absolutely no porn allowed through the school’s firewall? Say it ain’t so!)

The three concurrent plots were each well-realized and funny, even if their place in the plot hierarchy was a little muddled. In what essentially served as a prologue, Annie is leading a meeting of the Study Group Save Greendale Committee, of which Chang is now a member, and trying to assign tasks to the other characters.

 

Britta and Abed squabble about spoilers for Bloodlines of Conquest (the Greendale equivalent of Game of Thrones), then are tasked with updating the Greendale Community College student census. Shirley, Jeff, Ian Duncan and Chang avoid volunteering to decorate for the Mid-term Dance *until Annie says she’ll head up the group* – then they all agree to help.

Annie then puts them in charge of the dance, instead putting herself and Hickey on bulletin board posting duty.

On paper, Annie’s task is the A-plot: In the course of negotiating Greendale’s bureaucracy to have a new bulletin board put up in the cafeteria, she and Hickey encounter Fillion’s head custodian, Bob Waite; Brewster’s head of campus IT, Debra Chambers; and Patrick’s campus parking director, promising each one some weirdly specific kick-back in exchange for shuffling the bulletin board work order to the top of the queue. (Moving it ahead of “lower flag to half-staff for Reagan’s funeral,” so, really, Greendale could be further behind.) The dance committee had what appeared to be the B-plot, with Chang’s suggestion first confusing Jeff, Shirley, and Duncan, then bringing them together as a team, before finally bringing them together in shared embarrassment. And Abed and Britta’s cross-campus spoiler war, which used Leclerc’s fluency in sign language, should’ve been the C-plot: The shallowest and easiest to resolve.

This is where it gets tricky: Each of the three plots was funny and clever in its own right, letting us spend time with the characters as themselves, rather than as the extreme versions of themselves we often see in the heavily themed or homage episodes. Jeff and Duncan were their usual responsibility shirking selves. Abed exhibited a dedication to avoiding spoilers typical of his usual compulsions. Annie’s ambition was matched only by her deviousness, and both are traits that should come as no surprise to anyone who remembers season one’s “Social Psychology.”

Yet, Annie and Hickey’s plot, despite both Alison Brie and Banks bringing their A-game, lacks the charm of the other two.

 

It seemed unnecessarily convoluted and repetitive: For want of a looser firewall, a work order was delayed. For want of a closer parking space, a looser firewall was denied. For want of a bulletin board posting supervisor, a closer parking space was refused. For want of a toast, a bulletin board posting supervisor went unapproved. For want of a toast, a wall remained blank. And all for the want of a work order. Perhaps if the cameos had been spread out more equitably, this particular plot wouldn’t have felt as incidental, as created to provide a structure into which the guest stars could easily be inserted.

Abed and Britta’s task provides them a reason for roaming Greendale’s halls, but their plot instead focuses on Britta’s insistence on spoiling Abed for Bloodlines of Conquest. She goes to absurd lengths, matching Abed’s steps to avoid hearing or seeing anything she tries to tell him.

In the course of them avoiding each other, Abed meets Leclerc’s lip-reading and signing student, who peaks his interest. Their interactions are funny and sweet, as Abed quickly learns enough sign language to have a conversation with Leclerc.

As much as Abed’s made-up signs have all the indicators of being offensive, he almost immediately apologizes to Leclerc for not actually knowing sign language.

Meanwhile, Gillian Jacobs gives Britta’s mission to spoil Abed for BoC a gleefulness and dedication that speaks to the state of Abed and Britta’s evolving friendship: They aren’t – and may never be – besties, but her desire to annoy him isn’t done out of spite or ignorance. (Cougarton Abbey, anyone?)

Instead, Britta is poking at Abed the way she’d poke at any of the others in the study group, and, finally, without the assumption of Abed being some thing she needs to fix. I think it’s a layer that’s a result of Britta doing her best to ‘help’ Abed at the end of last week’s Lava World game, in that she finally seems to be accepting Abed needs someone to ground him, as Troy did, rather than someone who’s primary goal is ‘curing’ him. If that’s the tact the show takes, with Britta filling the same role for Abed, albeit in a different way, I think I could finally get behind her pursuing a career in psychology.

Finally, somehow the Mid-term Dance Committee plot took center stage, and in an unexpected way. The dance itself is less important than the decorating, as it’s not unexpected for Greendale to have a dance for any and every event. Chang, who has always been treated as unwelcome hanger-on by the study group and an object of derision and/or pity by his colleagues at Greendale, offers a suggestion for a theme for the dance: ‘Bear Down for Mid-terms.’ Jeff, Duncan, and Shirley are all, understandably, confused and mock Chang, as he repeats his suggestion without elaborating on what he means but grows visibly more frustrated. In an inspired choice, Ken Jeong explodes in a tantrum that is typical of Chang’s earlier behavior, but with an edge of mingled desperation and frustration as he says he knows he’s a joke and they think he’s crazy, but he genuinely wants to contribute.

It’s inspired because Jeong voices, in one brief monologue, what Community – both the show and fandom – have been saying since 2009: This show is unusual and may be best known for spurts of bizarre behavior, but it is as capable of contributing something real to the world as any other comedy, drama, network show or cable masterpiece.

Of course, there sight gags in abundance: Annie’s structurally unsound wall of success; the custodians’ enormous garage versus the IT’s department crammed into a large closet; Abed taping cans over his ears; and Neil bringing in a couple of 24-packs of soda (budget cuts?) as refreshments for the dance.

 There’s added humor in clever dialogue: Dean Pelton’s insouciant “Easy peasy, lemon squeezy”; Garret screaming “IT’S A BEAR DANCE!”; Duncan’s exasperated, “You can’t just repeat it but louder”; Jeff awkwardly trying to sell the new dance theme, ‘Fat Dog for Mid-terms’; and Annie’s “EV-ERY-THING!” (It’s been a while since we heard Annie’s Loud Voice, hasn’t it?)

These all added up to a funny, strange little episode, but I’m still wondering how the plot packed with guest stars wound up the least compelling. Did it happen in editing? Was it a matter of trimming the episode down for time? Or was it intentional, some sort of meta commentary on the propensity for stunt casting? But what do I know? I overthink everything.

The Power of Love

Warning: this post contains spoilers from episode 2.12  of CW’s Arrow, “Tremors”

“Love’s the most powerful emotion, and that’s what makes it the most dangerous.” –Sara Lance

It may not be Valentine’s Day yet, but Arrow had love as one of the major underlying themes in last night’s episode (which may explain why I have had The Power of Love by Huey Lewis stuck in my head all day).

Last night, was the beginning of Oliver trying to be Roy’s Mr. Miyagi. Instead of Oliver teaching Roy how to wax on and wax off, he decided to teach Roy how Shado had taught Oliver. The problem with that is Roy seemed to be more impatient than Oliver was when he was first learning. Throughout this episode, Roy isn’t able to connect with Arrow, and Oliver realizes this. This is why he reveals himself to Roy because he knew Oliver understands the need to protect Thea more than Arrow would. The revelation was beautiful, and I’m glad they didn’t wait for the reveal. Oliver may have a mask now, but it is easy to tell who he is. I’m still claiming Lance pretends he doesn’t know who Arrow is for plausible deniability.

Now that Roy finally knows the secret Oliver decides to introduce him to the rest of Team Arrow. He tells Roy that Diggle and Felicity are the only ones who matter to him who know his secret identity. He is telling Roy the truth. This episode between the trio was wonderful. Oliver was being more open to them about the island. Yes, there are things he will keep secret, but he finally told them about Slade, and this is monumental. He trusts these two, and their friendship is a wonderful thing to behold.

As for the flashback island sequences, Oliver is also able to help Slade by stopping him from destroying the freighter. In the first flashback, Sara tells Oliver “love is the most powerful emotion” and it is true. Oliver is able to use what Sara tells him to talk Slade down by saying even if Shado didn’t love Slade the way he loved her, she still loved him and wanted him to get off the island. Oliver also mentions Slade’s son, and I’m sad to say I forgot Slade even had a son. This is the first mention of him in season two, and I wonder if the show will actually address what happened to Slade’s son later.

Another wonderful thing about this episode is Sara comes back into play with the present life again. Laurel has hit a new low, and is not being receptive to her father. Paul Blackthorne deserves high recognition for his part in this Laurel arc. Lance knows what is happening to Laurel because he himself once was on a parallel path when he lost Sara. He is trying to reach out to Laurel, but she is not letting him help her.

Lance tries to get her to go to his support group, but she is upset that he tricked her. I love Lance in this episode, and his character is only getting stronger. Laurel later finds out from Joanna that she could possibly become disbarred due to her recent activities. Laurel needs help, but she is refusing the help from both Lance and Joanna when they offer. She ends up at Verdant, and the scene she shares with Oliver and Thea is not pretty. This makes Oliver call Sara. After all, it was Sara who said love was a powerful emotion. Oliver is hoping Sara will be able to get through to Laurel, and we do get to Sara kneeling over a very drunk Laurel at the end of the episode.

It will be interesting to see if Sara can actually get through to Laurel. The history between the two of them is rather shaky because of their past interest in Oliver. Sara also went on the yacht trip with Oliver, which then wrecked, leaving Laurel to believe they both had drowned. Sara coming back to see Laurel now proves Sara does love Laurel enough to risk her safety as well as her family’s.

 

Finally there is Moira’s storyline. Walter finally makes a reappearance, and I’m so glad to see him back. He wants Moira to run for mayor against Sebastian, and she isn’t willing at first. This is where Thea comes into play. Thea’s and Moira’s relationship has become stronger compared to first season or even the beginning of this season. Thea has learned to forgive Moira. When Moira tells Walter she has reconsidered running for mayor, he knows it was Thea who helped change her mind. I love the relationship Walter and Thea have, and it was great to see them together again. It is also interesting to find out Walter knew Thea’s father was not actually Robert. This means Moira must have told him at some point. It is going to be interesting to see how Walter helps Moira keep her OB quite about the truth, as well as Thea finally finding out the truth of her parentage. The only one who apparently doesn’t seem to know now is Thea and Oliver.


However, what I’m most excited to see is how Roy will interact with Team Arrow.

Picspam: Community 5.05 “Geothermal Escapism”

Do TV shows make you cry?

I cry easily, I won’t pretend otherwise, but I was surprised by how much I cried (okay… sobbed) during Troy’s final episode of Community. The entire episode was structured to pull at any superfan’s heartstrings, so as much as it was a sendoff to Donald Glover and the character he’d brought to life, it was also a love letter to the fans. Let me warn you up front: This picspam is not easy for me.

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As much as this episode sells itself as a Troy-centric one, make no mistake: This is as much about Britta and Abed’s coping mechanisms as it is about Troy letting Greendale go. While everyone in the group loves Troy, the rest of them aren’t as close to him as Britta and Abed are, so they lose less by letting him go. This theme starts early, with Britta trying to psychoanalyze everyone into being sad, while Abed isn’t even present for his best friend’s going away party.

After Troy opens his universal translator gift from the group, Britta reminds everyone to be sad, because she’s Britta and that’s how she copes.

Britta: “Let’s not forget, it’s okay to be sad, too.”
Jeff: “Britta, do you get kickbacks from Big Buzzkill?”

HOW DARE YOU, JEFF.

Continue Reading

The Unusual Suspect

This post contains spoilers for the Lifetime TV movie, Lizzie Borden Took An Axe. It also contains some non-explicit discussion of the Borden murders. Proceed accordingly.

Sometimes I tell people what my parents let me watch when I was a wee one, and people look at me strangely. I don’t know if it’s because this new information makes some unconscious aspect of my personality make sense, or if they can’t understand how I’m not stranger because of what I grew up watching. But my parents never really saw a problem with letting me watch the nightly news, Unsolved Mysteries or Jeremy Brett’s Sherlock Holmes movies. (They did not give my older sibs permission to let me watch Heathers or Flatliners, but those also left an indelible impression.) Somewhere, in between watching 1-2-3 CONTACT and the NBC movie of the week, I also developed an affinity for melodrama. And, as I have mentioned before, I will watch nearly anything with Christina Ricci.*

Oh, Lifetime: Didn’t we almost have it all?

When I learned, late last year, Ricci had starred in a Lifetime movie about Massachusett’s infamous lady, Lizzie Borden, I was sold. I wasn’t expecting Lawrence of Arabia, but I figured Lizzie Borden Took an Axe would be good for a couple hours entertainment. I really ought to have to have remembered what network was broadcasting it.

I’m not going to get into the historical inaccuracies or the issues with characterization because there are people who will know more about this than I do, and I’d rather not flaunt my ignorance all over the place. While I’m not sure if the costumes were entirely historically accurate, I will say they were pretty without being ostentatious the way TV period pieces in the U.S. often are.

Blowhan

The clothes were lovely, even if they’re not quite the Victorian styles I’m used to seeing.

And while I can understand not everyone liking the choice to use contemporary music for the non-diegetic sound, I didn’t find it completely jarring. (On the other hand, I also loved Sofia Coppola’s Marie Antoinette, so maybe my taste can’t be trusted.)

What I do want to discuss is the missed opportunities in Lizzie Borden. The first article I read about this movie, back in October, included a quote from one of the producers about how the Lizzie Borden trial was the Dr. Sheppard or O.J. Simpson trial of its day. At its heart, this is a story that would still capture national attention today: A young woman is accused of brutally murdering her father and step-mother, vehemently denies it, and then all her family’s dirty laundry is aired at trial.

The start of the movie’s first act shows several potential suspects: People to whom Lizzie’s father, Andrew, owed money, and were unhappy with not being paid. The Borden family’s maid. A passing vagrant.** In keeping with the historical record, however, Lizzie is the only person arrested and tried for her father and step-mother’s murders.

In the course of the pre-trial inquest, it’s shown that Lizzie’s doctor gave her morphine to help her handle the stress of the daily questioning. Subsequently, Lizzie is shown changing her story, in the context of being stressed and confused because of her medicated state. And during both the inquest and trial, Lizzie occasionally appears either incredibly shallow or simple, commenting that the photo used by the local paper isn’t flattering.

However, aside from the producer’s decision to make Lizzie the murderer and have her confess as much to her older sister after the trial, at no point does the movie try to comment on the nature of celebrity trials or the importance of living in a post-Miranda Rights justice system.*** Furthermore, there’s no reflection on how the U.S. justice system treats women accused of violent crimes versus men; how or whether that treatment has changed over time; or even whether the Borden’s socioeconomic standing may have affected the jury’s perception of Lizzie’s guilt.

I don’t want to sound like a broken record, but the movie seemed white-washed, especially given that the entire series of events took place in the 1890s. The lack of diversity in the supporting cast of townspeople was enough to take me out of the story for a moment, even when the musical choices didn’t. And while we’re on the subject of representation, I found the indecision on whether Lizzie was a lesbian or not irksome: I realize most of the choices on the part of the production team and the actors were likely based on anecdotal evidence, but it either should’ve been an actual (minor) plot point or it should’ve been avoided completely.

Blowhan

Clea DuVall gave an understated performance, far more nuanced than I’ll guess the script portrayed her.

Finally, as far as the actors are concerned, I should mention Clea DuVall was excellent as elder Borden daughter, Emma. Her entire performance was understated, but the scene in which she locks her door against her sister after their parent’s deaths spoke volumes. Billy Campbell was overshadowed by his distracting facial hair in his role as the Borden family lawyer, but his performance was serviceable, if not as compelling as it might have been.

But I was disappointed in Ricci’s portrayal of Lizzie, as it felt like she had no internal life. Even at the close of the third act, when Lizzie is describing the murders in detail to Emma, the shots interspersed with Ricci splattered with gore and blank facedly swinging a hatchet, there is no indication of what Lizzie is thinking or feeling.

Emaguk

I really, *really* want to blame this uneven performance on the director. Christina Ricci is much more capable than this.

While portraying Lizzie as having wild mood swings might have given the character some spark, her scenes showed no identifiable shift. Instead, in one scene she’d be dour and unyielding, and in the next, unpredictable and childlike, without any rhyme to the change.

If you are trapped under your couch, unable to reach your remote to change the channel when Lizzie Borden comes on (and, inevitably, it will be replayed multiple times), watching it until rescue comes will not bore you to death. But if you are looking for a TV movie with a moral, in the grand tradition of the movies of the week that taught us college is a death trap or that we, too, might be single white female-d, you’re out of luck. Lizzie Borden Took an Axe might have been a great many things, but, in the end, it’s as unsatisfying as last weekend’s Flowers In the Attic ultimately was.

* If you would like to watch a more entertaining movie with Christina Ricci, I would strongly suggest tracking down All’s Faire in Love. It’s ridiculous and awful, but it’s still more entertaining.

** The movie indicates there may or may not have been a strange man on the property; it’s unclear whether he is a part of Lizzie’s hallucinations. I don’t know if her testimony included a mention of a stranger, but it was an element of this movie.

***The passing mention by Lizzie’s lawyer that any of her testimony during the inquest is inadmissible as she wasn’t informed of her rights is silly and a clear attempt to dumb down the material for modern audiences, who would be more familiar with contemporary police procedurals where suspects are read their rights upon arrest. However, the U.S. Supreme Court did not rule on the necessity of this until 1966, in the case of Miranda v. Arizona, more than 70 years after the Borden murder trial.

Tune In/Tune Out: Jan. 19-26, 2014

OK. So, it’s cold. It doesn’t matter if you live north of the Mason-Dixon, like Becca and I do, or to the south, like Kerry. It’s varying degrees of cold, and ‘freezing’ has both a scientific and relative definitions, but I’ve spent most of the week unable to feel my toes properly. When it’s awful outside, cold like it is here or rainy, there’s not much to do but hunker down in front of one screen or another and escape to someplace, anyplace, else. With that in mind, here are our picks for what swept us away, and what merely swept us off our feet before dumping us in a cold puddle of disappointment.

TUNE IN

Shut Up and Bounce

Y’all didn’t think we were going to put a GIF of *that* scene in here, right?

The Mindy Project: It was a big episode, and hopefully it’s enough to hold us over until April. Thanks a lot, Fox. –Kerry

Courtesy of Julieta Colas. All Rights Reserved.

You guys, you know I never cry.

Community: What is there to say about “Geothermal Escapism”? (Other than what Becca said, that is.) It was a brilliant action episode, up there with “Modern Warfare,” “A Fistful of Paintballs/For a Few Paintballs More,” and “Pillows and Blankets.” But more importantly, it was the send-off Troy, and Donald Glover, deserved. – Moff

Bonjour Clarice

So, clearly I missed the memo that I even *had* a time. Bummer.

Enlisted: After last week’s stumble, this show recovered nicely with a brother-centric episode that shed light on Pete’s difficulties with adjusting to civilian life. The scene that Geoff Stults and Keith David shared was unexpectedly touching, and if this show has more moments like that mixed in with the absurdities of the oddball squadron, this show might actually stand a chance in the vast wasteland of Friday night scheduling. –Kerry

Frankenreich

Ichabod Crane: Human-size anachronistic puppy.

Sleepy Hollow: It was a hell of a ride for the two-hour finale, and I can’t quite fathom having to wait till the autumn to find out what happens next. – Moff

TUNE OUT

Parks & Recreation: Ann spent her penultimate episode complaining about her boyfriend/baby daddy to a bunch of former coworkers who didn’t care about her First World Pregnancy Problems. It’s been weeks since we’ve seen her interact with Leslie, and watching her spend this episode screeching to everyone except her best friend was very frustrating. (Ron and his noise-cancelling headphones marginally picked up this storyline, as did Donna with her Cuban cigar and yellowfin sushi.) –Kerry

 

Bon Troyage

Warning: this post contains spoilers from episode 5.05  of NBC’s Community, “Geothermal Escapism”

Last night, we said Bon Troyage to Troy Barnes. Some shows may have had a goodbye episode full of Troy’s greatest moments on the show, or the Study Group all sitting around and saying goodbye to Troy. However, this is Community, and they have never tried to be normal. Instead we got an epic Lava World episode.

Britta was amazing in this episode. She points out to the group it is ok to be sad Troy is leaving, and that sometimes people push away the sadness with forms of happiness. I am one of those people. I have moved seven times throughout my childhood, and I always preferred to leave on a happy note. Sure there were “I’m going to miss you’s,” but I always wanted to jam pack my last moments I spent with my friends with happiness. This might be one of the reasons why the group including Jeff went along so willingly to Abed’s game of the floor is lava. They want one last epic adventure.

This episode reminded me of the former paintball episodes. One of the reasons is they all highlighted on the journey of different members of the study group. The first paintball war focused on Jeff’s journey throughout the episode, while the second focused on Annie. This episode focused on Britta, and her trying to get the study group to process their feelings about Troy leaving. However, Greendale takes their games very seriously.

During the game, Jeff and Annie save Britta from Duncan, and offer her a chance to join their alliance. The one thing that is more interesting than seeing Jeff so invested in this game is the audience got actual scenes of Jeff, Britta, and Annie where there was no hint of a love triangle. There was no bickering, and Britta and Annie were not pitted against each other. I want to bottle up these scenes and save them.

They run into Chang and his locker gang, but are saved by Troy and Abed who have found each other. The scene shows how powerful the two of them are together, and it makes Troy leaving hurt even more. The group quickly has to escape from Hickey before he destroys them from the awesome machine he has made (the man is a genius). While they are escaping, Chang and his gang are destroyed with Chang yelling Nathan Fillion is his guy crush (I seriously can’t wait for next week’s Community).

Annie and Jeff are in the lead, leaving Troy, Abed, and Britta behind them. Britta is still trying to get Abed to recognize his pain with Troy leaving. However, Abed doesn’t want to do this, and leaves Britta behind with Troy following him. Britta is left alone, and it looks like Hickey is going to send her to her lava fate. However, he invites her to join forces with him. I have a new respect for Hickey with this episode.

The rest of the group is able to make it to Shirley’s Island. It is interesting to see Shirley has made an oasis like Pierce did during the second paint ball war. Of course Shirley and Pierce do have similarities. One of them being they are sometimes the odd ones out of the study group. In season one, Pierce and Shirley had a heart to heart about how they were sometimes left out in the group, and it is true. Shirley even mentions this in her goodbye to Troy about how she is a boring old mom from his study group. I seriously want to hug Shirley.

As for the final part of the game the last three contestants left were Britta, Troy, and Abed. It makes sense Britta is the one left with the famous duo because she understands their friendship, which was proved during the Inspector Spacetime Convention episode. Another reason is she is probably the closest to Troy besides Abed. It was wonderful to see Britta coming up with the idea to clone Abed in order to bring Abed back. Britta is able to fix the problem, and help Abed accept Troy was leaving him.

Troy’s and Abed’s friendship is a beautiful thing. Troy was Abed’s interpreter. Troy also admitted to Britta he was the only one who slightly understood how Abed worked. It is one of the reasons why Abed was so afraid of Troy leaving. Abed had been able to gain a close friend with Troy, and Troy understood him better than anyone else. It is going to be interesting to see how Abed functions without Troy.

The sadness Britta was wanting finally came in the end, and we got heartfelt goodbyes from him with each member in the study group. Troy is the sweetest person in the study group, and always knew the right thing to say to each member. For Britta, she is still the best (not the opposite of Batman), and she was the only one he said I love you to. I loved Britta and Troy together, and it was great to see their breakup never ruined their friendship.

The moment him and Abed said goodbye was a tug at the heart strings. They still pretended to be their clones because it was one of the few ways to accept the reality of the situation. The real Abed came out with him mentioning the homing pigeon, and telling Troy in his Abed way to come back home soon. The hug was heartbreaking because you could sense the feeling of loss between the two of them.

The best part of the sendoff was probably having LeVar Burton be Troy’s companion on his voyage, and them riding out of Greendale to “Come Sail Away.”

As for the tag, it was the best one of the season, and I would also like to know why Star Trek wasn’t called Planet Trek.

“What color are your shoes?”

**This post contains spoilers for the most recent episode of Arrow, “Blind Spot.”**

This week’s Arrow was a Laurel episode, as least as much as any Arrow episode can be character-centric. It was also heavy on the Roy storyline (with bonus Sin!) as well as the island flashbacks. That means we saw a lot less of Oliver than usual (both in amount of screentime and amount of skin) and we really only got two good scenes of Team Arrow. But there was this:

 

This episode felt a little disjointed, especially given that we’ve been treated to tightly-plotted and fast-paced episodes since we met Sara. I saw it as a good thing; I think shows like this need to take an episode or two to step back and reconfigure their storylines, at least to establish a base line of normality so that we don’t start losing our connections to the characters. The alternative would be something akin to The Vampire Diaries, a show that went full-throttle with every episode, to the point that some beloved character had to die (and come back to life) at least once a week in order to maintain the momentum. Arrow is doing a better job of striking a balance, and a slower-paced episode couldn’t have come at a better time. Shado is dead, the Mirakuru is at work in the city, and we know that the end of this season is going to be explosive. It’s nice to watch an episode where Oliver spends most of his time in regular street clothes instead of in business attire or a hood.

Unfortunately, the slower pace happened during a Laurel episode. Her character has many detractors (sometimes including me) so it’s easy to pin this episode’s lack of action to Laurel. I don’t think that’s entirely fair. Yes, Laurel’s scenes could’ve been more dramatic and emotional, but she’s not a superhero or a villain. She’s a normal person struggling with addiction, so her scenes are going to be a little more human than the ones with Roy or the island flashbacks.

I will give Katie Cassidy credit where it’s due: her scene with Paul Blackthorne in the interrogation room is some of her best work. Even though she still doesn’t actually shed a tear onscreen, she looks absolutely wrecked, like a person going through the anguish of drug withdrawal. Her sobbing and begging to her father were heartbreaking, and Blackthorne in turn gave a deeply emotional performance.

In fact, if there’s an MVP in this episode, it’s Blackthorne as Beat Cop Lance, because he straight up Diggled this episode. (To “Diggle” something means “to make the most of one’s very limited screentime by being amazing.” I’m determined to make this an actual verb.) He had three key scenes: One in the interrogation room, one with Oliver, and one at the end where he debriefs with Laurel. The scene with Oliver, in particular, shows his growth as a character.

 

It also supports my theory that Lance knows Oliver is The Arrow, just because I want it to be true.

And Diggle also Diggled this episode big time.

 

But let’s get into the meat of the episode: Laurel is busted for illegal possession of narcotics. She’s busted because she’s getting too close to Blood, who kills his mother in the cold open. She went to Hooded Oliver for help, and they went on a wild goose chase for a file that would prove Blood killed his father, but the file turns out to be empty.

Present-day Slade gets on Blood’s case for being sloppy, so Blood has Daly ransack Laurel’s apartment with a warrant, which is how they find the drugs. This, plus the fact that Laurel’s kidnapper turns out to be Daly himself, effectively discredits Laurel’s increasingly screechy theory that Blood is a criminal mastermind, as everyone from her own father to ADA Adam think she’s lost credibility. In the end, she loses her job, as well as the trust of her closest ally: The Arrow.

But things aren’t looking so rosy for Laurel from a backstory standpoint, either. Sara tells a story about how she had a crush on Oliver back before he dated Laurel, and that her dear sister called the cops to bust a party so that Sara would be grounded. A month later, Laurel and Oliver were dating.

It certainly doesn’t excuse what Sara did, going on the Gambit and sleeping with her sister’s boyfriend, but… it certainly provides the motivation. And if the details are to be believed — if Laurel truly busted that party just to get Sara grounded so that she could take her shot at Oliver — it certainly changes the commentary on the elder Lance sister, doesn’t it?

The island flashbacks also explored Sara’s Stockholm Syndrome with Ivo, but she manages to separate herself from him at the end of the episode, just as he vows to find her and end her. Sara turns to Oliver and says they should find Slade. Hopefully they find him soon.

 

Elsewhere, Roy is dealing with his superhuman strength by trying to use it to make the city better. That involves getting Thea to dress up Sin in her “first date outfit” which of course makes Sin look like a prostitute. She’s able to lure someone called the “Starling Slasher” into Roy’s trap so that he can apprehend the guy, but Roy ends up losing control and beating the guy to within an inch of his life. The resulting angst sends Roy running from a concerned Thea, and he sinks against a hospital wall and cries.

Thea later tells Oliver about the man Roy nearly beat to death, and that finally compels Oliver to go to Roy and offer to train him to control his emotions. I’m not sure how Oliver knows how to do that, but I do think it will involve Oliver finally revealing his true identity to Roy in the near future.

 

Finally, after Blood has successfully discredited Laurel, sacrificed Daly, and taken the heat off of himself, Slade has a logical response: slaying all four of Blood’s henchmen. He’s wearing his Deathstroke mask and warns Blood that if he fails again, he will be the next to die. It’s pretty much the greatest thing ever.

None of that compares to the greatest scene of the entire episode:

 

That’s a scene you need to listen to in order to enjoy. Never has the question “What color are your shoes?” sounded so threatening.

Next week: Roy gets house trained! I mean… Roy gets trained!

Picspam: Community 5.04 “Cooperative Polygraphy”

Last week’s Community episode, “Cooperative Polygraphy,” was a bottle episode, the first true bottle episode since season 2’s “Cooperative Calligraphy.” In terms of structure, I think this one was superior; the gripe I have consistently with “Calligraphy” is that it’s left to Annie and Britta to drive the bottle-ness of it all and keep the group trapped in the study room, and they both end up coming off as a bit unhinged and maniacal (Annie about the pen, Britta about, well, everything) that seems out-of-character when you watch it in sequence with the episodes around it. “Polygraphy” opted to bring in an outsider to keep everyone in the study room, which evened the playing field for the study group. Hooking them all up to a polygraph machine felt a little gimmicky, but it turned into a great bit that worked better than I could’ve expected.

But in terms of character moments, “Calligraphy” has the upper hand. It had the benefit of happening three seasons ago, when the characters were still learning things about each other and a group breakup always seemed imminent. Now, five seasons in, a bottle episode full of deep dark secrets and horrifying revelations feels like we’re revisiting a premise we’ve already seen. (And technically, haven’t we seen it already? As much as I’d love to forget that puppet episode from season 4, the setups were more or less the same.) In the end, it felt like the first two acts of this episode were scenes we just had to get through, and the third act was the real episode. But let’s see what you think as I picspam this thing.

001

It was a weird afternoon at a weird funeral for a weird dude. I was a fan of Pierce, there weren’t many of us, and I was sad to see Chevy go, but I don’t deny that he was the weak link of the study group. The writers too often went to the racist-bigoted-homophobic well for him, when I thought he was funnier as the group’s out-of-touch but still loveable member. I could spend hours watching him try to work the voice controls on his phone, or try to infiltrate the rock band at school, or freak out at the idea of being left out of the group’s activities. But he’s gone now, for better or for worse, and this episode served to function as the launching pad to that idea: a study group now permanently without Pierce. Will they be better, or will they be worse?

But that’s not all the episode had in store for us.

Pierce was in a weird cult, remember? The funny part is that when Jeff, Abed, and Troy colluded to dress Pierce up in a ridiculous costume back in 1.20 (remember, he was dressed up as the Cookie Crisp wizard?) it turns out they weren’t too far off. They do wear blue robes and pointy hats. The only thing missing is the cookie wand — I mean, the wand made out of the meteor that Buddha arrived on. The group chats about the amount of beeping at the funeral and the amount of time Abed spent at Pierce’s coffin before Troy and Abed sing “Troy and Abed are in mourning.”

Jeff: “Will you guys please stop doing that?”
Annie: “I can’t believe you did it during your eulogy. So uncomfortable!”
Abed: “I don’t think the audience got that we were singing ‘mourning’ with a ‘u.’”
Troy: “You were singing ‘mourning’ with a ‘u’? Oh no…”

They talk about Pierce’s cult religion some more and then Chang walks in with a weird greeting and asks, “How was the funeral? Awesome?” Jeff: “No, Chang, our friend’s funeral was not awesome. It was deeply sad, you know, funeral style.”

Chang points out that they spent a lot of Pierce’s life complaining about his existence, but they deny it, true to form.

002

Troy: “Just a reminder, you gotta live life to the fullest. By the time Pierce was my age, he had already been fired from 15 jobs. I’ve only seen two Police Academies. The last two.”

Oh, Troy.

Jeff says he’s gone too soon but won’t be soon forgotten, and then in comes Mr. Stone, played by Walton Goggins. (I was leery of the number of guest stars they’d packed into this season, but so far, they’re using them all very well, and Goggins is a shining example of that.)

Stone: “I work for Mr. Hawthorne. He specified in his will that no matter how natural in appearance the circumstances of his death, a private inquest should be conducted to determine whether any one of you, his former study group, murdered him. To be clear: You must all submit to a polygraph test.”

Chang crows that they’re in trouble, but it turns out he’s a suspect too. It makes sense… he should be suspect #1 in any Greendale murder case.

Chang: “Fine. But I ask the questions.”
Stone: “I’m afraid I can’t allow that.”
Chang: “All right. Then just the ‘fine’ part.”

Then Pierce starts to escape from his contraption and Troy finally gets to eat a ghost like he said he wanted to do in 2.05.

003

The group talks themselves into humoring Pierce’s last wish, and then the questioning gets underway, starting with Britta. (The polygraph technician is named Mara, by the way.)

Stone: “State your name.”
Britta: “Britta Perry.”
Stone: “Have you ever had any thoughts of violence towards Pierce Hawthorne?”
Britta: “No.”
Mara: “Lie.”
Britta: “I mean, I may have wanted to slap him now and again, but I didn’t kill him.”
Stone: “And all your sexual fantasies about Pierce Hawthorne, none of them involved his murder?”
Britta: “What? No!”
Stone: “But you have had sexual fantasties about Mr. Hawthorne.”
Britta: “No! What kind of question is that?”

Stone says he’s asking the questions as Pierce dictated, and really, I don’t know how that line of questioning surprised anyone. Britta crouches low to the table, like she’s a cat ready to pounce on its prey.

004

Jeff’s turn.

Stone: “Are you gay?”
Jeff: “No.”
Stone: “Are you sure you’re not gay?”
Jeff: “Yes.”
Stone: “Gay murderer says ‘what’.”
Jeff: “What?”
Mara: “He’s telling the truth.”
Stone: “I’ve been instructed to point out that that means you’re gay.”

I’m not a fan of this group lie detector format — we could see the destruction coming from a mile away, and with a half-season of episodes in what everyone assumes is the last season, this format felt like a waste of precious screentime since it wasn’t exactly breaking new ground in the group — but these two exchanges with Jeff and Britta won me over.

Then it’s Shirley’s turn, and Yvette had some fantastic deliveries in this episode. Even if her material wasn’t exactly new or, erm, above board, it was worth it for Yvette’s deliveries. Stone asks if she considers herself an honest person; she does. Mara says, “She thinks that’s true,” and Shirley is offended.

Shirley: “Uh, you could’ve just said ‘no!’ I’m watching you, acting scientific and then adding in your little two cents every now and again, huh?”

Then she sweetly turns back to Stone and asks him to continue, but he’s got an ugly truth: Shirley donates money to a pro-life organization. This offends Britta on a deep level, but Shirley insists she’s allowed to donate to whatever organization she wants to and Britta snaps, “If I wanted the government in my uterus, I’d fill it with oil and Hispanic voters.” Thanks for the mental image, Britta.

005

Jeff: “Keep it frosty, ladies, don’t let your goats get got.”

Now it’s Troy’s turn.

Stone: “Mr. Barnes, state your name.”
Troy: “Troy Barnes. D’oh, I meant to say Butts Carlton.”
Mara: “He did mean to say Butts Carlton.”

Abed and Troy snicker about that, and I’m pretty sure when a Pudi giggles, an angel gets its wings.

Stone asks if Troy was angry enough to kill Pierce when he told him that Fat Albert died of diabetes, and Troy denies it. Then Stone asks if he and Abed have a survival plan for a zombie apocalypse that doesn’t involve the rest of their friends, (it includes a bag of coins and condoms in case they need to barter their way onto a boat, which Chang and Jeff totally understand) and Troy does not deny that. The group’s not too happy about that; Britta tells him that’s rude while Annie says she understands, which Mara says is a lie.

Shirley points out that Pierce is once again causing discord in the group.

006

Chang’s full name is Benjamin Franklin Chang (did we know that?) and he claims he’s got nothing to hide, but he’s out on the first question: “Have you ever masturbated in the study room?” He leaves without answering. He must’ve murdered Pierce.

It’s Abed’s turn now, and Stone asks if he’s ever “Nine-Elevened” anyone, which, of course he hasn’t. Then Stone asks, “When you were a child, did you ever kill a squirrel with a slingshot and were surprised that you felt nothing, and wondered if you were capable of doing it to a human?”

Abed hesitates to answer, but he denies it. The group holds their breath as Mara examines the data, and when she nods to indicate that he’s telling the truth, they all sigh with obvious relief.

007

Stone: “Do you and Troy still actively use Jeff’s Netflix account without his permission?”

Jeff left himself logged in at the apartment and Troy and Abed never logged out. As someone who shares her Netflix account with seven other people, I don’t think it’s a big deal, but all of those people at least have my permission, so long as they don’t change my review of The Grey.

Jeff: “Is that why my review of The Grey is constantly changing?!”
Abed: “Yes. Stop giving it four stars.”
Jeff: “I like Liam Neeson!”
Abed: “Then send him a message about the roles he chooses.”

Jeff is outraged and Annie tries to lie that she had no idea, but she’s ratted out by Mara. That’s fine, because it’s her turn now. Stone asks if she used her “exceptional intelligence and organizational skills” to murder Pierce. She did not. Then Stone asks if she overcharges Troy and Abed on the rent, and… she does.

And that had potential to be awesome. Just last week, I posited that Annie collects money every week, puts together a weekly grocery list, and does the shopping for the guys so that none of them starve during the week. When Stone first asked Annie about the rent, I was hoping she padded their rent to help pay for groceries, since they are irresponsible with money. It would’ve been so cool, very in-character, and a nice little world-builder to the way the group exists outside the study room.

Instead… Annie charged them each $10 extra, which she puts into an account that yields 4% interest. “You’ll be thanking me in six years when you find out you have $86! That’s jacket money!”

It just feels like another case of the writing going for the joke instead of the characterization — Troy and Abed could’ve been equally as outraged if she was putting it toward groceries, because she was still padding the rent without telling them. Oh well. At least she’s not gambling it away. I wish it was the worst thing that happened with Annie in this episode.

Shirley: “Annie, you should know better than to hoard money. That’s a stereotype.”
Annie: “Was that anti-Semitism?”
Shirley: “No, that’s sensitivity! It’s anti-Semetic to do things like that when you know full well you’re Jewish!”

Just… I’m gonna move on.

008

Troy complains that they could’ve bought a tire for their tire swing with that money, and Jeff interjects, “Or your own Netflix account?”

They all descend into arguing, because that’s how bottle episodes work, and then Stone yells over them and announces that this was just the calibration round. Jeff thinks they should stop now, but Annie says they should do it for Pierce, to which Jeff replies that normally they’d only do this stuff if dead people didn’t cause problems, but Pierce totally does. Everyone decides they don’t want to humor him anymore, but Stone stops them.

Stone: “It should be noted that Mr. Hawthorne’s estate is worth over 20 million dollars, and only those cleared of his murder can receive his bequeathments.”

Jeff points out one more time that Pierce is trying to manipulate them, and they all agree with him, making like they’re not going to stay and play along.

Mara: “They’re all lying.”
Shirley: “We all know that, you judgmental bitch!”

Amazing.

009

After the break, Mr. Stone starts the first round of questioning with Britta, asking her about her sandwich order at Shirley’s Sandwiches. She says she always orders the only one she can, “The Helen of Soy with no mayo.”

Stone: “Are you aware that in order to save money, Shirley stopped using real tofu and replaced it with a midwestern tofu substitute called ‘meatfu’?”

Britta is disgusted, and ugh, I can’t believe Shirley violated her like that. Britta was nice enough to support Shirley’s business, her life’s work, the thing that puts food on her table for her kids, and Shirley was too cheap to stay true to the one vegetarian option on her menu? Poor Britta. And really, even meat eaters would be disgusted by “meatfu,” considering Shirley tells Britta, “It’s still not actually meat, legally.” Ugh.

Britta: “You have never respected anything that I hold sacred!”
Shirley: “I’m sorry!”

She doesn’t actually sound sorry, though, which is disheartening even if the delivery was hilarious.

But Stone changes the momentum by asking Shirley, “Did you know that Britta was high on marijuana at your son’s baptism?” Shirley gives her this amazing side-eye and repeats, this time in a dangerous voice, “I’m sorry?”

Britta: “Well, no higher than usual.”
Mara: “Not true.”

Hahaha.

Shirley: “You did drugs in my church?”
Britta: “No, I did drugs in the parking lot of your church. How else do you expect somebody to sit through something like that? At least with a bris, there’s an element of suspense!”

Hahaha an element of suspense, I can’t be mad at you Britta.

010

Jeff reminds them that if they want to get through this ordeal, they need to forgive each other and own up to their mistakes. That gets him the spotlight from Mr. Stone.

Stone: “Mr. Winger, is it true that you keep trophies of your sexual conquests?”
Jeff: “… In a church, Britta? For shame! That’s where Jesus gets his mail!”

Annie’s so outraged at “Adrien Grody” that for a second, I thought she was one of his “sexual conquests” and she was afraid he kept a trophy from her. But judging from the fallout, and the fact that a Jeff/Annie tryst was not a big revelation in this episode, it seems they are still at platonic shoulder-holding levels of friendship. (Or they’re really good at keeping a lid on it.)

Jeff explains that girls leave stuff at his apartment, he’s a single man, he can’t help it, and then Stone asks if one of those trophies are Britta’s panties.

Britta: “You told me a hawk stole them! You exploited me and made me believe in a more magical world!”

She’s so cute when she says that that I can forgive the airheadedness.

Abed asks that if Jeff wants to collect women’s underwear, why doesn’t he just buy them, and Jeff says, “They have to be won in battle.” This grosses out all the females, but honestly, all of Jeff’s revelations in this episode were the least surprising to me.

011

Jeff says it’s way more gross that Pierce was going through his stuff, but Abed and Troy disagree, since they snoop through his stuff all the time.

Troy: “Why do you keep bread in the freezer?”
Abed: “And why does your bathroom mirror say ‘You’re special’ when you fog it up?”
Jeff: “I don’t have to answer — you took a shower?!”

Amazing, and also, still totally fits Jeff’s characterization. Is keeping bread in the freezer a weird thing? Because my mother does that to keep it fresh, but maybe Jeff does it because it’s carbs and that’s his equivalent of keeping Cherry Garcia in the back of the freezer?

Stone: “Mr. Barnes –”
Troy: “Okay, I did it, I killed Pierce!”
Mara: “Lie.”
Troy: “Okay, good, just making sure.”

And then it turns out Troy stole his and Abed’s trademark handshake from some other guy on YouTube. As far as revelations go, that one’s the lamest.

012

He did get to yell “Silence, wench!” at Mara, though.

Abed: “I can’t look at you right now.”
Troy: “Then you should know, I’m crying.”
Abed: “I forgive you, but only to escape the established pattern of self-righteous indignation followed by immediate comeuppance.”
Stone: “Mr. Nadir.”
Abed: “Okay, I guess it’s happening anyways. You broke my heart.”

Stone asks Abed if it’s true he’s planted GPS chips on everyone, and Abed confirms that it’s true. Even Troy looks offended and flabbergasted as everyone falls silent.

Abed: “Okay, you guys are changing your faces. Are you mad at me, or hungry?”
Annie: “You’re tracking us? We’re mad at you, Abed!”
Abed: “Why?”
Britta: “Because we already live in a totalitarian surveillance state, do you not read my status updates?”

Hahaha Britta really had some amazing lines in this episode.

Abed says he’s not the government, he’s their friend (Britta: “That’s what governments say, nimrod!”) and I actually buy that Abed doesn’t see the issue here. He did it from a purely pragmatic standpoint.

013

He shows Britta the tracking system that he uses in the event that one of them gets kidnapped, and that’s when they realize why Abed was by Pierce’s coffin for so long. The real question is… how did Pierce know? Did Abed tell him?

Jeff asks where the chips are, and Abed says they’ll never find them. Everyone searches their body parts (Shirley’s checking her hair) as Annie says that she knows Abed knows this was wrong. Abed says he’s ashamed, then yells, “Lie!” at the same time as Mara.

But Annie doesn’t have room to talk.

Stone: “Miss Edison, is it true you once secretly dosed the members of your study group with a pharmaceutical amphetamine?”

014

Annie explains that she slipped “five milligrams of something-something” into their drinks while they were studying for their Anthropology final in season 2.

Everyone’s reactions are pretty much perfect. Some of them might have underreacted, like Jeff, who eats a single boiled egg for lunch and probably counts his calories, or Shirley, who was pregnant at the time. The only person who properly reacts is also the only person who doesn’t have a leg to stand on.

Abed: “I’m a bad person for tracking your location, but you altered my brain chemistry? I was up for three days that week, I invented an entire language, you flitzbarping gitzgorg.”

He goes on and on about how she messed with his brain and how that’s so unforgivable, and no one seems to focus on the two glaring problems: 1) Shirley was pregnant at the time! 2) Annie still had access to drugs all this time?! She’s a recovering drug addict! They should be more concerned!

I’m willing to believe that Annie’s on some kind of trajectory to admitting she has an ongoing narcotics problem, because the hints have been dropped, but they’re still being played as throwaway bits instead of actual character building. I’m also willing to believe that Annie didn’t dose Shirley, and that she just didn’t have the time or presence of mind to make that distinction given the rapid-fire pace of this scene. But still, there’s no getting around the fact that she drugged her friends against their will. It’s inexcusable.

015

Troy points out that Abed kiiiiinda does mess with Annie’s brain, just not with drugs. Turns out Abed is technically catfishing Annie, as he’s created a fake online persona (Brett Underjaw) and lured her into a relationship. Annie has the nerve to be offended by catfishing in the wake of her drugging her friends, but it keeps the scene moving so I have to let that go.

Abed: “I noticed whenever you were in a relationship, you hummed a lot and made pancakes in the morning. It wasn’t about hurting you, I did what I did in the name of breakfast.”

My husband said he totally understood Abed’s motivation in this instance.

Annie’s still upset as she cries about all the stuff she confided in her fake boyfriend. “I told you about my holding hands at Disneyland fantasy!” Careful, Annie, we almost had to slap an R rating on that fantasy! I can’t believe it made it past the censors! (“Holding hands” is a double entendre, right?) Jeff reacts exactly the way anyone would expect him to react to a fantasy involving Disneyland. (Sorry, shippers, it’s who he is.) She ends up screaming, “Do you care about people at all, Abed?”

Abed doesn’t have a response, so it must be time for deflections!

Abed: “Jeff made me apply for handicap parking so he could get a better spot.”
Jeff: “Britta’s the one that invited Garrett to Annie’s birthday party!”
Britta: “Troy won’t sit on a toilet seat after Jeff!”
Troy: “When we’re alone, Shirley refers to you guys as ‘those people!’”
Shirley: “Oh, when Annie’s with other females’ dudes, she calls Jeff her uncle!”
Annie: “Shirley thinks we’re all going to hell!”

They spin into arguing again until Jeff stops them.

016

Jeff: “We have to stop letting Pierce do this to us!”
Stone: “Mr. Hawthorne hasn’t asked a question in quite some time, Mr. Winger.”

That’s when they all realize that they’d forgotten for a moment that he was gone. They wonder if he was trying to make them realize they were no better off without him, or than him.

Chang marches back in. “I didn’t just masturbate in the study room. I masturbated everywhere. EVERYWHERE!” They all look disgusted, but he calmly puts his hands back in his pockets and says, “Huh. Confession is good for the soul. You should try it sometime.”

The good part is… it’s time for the third act. And this is an episode where the third act not only saves the episode, but it makes everything totally worth what we just went through.

017

Stone says there’s one more round of questioning, and Jeff asks if they can stew in their own filth for a couple of minutes before slogging through the rest. Annie points out that it’s strange how they’ve known each other for five years, and yet they’re still keeping secrets.

Annie: “You’d think by now we’d be better people.”
Jeff: “Maybe we got into this mess by thinking there was such a thing as better people.”

But that gives him an idea for his Winger speech.

“If we’re no better than Pierce, and Pierce is no better than us, then that means nobody’s really that bad. So what if we’re willing to suffer and inflict pain at the mere prospect of material reward? If we stop now, that doesn’t make us better, it just makes us so dishonest that we would rather be poor than admit we’re flawed. Pierce admitted he was flawed, and he died rich. Let’s celebrate his life and death in an honest way.”

And truly, wasn’t that the core of Pierce’s character: He was unabashedly honest, even when that honesty was racist or offensive?

Jeff suggests they all air out their dirty laundry before the last round of questioning.

Jeff: “I’m Jeff Winger, and if I had my choice, I would rather look at myself naked than the women I sleep with.”

I think he’s half-lying, or more specifically, I think that’s rooted more in insecurity than in narcissism, but that’s fodder for a separate post. Either way, I totally believe it, and I also don’t find it that dark or surprising.

Annie: “I’m the one who hit Jeff’s Lexus in the parking lot!”

And all he does is make that face at her. She hit his beloved car, lied to him, and didn’t admit it until now, and still, all he does is make this face at her.

018

Britta: “I only give money to homeless people when I’m walking with someone!”
Troy: “I’ve never been to Legoland. I just wanted you guys to think I was cool.”
Shirley: “I can be passive-aggressive sometimes. Don’t everybody disagree at once. Oh Lord, I did it again.”
Abed: “When any of you chew gum, I want to punch you. You may as well have submachine guns in your mouths. It vibrates my skull.”

Jeff and Annie’s truths were worse than these. Shirley’s wasn’t even a lie, it was just a personality trait.

Jeff tells Stone to hit them with his best shot. “May it be as brutal as we deserve.”

Thus begins Pierce Hawthorne’s final round of questions.

019

Stone: “Britta Perry. Do you know that you hate yourself more than you should, and that your passion inspired me?”
Britta: “No.”
Mara: “That’s true. She didn’t know.”
Stone: “To Miss Perry, I leave my iPod Nano, filled with music to take life less seriously by.”
Britta: “Oh! That’s nice!”
Stone: “I also leave you this liquid nitrogen-cooled cylinder of my hyper-virile sperm, in case your lesbian lifestyle one day wears out, and you wish to raise an army of geniuses.”

Her side-eye is epic. (Remember in 1.02, when Pierce told Jeff the story of how his sperm were so strong, they shot straight through the eggs?)

Also, this.

020

Stone: “Shirley Bennett.”
Shirley: “Hm?”
Stone: “Did you know that you are not only a credit to your race and gender, but to our species? And that I was intimidated by your strength of character and business acumen?”
Shirley: “Yeeees.”
Stone: “To Shirley Bennett, I leave my spacious timeshare in Florida –”
Shirley: “Oh!”
Stone: “ — where she can take what’s-his-name and however many children she has now.”
Shirley: “Uh huh.”
Stone: “I also leave you a cylinder of my sperm.”
Shirley: “Oh.”

Not to put too fine a point on it, but I think Shirley was definitely Pierce’s second favorite.

021

Stone: “Annie Edison. Did you know that you were always my favorite?”
Annie: “You mentioned it once, but…”
Stone: “I leave you this tiara, which you once refused to accept. It’s the same tiara I used to wear when my mother would verbally assault me for not being a little girl. Also, sperm.”

I have to point out that Goggins really did Chevy Chase a credit in these scenes. I don’t know if he necessarily knew that he was essential to giving Pierce a proper sendoff, but the way he delivered these lines with such emotion and softness really made it feel like Pierce was in the room, saying these rare nice things that we knew he was capable of saying, but so seldom got to see.

Stone: “Jeff Winger. Did you know you’re gay?”
Jeff: “No.”
Stone: “Agree to disagree. To you, I leave this bottle of fine scotch, so that you’re less tempted to drink this cylinder of even finer sperm.”

The bottle is “Glencallan 40,” a popular prop scotch on TV shows, but I like to think it’s a nod to McHale’s preferred scotch, Macallan. Jeff looks touched by the scotch, then resigned to the sperm. As Pierce intended.

022

Stone: “Abed Nadir, did you know that you are insane and nothing that you said ever made any sense to me?”
Abed: “Yep.”
Stone: “Here’s your sperm.”

Womp-womp.

Stone: “Troy Barnes. Did you know that you possess the greatest gift that life can give: the heart of a hero? And that it’s up to you not to waste it like I did?”
Troy: “I think.”
Stone: “To Troy, I leave the obligatory sperm.”
Troy: “Maybe it’s because everyone else got one, and because it’s an old man’s semen, but… I’m kind of disappointed.”
Stone: “In addition, I am prepared to leave Troy Barnes my shares in the Hawthorne Wipes company, currently valued at $14.3 million.”

Everyone gasps. Even the audience.

023

Stone: “On one condition: You must first sail my boat, the Childish Tycoon, by yourself around the entire world.”
Britta: “What?”
Jeff: “Again with the bait-and-switch!”

Stone recounts Pierce’s story about how he was supposed to do the same thing at Troy’s age, but instead he floated off the coast of Belize and did tons of drugs.

Stone: “I’d like to give you the chance to do what I never did: Become your own man.”

Jeff starts telling Troy that he can lawyer his way out of this one, but Troy interrupts him twice, saying “I’ll do it.” Abed looks stricken.

024

Troy: “Pierce was a crazy old coot, yeah, but I think he knew something about me that even I didn’t know until now, because he’s offering me something I’ve been searching for my whole life: millions of dollars. And… being a man, or whatever he said.”

The group looks tragic as it starts to sink in, and Annie implores Jeff to say something. “I’m… speechless.” That’s huge for Jeff “Winger Speech to Take Us Home” Winger. Annie begs somoene, anyone, to say something, then she lands on Abed.

025

Abed: “Cool. Cool cool cool.”
Troy: “That’s a lie.”

His face falling is what ultimately gets me.

It’s great that Pierce got such a great sendoff, and that Troy is going out in a similar fashion. Logically, this was always the end of the story. Abed has been established as an unchanging and self-assured character, while Troy was always impressionable and uncertain because he hadn’t found his own way in the world. He became more confident and well-rounded when he met Abed, but he was still part of a duo, and for Troy, that was never going to be enough. One day, he needed to strike out on his own.

I don’t feel bad for Troy; I envy him. Pierce’s bequeathment is truly a gift to Troy, the best gift that he gave anyone in that group, and it speaks to Troy’s character that he accepts it. Moreover, it is a fitting story for Donald Glover, who is trying to do the same thing as his character, only without the assurance of $14.3 million at the end of his quest to find himself. It’s also fitting that in the end, Pierce was most similar to Troy, his former roommate.

026

The tag is delightful. Mr. Stone lets loose as he shares drinks with the group (it’s unclear who took who out) and waxes poetic about how agonizing the whole process was. It’s a nice mood lifter after the episode we just went through. By the way… Pierce died from dehydration from filling up all those capsules. Yep.

And hey… here’s hoping this is the end of the blue filters.

Nice Guys (and Dolls)

This post contains spoilers for episodes 1.12 and 1.13, “The Indispensable Man” and “Bad Blood” of FOX’s Sleepy Hollow.

I guess I was exceptionally lucky in college: I only came across two actual Nice Guys in the five years I was working to put myself through school and complete my degree. The first was by far the worst: After all, how exactly am I supposed to respond when a young man I’m not even dating asks if I’m a virgin when we’ve only spent a grand total of five or six hours together?

I certainly never was faced with a Nice Guy who claims he’s the only one who can save me from the coming apocalypse, then willingly turned himself into a demon when I turned him down; nor did I ever run across a guy who wouldn’t take ‘no’ for an answer, even after two centuries and his beheading. And I never met a man so incapable of empathy that he orchestrated a ridiculously elaborate revenge plot to prove his own worth and superiority. Then again, I’ve never spent much time in upstate New York. But I’m getting ahead of myself.

The first season finale picks up a couple days after the events of last week’s episode, where Capt. Irving’s daughter was possessed by a demon after George Washington’s bible, killed a priest, and was then defeated by a magic lantern. (Frankly, if the pacing wasn’t as tight or the performances as engaging, I wouldn’t believe this was a real show sometimes.) But a dead cop, let alone a dead priest, isn’t something that can be overlooked, and Irving and his daughter are both facing some pointed questions.

Meanwhile, Abbie and Ichabod are still figuring out how George Washington could have written a message in his bible in invisible ink four days after his historical death. (Although, considering how much the show has cribbed from the school of ‘wave hands, shout Freemasons’ thus far, I wondered at their focus on the ‘how’ versus the ‘why.’) However, not even our intrepid Witnesses – and, yes, there is finally a line about it being with a capital ‘w’ – can research 24/7, and so Abbie heads home to putter about in her kitchen, which is really a convenient excuse for Deputy Andy (Sadly, not the robotic one.) to creep on her in her home.

Fuck Yeah Sleepy Hollow

Second verse, same as the first.

They have a little tete-a-tete, wherein Andy explains his ‘in’ with Moloch, the Big Demon on Purgatory, means he gets a plus-one to the Apocalypse, and he’s inviting Abby. She’ll have none of it, or him, and Andy hares off back to his sewer hidey hole-slash-bachelor pad.

In the first of the evening’s homages to the National Treasure franchise, Ichabod and Abbie discover a letter from Zombie!George Washington to Future!Ichabod about where to find a map to Purgatory.

Lydia Got Stiles

Zombie Washington: The hottest costume of Halloween 2014.

Our Friendly Neighborhood Sin Eater, Henry Parrish, arrives to help the Witnesses discover the map’s final resting place. Their search takes them to the grave of the priest killed in the pilot, who happens to have been an equally well-preserved relic of the colonial era, but while there, Parrish, Ichabod and Abbie are attacked by a particularly violent reject from a Cirque du Soleil production. They return to the archives, where they then realize the map is buried with George Washington, and head off to retrieve the map.

In the second homage to National Treasure, the Witnesses and Parrish discover Washington’s Mason-fied underground tomb, where they are joined by a newly demon-enhanced Deputy Andy. They manage to retrieve the Map to Purgatory, but they also destroy Washington’s tomb in an attempt to trap Andy while they escape.

Nobody Leaves Without Singing the Blues

How to make John Cho Even Less Attractive: 1) Remove wrinkly neck skin; 2) Add veins. Lots and lots of veins.

(Side Note: I think that destruction counts as a fake felony? Because it’s destruction of federal property? Second Side Note: I have no formal legal education.) However, as the prophecy/rumor that Ichabod will betray Abbie continues to circle, Ichabod destroys the map to both prevent Moloch from getting ahold of it, and himself from using it to rescue his wife and condemning his partner.

The tomb raiders separate for the night, with Abbie heading home, Parrish retreating to his motel, and Ichabod sitting down in the cabin to recreate the map, thanks to his eidetic memory. Meanwhile, to save his daughter from punishment, Capt. Irving confesses to the murders of the cop and the priest, then is frog-marched out through the throngs of shocked Sleepy Hollow PD staff.

Fuck Yeah Sleepy Hollow

Anyone else remember when Orlando Jones was best known for “MAD TV”? Cause, man, he was underused when he’s capable of this.

(And encapsulating this relatively major plot point in one sentence is not even as abrupt as the show handled it, frankly.)

The following morning, Parrish informs Abbie and Ichabod that he had a vision of the second horseman, War, being awakened sometime that day. Ichabod reveals he redrew the map, down to the special incantation needed to open the Hellmouth door to Purgatory. While annoyed, Abbie agrees that if the timeline has been moved up, they must use the map to go to Purgatory, find Katrina and bring her back, as she is the only one capable of stopping War from arriving. Jenny Mills appears and begs Abbie not to go messing around with these grand cosmic powers, worried Moloch will be particularly unkind to the elder Mills sister. (The entire exchange prompted me to start referring to him as Old Man Moloch, who keeps yelling at those darn witnesses to git off his lawn.)

Doe Eyed Cat

As a sister, Jenny and Abbie’s relationship feels mostly realistic to me. Y’know, demons aside.

Abbie promises to return to Jenny, and Jenny agrees to stay close to the archives, where it is safe, which Jenny takes as orders from her big sister to comb through Sheriff Corbin’s collection of x-files, looking for further information to help their fight.

Ichabod and Abbie recite the incantation and cross into Purgatory, with a final warning from Parrish not to eat or drink anything they’re offered. (Now we can add the Persephone story to the various myths the show has used.) He also reminds them not to forget each other, as they will offered what they want the most.

Fuck Yeah Sleepy Hollow

Don’t try this one at home, kids.

Abbie’s deepest desire is up first, as she awakens in the cabin, calling for Ichabod but finding Corbin, Andy and fresh pie. She’s confused, but is all too willing to accept a reality in which her pseudo-father figure and good friend are both alive and whole. But when they all sit down for a slice of pie, she realizes it’s an illusion and refuses to eat her pie. The illusion shatters, and the scene shifts to Ichabod’s temptation: The love and admiration of his father, who actually renounced him when he switched sides after meeting Katrina. As they’re about to toast Ichabod receiving a full professorship, Ichabod realizes he’s trapped in an illusion, and his father does an excellent Walking Dead impression as ye olde teacher’s lounge explodes.

Meanwhile, Jenny has discovered in one of Corbin’s x-files information about an unnamed church, which, when she tracks it down and discovers the church’s name, sets her on a collision course with the Headless Horseman – literally.

Fuck Yeah Sleepy Hollow

Dead? Or merely unconscious?

The last shot of her is hanging unconscious and suspended from a seatbelt in an overturned truck as the Headless Horseman rides in the opposite direction.

As a dazed and disheveled Ichabod wanders among extras from Pan’s Labyrinth, he nearly stumbles over Abbie. Both are reluctant to believe the other is real, until what was a throw-away moment six episodes ago becomes integral to proving to each other they are who they say they are.

Fucky Yeah Sleepy Hollow

Fist bumps: They’re the new shibboleth.

From there, it’s a race to the last five minutes: Abbie and Ichabod find Katrina, who says she cannot leave without destroying the veil between the real world and Purgatory unless someone stays in her stead. Katrina and Ichabod return to the real world while Abbie is left behind, and promptly faces off against Moloch.

Fuck Yeah Sleepy Hollow

I’m not one to shout “FACES” about characters, but: HER FACE.

She’s unsuccessful and soon finds herself trapped inside a facsimile of the dollhouse she and Jenny had as children, unable to escape and with only teenage versions of herself and her sister for company. In the real world, Ichabod introduces Katrina to Parrish, and the three hike through the woods to Chekov’s Four White Trees, which have cropped up nearly every other episode. Unsure of how to proceed, Katrina and Ichabod dither until they are abruptly thrown against two of the trees and secured with vines as Parrish is, in fact, their own magically inclined son, all growed up and in cahoots with the forces of Evil. Jeremy ‘Henry Parrish’ Crane explains he did not die when his mother’s former coven trapped him in a grave for more than 200 years, but instead lay aware but unable to free himself until he was freed by Moloch. The Headless Horseman arrives and Jeremy/Parrish gives Katrina to the Horseman, in fulfillment of their long-broken engagement, then throws Ichabod into his own former grave and buries Ichabod alive.

Fuck Yeah Sleepy Hollow

Not gonna lie: This scene did remind me of Angel and Connor more than a smidge. And The Woods are as desolate as the Pacific.

Early in the season, Katrina tells Ichabod that Evil wins when good men do nothing, and his decision to disown his commission in the King’s army and join the colonists is driven, in large part, by his belief in two things: His own inherent goodness, and his desire to do something when confronted by the possibility of something worse than corruption and injustice. These two beliefs are what connect most of the main characters, to varying degrees: Abbie went into law enforcement to be a force for good, even though she came from a troubled background; Jenny risked life and limb to track and retrieve artifacts that could be useful in case of Armageddon; and Katrina aligned herself with questionable forces in an attempt to secure safety for her husband and child. While Ichabod and Irving began as skeptics, their shared belief in truth and justice were enough to carry them through events that strained the suspension of their disbelief. In the two-hour finale, the faith and trust these characters have in their cause, themselves and each other was severely tested. And as it wavered in the face of deeply held desires, they were weakened.

But here’s why I was so excited at the prospect of Abbie and Ichabod trapped, helpless and alone; by Jenny hovering on the edge of death; by Irving sacrificing his freedom; and by Katrina carried off by her former fiancé, now the embodiment of Death: They believe in their own goodness, but they aren’t arrogant about it. Where Moloch, the Headless Horseman, Parrish and Deputy Andy are certain they cannot be stopped, the show illustrates how the White Hats are plagued with self-doubt. Ichabod, Abbie, Jenny, Katrina and Irving never assume their plans will work, or that those plans will work exactly as they hope, especially as there isn’t exactly a “World Saving for Dummies” they can reference.

Fuck Yeah Sleepy Hollow

Yes, because telling Abbie Mills what to do is generally quite effective.

Furthermore, the agents of Evil assume the women involved in this story are less of a threat, that they are helpless without a man or backup. While the show has never shied away from killing anyone, Abbie, Jenny, and Katrina are not traditional Final Girls: They may be punished, but not for behaving in an unladylike way. They are not forced to run from the demons that chase them; most of the time, they don’t run at all, choosing instead to stand and fight. They are post-Final Girl heroines, embracing their flaws and femininity, and using their wits to defeat their enemies, rather than a well-placed pitchfork to the sternum.

In the same way Nice Guys underestimate the women they alternately fetishize and belittle, Sleepy Hollow‘s forces of Evil are focused on stripping Ichabod and Irving of their power and authority, believing it is enough to frighten, threaten and shame Abbie, Jenny and Katrina into submission.

 

Evil has grown arrogant, and that is its greatest weakness, as it assumes Abbie, Jenny and Katrina are no more than pawns, dolls which can be moved about arbitrarily without consequence. The finale elegantly sets up what will surely be a firecracker of a season two premiere, and I, for one, cannot wait to see the forces of Evil crumple under the weight of its own smug self-satisfaction.

“We’re gonna need a lot of rice.”

From time to time, reality intrudes on our valuable TV watching time, and we realize we can’t cover everything we love. So, we’ve asked some of our friends to step in and help us out when Real Life gets in the way. And today is one of those days. Please enjoy this Trophy Wife post from Mary.

Preeeetty sure the Trophy Wife writers are stalking me a little bit between last episode’s Pete moments and this week’s moment between Meg and Diane, but we’ll get to all that in a moment and then in the tag, respectively. Meg is grumpily helping Kate carry a heavy box in from the car when she sees Warren up to no good: “Hey, what’s the weird virgin doing on the roof?”

Then this happens (I just like how dramatic this gif looks):

Meg: “That’s probably not good for my hernia.”

Warren is, in fact, going to jump off the roof of Chez Harrison into the pool while Hillary films it on her cell phone. Kate orders him off the roof and he complies… with a cannonball into the pool. What a little jerk. Luckily even though Hillary misses it Meg gets the whole thing on her phone.

Meg: “Don’t worry, I got the whole thing cutie!” [To Kate:] “What? You know I’m a sucker for virgins.”

Weird.

Kate’s attempt to reprimand Warren and Hillary includes repeating “not cool, you guys” about fifty times, which is as effective as it sounds.

Meanwhile Pete and Jackie are at a meeting with Bert’s teacher about a drawing he did of himself holding hands with his parents.


Jackie: “Oh, he wishes he had longer arms!”

Back at Chez Harrison:

 

Shock of shockers, watching House Hunters International is not really working as a punishment, so Kate resorts to calling Diane to punish them. Here we learn that Diane spray-tans, and when she arrives at the house she and Meg flirt about it for a minute.

Meg: “That is a really nice tan. Mine always come out streaky, who’s your girl?”
Diane: “Janine at CocoSun.”
Meg: “Wow, does she take walk-ins?”
Diane: “Use my naaaame.”
Meg: “I wiiill!”

Perhaps it doesn’t come through just in the dialogue, but trust me, it’s full on delightful.

As Meg takes off to get a walk-in with Janine, Diane sends the kids to their rooms and sits Kate down for a talking-to. Kate needs to learn to punish the kids by herself (duh), but, “I don’t want to punish them. I just want them to love me! I want everyone to love me because it makes me feel better about myself!”

Airtight logic.

Diane: “Punishing is part of being a parent and thanks to Pete’s inability to date casually… that’s something that you now are.”

She goes on to remind Kate that she won’t always be around – “Oh, because…you’re gonna die before me.” “No, because I have a job.”

To solve Bert’s arm-esteem issues and also probably help him see his parents as something other than adversaries, Jackie and Pete discuss things they could do together with Bert. Jackie mentions pirate mini-golf, but Pete wants to go get ice cream: “It’s quick. You’re in, you lick, you’re out.”

Oh Pete.

Jackie, predictably: “Well. Maybe if you did a little more of that during our marriage, we’d still be together.”

Bert shows up then, and at the mere mention of pirate mini-golf Bert goes adorably insane as only a seven year old boy really can, so that’s settled. So much for Pete’s totally inappropriate descriptions of dessert-eating. I would enjoy that so much as a runner (hint hint).

Diane and Kate are roleplaying as Hillary and Kate and if there’s a way to tell Hillary-sass from Diane-sass it’s that Diane-sass is more sophisticated. It’s a fine whine, let’s say (PUN COUNT: 1). She gets under Kate’s skin with a Taylor Swift jab, and after another moment of badgering Kate busts out:

Kate: “You think you don’t need to listen to me because I’m the step-mom? Well from now on, you better think twice before you mess with me little Miss Perfect. This is my house, alright, take your CONDESCENDING ATTITUDE, YOUR TANGERINE ARMS, AND SHOVE ‘EM WHERE THEY DON’T SPRAY, GOT IT?”
Diane: “Are you speaking to me or Hillary?”

Play it cool, Kate, you’re still talking to the master. Kate’s next move is an actual smart one; she confiscates all of Hillary and Warren’s screens, from laptops to cell phones. “But then I can’t tweet! What if something happened, how am I supposed to tell people how I feel about it?!”

Okay I guess I relate to Hillary sometimes, but Kate’s having none of it. “I just punished all over this place.” And she leaves, awesomely swinging a power cord behind her.

The punishees’ next move is to obnoxious their way out of punishment because that ALWAYS works. Saxophone and vuvuzela playing?

Kate: “Mad disrespect. …if you guys are trying to break me, I’m unbreakable. Like Bruce Willis or Samuel L. Jackson. Or whichever one is unbreakable in that movie by that guy that’s unbreakable.”

While Kate is literally sticking Playdoh in her ears to combat her stepkids’ jerkishness, Pete and Jackie are brushing up on their pirate accents at mini golf with Bert. They both sounded oddly Irish to me, anybody else?

We soon discover that Jackie is a SHAMELESS cheater, which should come as a huge surprise to no one.

Warren and Hillary up the stakes to reading aloud from one of Pete’s LEGAL EROTICA NOVELS THIS IS NOT A DRILL.

“I’m not thinking very honorably, Jack.”

Marley closed her eyes. She could feel his hot breath on her neck. Jack looked at her lustily.

“Motion granted.”

Next? Straight up pilfering through Kate and Pete’s bedroom for their phones, then volunteering Kate for next door neighbor Heleeeeeeeeeeeene’s (that’s how they all say her name!) garage-based spay and neuter clinic, It’s Raining Cats and Dogs.

Kate’s near breaking and smartly excuses herself to get a pep-talk from Diane, which actually is almost a pep-inducing conversation!

Diane: “Kate, I believe in you… in this particular case… at this moment in time.”

Pete’s having some real issues with Jackie’s scorekeeping, which he expresses in piratespeak of course:

“Methinks your mom be takin’ libertes with the keepin’ of the scorrrre!”

His voice goes SO HIGH with his incredulity it’s fantastic, but then Jackie gets kinda cruel when Bert steps away to take his shot.

Jackie: “I forgot what a nerd you are, nerd. What a prison your life must be.”
Pete: “We should have done ice cream. We would have been done two and a half hours ago and you can’t cheat at ice cream.”
Jackie: “Oh, frozen yogurt much?”
Pete: “Well you found a way.”

As they’re squabbling Bert gets a hole in one and wins a coupon for a free round, good today only. Yay!

Hillary and Bert, left alone for like half a minute, hear Kate’s phone ring and when they’re almost caught with it Warren throws it down the kitchen sink drain into the disposal. My toddler also throws things he’s not supposed to have when he’s caught with them, which is why we try to keep all valuables out of his reach. Kate really should have Warren-proofed before she stepped out.

Kate was in the shed, “full of cobwebs and Thighmasters, ugh!”, and goes to wash her hands. Hillary whispers to Warren that they’ll just put her phone in some rice to dry it out. Kate notices the sink isn’t draining and turns on the disposal. Warren: “We’re gonna need a lot of rice.”

Then the near-dead phone rings, Kate realizes what’s happened, and she. Goes. Nuts.

“Youuuuuu little {BLEEEEEEP}. THIS IS MY {BLEEP} PHONE YOU TWO THANKLESS {BLEEEEP} SMACKING {BLEEP} SCHEMING LITTLE {BLEEEEEEEEEEEEEEEEEEEP}”

Warren and Hillary shrink away in horror and we slink away to commercial.

Back from commercial, Kate’s still {BLEEPING} going.

“Everybody. To your rooms,” she finishes.

Kate picks up the landline to call Pete in time to hear Hillary tattling on her to Diane, who arrives (again) momentarily. She pulls Kate outside and proceeds to totally pretend to ream Kate out. “Those are things that you don’t say out loud, you think them! I would have loved to have seen their faces.”

And then, with crazy arm motions to make it appear to Warren and Hillary watching through the french doors, she tells Kate she’s proud of her and IT’S GREAT! She tells Kate to find a balance between rage-monster and pushover, and then directs Kate to pretend-yell back at her. Kate thanks her for her support and tells her she really loves her kids and thinks they’re great – “…even Hillary.”

HAHA! I ugly cackle at that line every time. Hillary’s the worst.

Some jerky teenagers hassle sweet Bert at mini golf and tell Pete to shut up when he steps in. “Don’t say shut up! Shut up is mean, don’t say that!” Oh Jackie. Just be glad you weren’t hanging around Pete’s house today.

It devolves into a “shut up!” off until a pirate-dressed employee threatens to make them walk the plank (ban them from the course). Pete and Jackie, sensing a way out of the neverending day of not-ice cream, smartly decide to yell at the teenagers some more and promise Bert they’ll go for ice cream next time since they’re not allowed at mini golf anymore.

Back at home, Pete and Kate enjoy Hillary being an actual pleasant human being, and Warren has finished building the Ikea nightstand Kate had been interrupted from finishing with their shenanigans. Naturally it immediately collapses because Warren, but it’s the effort (and mind-numbing fearful respect) that matters. Kate is now a parent, officially.

And, though I don’t usually do the tags, I present to you something too glorious to leave out: Kate reading Pete’s legal erotica as he paces the living room in delight (and glasses):

“How does your client plead?” Judge Anderson asked as he reached for his gavel.

“Aroused,” Sydney purred back.”

The Magistrate shivered beneath his robe. ‘I wonder if she can tell I’m naked under it…’

Pete: “Oh yeah. That’s good.”

You have NO IDEA.

Mary is a military wife, mother, and certifiably pathological fangirl. Though she’s written before, this is her first foray into blogging. Her interests include livetweeting, cooking, baking, buying, and – most importantly – eating food, puns, and deciphering her toddler’s attempts to speak English. Follow her #mamatweets, #wifepeopleproblems, and #islandproblems (it’s not all complaining, honest) on Twitter at @maryarrr.