I Need a Hero

*Warning: This post contains spoilers to CW’s Arrow Episode 3.13 “Canaries.”

Last week, was one of the first weeks I did not loath Laurel. At the beginning of the episode, we saw Laurel taking out a bad guy Oliver and Roy were going after. Oliver confronts Laurel, and tell her what she is doing is selfish. Laurel replies that it is not selfish and “it’s what a hero would do.” This leads to the problem I have with the show. For some reason the show believes Laurel needed to lose her boyfriend and gain a drug habit so she could find her path to being a hero. Here’s the thing. Before Laurel’s part became mostly a love interest in season one, she was a hero. She fought for justice, and she didn’t have to wear a mask to do it. The people she brought justice to thought she was a hero. You don’t need to wear a mask and prowl through the night finding criminals to fight in order to be a hero. If that was the case, Felicity would not be considered a hero.

During the episode, Laurel gets stabbed with Vertigo by The Count (these are the times I miss Lincoln Lee Seth Gabel as The Count). Her nightmare is revealed as Sara, but in reality it is her doubt in ever becoming a hero like her sister. Illusionary Sara names all of Laurel’s flaws, tells her she will never be a hero, and asks why Laurel is trying to take her place. When Laurel comes to Felicity is there, and Laurel tells Felicity, “I was crazy to think I was fit to wear Sara’s jacket. So much as follow in her footsteps.” Felicity agrees with Laurel’s statement, and the reaction on Laurel’s face is priceless. She wasn’t expecting Felicity to agree. Felicity agreed because she knows Laurel does not face the demons Sara faced. Sara didn’t just wear the mask to hide her identity, but more to hide from who she thought she was. Laurel may have seen her sister as this hero, but Sara did not see herself in that way. Heroes generally do not see themselves as heroes. It what makes them a hero. For them it is a job. Oliver is seen as a hero, but he doesn’t recognize himself being one. He recognizes being Arrow as his job, and Sara was the same. They use fighting because that is what those five years being away taught them. Both of them lost so much of their humanity with those five years. They are/were slowly gaining part of their humanity back, but the demons will always be present.

The last vision Laurel sees from her second dose of Vertigo is Sara without her Canary outfit. The two sisters may not have always been on the best of terms, but Sara would never have been like the illusion Laurel saw and Laurel knows that.

What I do wonder is if Laurel went to see her dad the same night or not because Oliver must have taken her to get the second dosage of vertigo flushed out. She did seem to have all her faculties with her when she finally told Quentin the truth about Sara. Both actors gave their best performances with the scene and it was very moving. I do wonder if Laurel had not seen Lance accusing her of not telling him and Sara’s death, how much longer Laurel would have kept the secret. I guess we can thank Vertigo for something, but will we see any ramifications of nobody telling Lance the truth?

The episode had a couple of other revelations. The DJ was revealed to Thea as a member of the League of Assassins. I’m glad they didn’t bring out the story with him. By revealing who he was, then killing him shortly after made me see a glimpse of the second season where everything was fast paced. Stories don’t need to be drawn out, or visit points Q, M, and Z when going from A to B. The DJ served his purpose, and then killed himself. His purpose was to show Thea that Ra’s al Ghul was a real threat and she needed to be prepared.

The other revelation for Thea was Oliver being Arrow. The show did right with Merlyn in this episode compared to his his “redemption” story a couple of episodes ago. He was there when Roy and Thea couldn’t handle the DJ alone, and he was the one who told Oliver (what the audience has been screaming for a very long time) he needed to tell Thea about Arrow. Of course Thea also finds out Malcolm has known about Oliver for a while now, and whatever trust Malcolm was gaining with Thea is lost. The show uses Oliver’s voice when he tells Thea he is partnering with Malcom because it is the better of two evils. However, If Oliver does not also reveal to Thea what Malcolm did to her at the beginning of this season he may also lose her trust.

Oliver may have revealed to Thea he’s Arrow, but he is still trying to hide part of it from her when he tells her to leave the basement. Roy is the one who stands up to him, and tells him Thea should not be kept out anymore. When Oliver made the decision to tell Thea about Arrow he invited her into all of it. Oliver cannot comprehend his team not jumping when he tries to enforce Thea leaving, and Felicity drops another truth bomb. They all have their own voices, and the mission became even more theirs when they thought he had died. There’s no way they are going back to the way things were before Oliver left. Now Arrow is becoming more of a partnership than ever before. Oliver considered them partners before, but he still was the leader. He is able to understand the teams reasoning when Diggle lays it out for him. Felicity may drop truth bombs, but Diggle is the guru of understanding Oliver’s way of thinking and explaining how things are to him.

Nothing really happened in the flashback front. Maseo told Oliver to get back home before Waller could find him, but Waller found him and Maseo came back for Oliver. One of the last scenes we saw of the three was them entering Starling City. Home Sweet Home. A time where Tommy was still alive. This week will hopefully be a good week with Tommy and Slade appearances.

The Black Canary Cries

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**This post contains spoilers for episode 3.11 of Arrow, “Midnight City.”**

So last week I said I was pleasantly surprised by Arrow, and that on a scale of 1 – 10, I gave it a 5 while I fully expected a 2. Unfortunately, water always meets its level, so hopefully this week’s episode, “Midnight City,” is as bad as Arrow gets. Previously, I thought “Sara” or “Birds of Prey” were the worst episodes of this show. I was so wrong.

I’ll start with the good stuff: Maseo and Tatsu. I hate that we’re really only getting their story in drips, but that’s not a real complaint because everything else on this show lately has been in anvil form, so I’ll take any form of subtlety at this point. We got more of their flashbacks, namely that Maseo was willing to risk the lives of thousands of people for his family and that China White had anticipated that quality in him. Oliver looks a little unnerved by this kind of loyalty over all else, and of course it’s in direct contradiction to the Maseo we know in the present day, but that plotline continues to be one of the more compelling plotlines of this show.

In the present day, Tatsu is helping Oliver recover while Maseo protects them and prepares to return to the League. Oliver is overly concerned with his old friend’s fate, so Maseo fakes a cut on his neck to indicate Oliver fighting back. Oliver asks him to come back to Starling City with him, but Maseo chooses to go back to the League, leaving Tatsu in tears.

Speaking of anvil-like imagery, the episode starts out with a dream sequence, going back to the moment Oliver told Felicity he was leaving. In this version, he abruptly decides to stay because he loves her so much, and they kiss for one joyous moment before he leans back and starts spewing blood. They both glance down in shock to find a sword going through his midsection, and cut to — Oliver waking up. This is the sort of thing this show used to do really well, or at the very least, they did it with a little more finesse. This time it was just clumsy and shot weird and had odd emotional beats without any indication that it was a dream at all. It even seemed like it should’ve been Felicity’s dream until we saw Oliver wake from it. Just so strange. But it’s nice that he’s dreaming about her, I suppose.

Elsewhere, people are making — just — I can’t even talk about the stupid decisions almost everyone on this show is making. Just mind-numblingly stupid. The only people not doing dumb stuff in this episode are Oliver, who is healing, and Lance, who is being lied to by every single person in his life. I don’t even know where to begin, but since my ire with this show begins and ends with Thea Queen, I guess I’ll start there.

Malcolm is still lying to her. Roy is still lying to her. And now greasy grungy shady DJ guy is lying to her, because — surprise! — he works for the League of Assassins somehow. He’s Maseo’s man in Starling, I guess. We’ll get more on that later. But Malcolm spends the episode trying to convince Thea to leave the city and she tells him that they should be strong and face down their enemies, and Malcolm… agrees. So sending Oliver to his death was totally worth it.

Speaking of lying, Felicity (yes, Felicity, because as much as a certain faction of fandom would like to blame Laurel for this, it was actually Felicity who came up with this particular atrocity) had the bright idea to use old scans of Sara’s voice to have Laurel talk to Captain Lance as The Canary. Lance has been wondering why there are reports of a masked blonde woman running around town beating people up, but he hasn’t heard from his daughter, and somehow this little detail never occurred to Laurel as she was putting on the mask. After Felicity has a crisis of conscience about saving the city, she comes up with this awful idea and Laurel stands there in the foundry, talking to her dad as Sara as Katie Cassidy finally sheds a tear. I was too angry with the writers and show and the general production for pulling this stunt to really appreciate that she gave it her all, so props to Katie for trying to drag that scene out of the abyss that it belongs in, because it was terrible. I hated every second of that plot and I hate writing about it now.

But no! That wasn’t the only time she impersonated her sister! Later she stood on a fire escape four stories high to tell her dad, as Sara, that she couldn’t be in contact with him right now, and Lance looked devastated. It was bad enough when his daughter was lying to him, but now, thanks to Laurel donning the mask and Felicity rigging up her voice, the entire team has been pulled into the conspiracy, and it’s just terrible, you guys. It casts a pall over everything, and that’s saying something, because it’s hard to cast a pall over an episode where everyone still thinks the main superhero is dead.

Felicity continued her tour of bad ideas by figuring out the nanochip thing so that she could eventually send another billionaire to his snowy mountaintop grave. I guess I can chalk it all up to grief but it’s getting old.

Roy and Diggle contributed to the fiasco by not really trying to stop Laurel. We can’t blame them too much, Laurel’s gonna be Laurel, but after last week’s emotional scenes, they both just seemed off, like this show can’t carry storylines through multiple episodes anymore. There was a funny scene where Roy went to try to threaten Malcolm for lying to Thea, but I think Malcolm likes being threatened. I think it keeps him young.

And Ray Palmer still exists, because Brick didn’t do us a solid and just shoot him while he had the chance.

Eventually, it won’t be so painful to watch the Black Canary join the fray, but for the love of God, Laurel, train.

Other notes:

– This scene was fun:

– For most of the episode, it seemed like Laurel thought Oliver was dead after all; she had a couple lines alluding to that. I was initially bothered by her lack of a reaction to his demise, until she indicated at the end of the episode that she still wasn’t sure he was gone. Whew!

– Vinnie Jones was still great as Brick.

– Thea read a book in the dark. No, really:

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– Felicity and Laurel finally, finally had a not-awkward scene of mutual respect and support. It was great, and it needs to continue.

– I miss Slade. Who else misses Slade? Things were so fun when Slade was around! Except for all the death and stuff.

Next week: three terrorist attacks on Starling City in three years! What will Joe West and Harrison Wells have to say about this?! Oh and I guess Oliver’s coming back, but that’s no indication that this show will get any better.

The Hopes and Dreams for 2015

Merry Christmas! I hope whoever reads this list is having a Holly Jolly Christmas because I do believe it is one of the best times of the year. Here is my wish list for TV next year. Yes, I know some will not come true, but a girl can dream can’t she?

Arrow – We get a hint or find out who Felicity’s father is. We know Felicity’s father left them when she was a young girl, but there is so much story potential with her character with adding who the missing father is. Basically I need more of Felicity’s story or more storyline for her that doesn’t involve Palmer.

 

More crossovers between The Flash and Arrow. The crossover made a great two hour event with characters from both shows intermingling. Felicity Smoak and Caitlin Snow are great when in scenes together. I want more female friendships on this show because they are both sorely lacking when it comes to highlighting that aspect. Also, it would be great for Quentin Lance and Joe West to finally meet and tell each other their woes with dealing with Arrow and The Flash.

 

My final Arrow wish is they bring back Tommy Merlyn and Sara Lance. If they can bring back Malcolm (and they are definitely bringing back Oliver), they should bring back these two. Especially Sara who only was killed for a plot device. How many characters who have so much potential will still be killed as plot devices?

 

 

No more deaths in mid-season finales or season finales. Yes, I know deaths are necessary on shows, but it is starting to get a little predictable with who will die and when they will die on the show. Kill a person on a random episode. Let it be less predictable. (Yes, I know I’m delusional for wishing this, and it will never happen.)

 

For Selfie to be resurrected. The world is better with Henry and Eliza. I am better with Henry and Eliza.

 

 

Both Galavant and Agent Carter are successes. Once Upon a Time is a royal mess, it might have been better if it made fun of itself a little more. This is why I hope Galavant is what Once Upon a Time is not.

 

 

As for Agent Carter I want this show to be amazingly successful because they are focusing on a female as the main lead. If this is successful, it can branch out for more females in the Marvel universe to be highlighted. I still desperately need a Black Widow movie.

 

Community has a great season six. It is sad to see only four members remain of the Greendale Seven. However, I am interested in seeing how Paget Brewster and Keith David will interact with the group. I am especially interested in seeing the episode with Britta’s parents. I have my fingers crossed for at least one Clue reference.

 

Someone gets Emily Kinney back onto the small screen or big screen soon. She is a delight, and it was sad to see her character become a plot device on The Walking Dead.

 

Agents of S.H.I.E.L.D. – Jemma Simmons and Leo Fitz start getting some field training. I really wish Bobbi will train Jemma because I think that could be a beautiful friendship. I also think Jemma is very likely an unsuspecting deadly force to be reckoned with.

 

Finally, The 100 gets renewed. This wish is for my friends who love the show.

“I wish that sounded more convincing.”

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**This post contains spoilers for 3.09 of Arrow, “The Climb.”**

It won’t surprise you to learn that I did not like the mid-season finale of Arrow. The following post is depressingly negative. It’s rather unlike me, that’s how upset I am about the whole thing. I even debated just not posting and maintaining an austere silence, but I’ve been so disciplined about posting every week for each new episode that I felt like I owed you some closure.

This is difficult for me, because for over a year now, this show has been my bread and butter. Thanks to hours and hours (and hours) of scrubbing through footage to make videos, I know the canon and characterization of this show like the back of my hand. I want this show to be great, I want it to be as great as it was in season 2. I didn’t need it to get any better, I just wanted it to stay the same.

I can’t abide the ‘Death of Sara Lance’ story arc anymore. It was bad enough when we just knew she died. The promise of a compelling mystery surrounding it softened the blow a bit. I remember all of the speculation, all of the possibilities, ranging from Ra’s al Ghul himself to Slade Wilson breaking out of prison to exact his revenge. Then we had that episode where Roy had memories of killing Sara, which was hard to endure, because having Sara die thanks to a Mirakuru withdrawal felt cheap and hollow; it made her death meaningless to us, and to her. Thankfully that plot point was solved in one episode, and Roy realized he was hallucinating and conflating two separate events. We breathed a sigh of relief.

So imagine my horror on Wednesday night, as I sat sans red wine (I regret not having red wine) and watched as the most ridiculous, artless, meaningless plot unwound around Sara’s death. It turns out Thea killed Sara, something I’d actually heard before the episode aired, but I’d written off as so absurd and bad that it couldn’t possibly be true. But it was true, and that’s not even the worst part. Thea definitely did it — the DNA didn’t convince Oliver, but the video evidence sure did — but she has no memory of it. Why? Because there’s this magical herb that we’re only just now hearing about that makes a person highly suggestive with no memory later of their actions. Convenient, eh?

So yes, Thea killed Sara. And she did it with no knowledge of it. Almost like… she wasn’t a human person. Like she was a puppet on strings. Like she was nothing more than an object. Like Malcolm Merlyn was sacrificing his pawn to kill the queen. He used his daughter, who was looking to empower herself, and effectively erased all of her agency and most of her identity from this season. He did it for dumb reasons that I don’t even want to get into, because it’s so contrived and stupid and not worth the death of one female and the emotional and mental manipulation of another, but I have to because I want you to have full context of my rage.

See, he had Thea kill Sara because he knew the League of Assassins wouldn’t forgive the death of one of their own. He had Thea do it because he knew Oliver would do anything to protect her. And for some reason which he never divulges, he thinks Oliver, the skilled archer, would be effective in a swordfighting duel atop a snowy mountain. Malcolm thought it was perfect, like killing six birds with one stone, and once Ra’s was dead, Malcolm’s blood debt (the Undertaking, Thea’s murder of Sara) would be erased.

I’m not totally sure how succession works in the League, but I’m fairly confident that Nyssa, new leader or not, would never forgive Malcolm for killing Sara. So there’s the rather obvious flaw in that plan. Other flaws? How about Oliver taking the gamble of Ra’s being forgiving and ratting out Malcolm? How about Oliver actually telling Thea what she did and Thea deciding to duel Ra’s herself? (After all, while she didn’t make the choice to kill Sara, she did choose to go train with Malcolm, a man who unapologetically killed over 500 people.) This contrived and terrible plan of Malcolm’s had a lot of moving parts, and the one thing that could’ve brought it all tumbling down was Thea realizing her role in all of this.

Instead, what’s happened is yet another powerful white male has robbed Thea of her agency. Sure, it’s under the well-intentioned guise of protecting her, but Oliver never gives Thea the opportunity to make her own choice and deal with her own consequences. He hugs her and leaves to die in her place, never mind the fact that she has to live with that now, never mind that he’s leaving her in the disgusting hands of her father who just took a calculated risk with her life. You want to protect her, Ollie? How about you actually empower her and GIVE HER ALL OF THE INFORMATION? At least then, she wouldn’t trust Malcolm anymore.

What happened between the season 2 finale, when a female brought down the most powerful supervillain on this show with a single syringe stab, and the season 3 premiere, where a strong female heroine was mindlessly killed by another strong female who wasn’t in possession of her own agency? (Let’s not forget Ray stalking Felicity who seems to be flattered by the attention instead of grossed out, or the time Diggle basically blamed Felicity for Oliver not having his head in the game, or the fact that Laurel’s still spinning mindlessly into outer space as far as retribution and reasons to fight. And where the hell is Sin?) Does this show hate women after all?

(And oh, how sad that it’s not even restricted to women! Remember when Oliver tried to kick Diggle off the team for having a family? And instead of putting Oliver in his place, Diggle later apologized and basically admitted Oliver was right. HE WAS NOT RIGHT. Diggle is a grown man capable of making his own choices, so even if Oliver felt that Diggle was being reckless in his choice to continue his work on the team, he was not right to strip Diggle of the power to make that decision for himself.)

And yes, Oliver Queen appears to be dead. Diggle really Diggle’d it when he offered to go into battle with Oliver, but no, this is something he had to do alone. No wonder Stephen Amell seemed to be on an extended break during the holiday season. It also appeared that rather than finding an actor/stunt man who could fight better than Amell or his stunt man, they just decided to make Oliver look like a freaking amateur out there. Like really, I’ve never seen such shoddy stunt work, and I watch Once Upon A Time, so that’s saying something. It was really, really bad.

We also found out that Maseo is now a member of the League, complete with a new name, and I suspect he will be the one to restore Oliver when the show returns. That reminds me, I guess we get to see the Lazarus Pit, one of the few things I never wanted to see on this show.

Honestly, what do we have to look forward to now? A Black Canary arc with Laurel, who still doesn’t even know why she’s fighting? A bigger storyline for Roy, whom I like very much but who the Big Name Reviewers keep calling “useless” and “bland”? More of Ray Palmer pinging Felicity’s cell phone and intruding on her life, then buying her loyalty by giving her things and spinning tragic tales of lost love? Do we have to — ugh — endure a multi-episode storyline involving Ray and the ATOM suit?! Do we really have to watch Thea run around Starling kicking ass with a false impression of having a father who loves her?

(The way I see it, there are two options with Thea: She turns dark when she finds out about Malcolm’s treachery, turning into a supervillain of her own accord, OR the love and loyalty of her brother and his ultimate sacrifice is the one thing that keeps her light. Frankly, I’d stick around for the second story alone.)

But hey, Oliver loves Felicity. I guess that’s supposed to distract us from how awful everything else was, and in a vacuum, maybe that scene would’ve meant more. I wish I could say I have hope for the second half of the season (which was when it got really good for the last two years) but that’s not true. All I feel is dread.

There’s a very good chance I will not be recapping these in the new year. I’m tired of being negative.

On a side note: Are you guys watching The 100? The mid-season finale is tonight (Wednesday), and so far, this show has done very well by its females.

“John, I don’t wanna die down here.”

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**This post contains spoilers for episode 3.02 of Arrow, “Sara.”**

Even the best shows on TV have one or two episodes where things just don’t mesh. BBC Sherlock fans will tell you that “The Blind Banker” is probably not their favorite; Community fans will likely point to a season 4 episode and say “I like to pretend this one never happened”; heck, there are one or two Friends episodes that I skip over on rewatches because they just aren’t very good. Great TV shows set the bar very high, so when that dud of an episode comes along — and inevitably it happens — it’s twice as disappointing.

“Sara,” to me, was a misfire. It’s made even worse because I think I know where they were trying to go with it, but the direction and even the writing was so uneven at times that the entire thing ended up feeling disjointed. The biggest example is that motorcycle fight scene: back and forth, three or four times, these guys pulled wheelies, drew their bowstrings, and drove past each other. By the time Oliver was finally shot (in the shoulder? in the chest?) it ended up feeling like a poorly staged parody of a telenovela. I get what they were trying to do, but the editing and strange cuts really took the suspense out of it.

I get the feeling the producers and writers weren’t expecting to go into this episode having to justify Sara’s death. For whatever reason, they seemed to assume the viewers would be properly sad but willing to follow this story thread in due course. So we saw Team Arrow splinter in what probably would’ve been an organic way in any other circumstance, with Felicity deciding she wants more and Oliver retreating in on himself and Diggle just showing up because he’s amazing like that. And in that regard, if you write it down on paper, everyone’s grief-driven reactions make sense. But that’s not what the viewers were wanting to see this week.

I spent the days since the premiere expecting the writers to have a good, compelling reason to have killed Sara off. I wasn’t interested in watching Laurel’s rage-filled vendetta (not that I didn’t want to see it — I just thought it was something better suited for episode 3) or Roy’s guilt over secret-keeping or even Felicity’s lashing out at Ray Palmer. I wanted to know one thing: Why did Sara Lance have to die? And maybe this is my mistake, but I expected the Arrow writers to have at least a nugget of a reason — a breadcrumb, maybe — for why they chose to kill her. We were promised flashbacks and backstories and tons and tons of Sara, and what we got? Was Tommy. In an episode called “Sara,” we got Tommy.

Don’t get me wrong, I squealed when Colin Donnell appeared on my TV screen. I’m happy to see that guy any day, and I would’ve been happy with the Tommy flashbacks if they’d existed in a vacuum, but they didn’t — they existed in this episode, the one right after Sara died, the one that should’ve had Sara flashbacks or Sara backstory or anything pertaining to Sara other than everyone else’s grief around her. That’s all this episode was: an episode of everyone grieving about Sara.

 

It seems she really was killed primarily to make Laurel become the Canary. We watched as Laurel struggled to come to terms with Sara’s death and whether to tell her father, and then she nearly shot a man who didn’t have anything to do with Sara’s death. She tortured one of the victims and railed against Oliver in the lair and cried the entire episode. I don’t mean to diminish the quality of the writing, because Laurel grieved credibly in the wake of her sister’s death, and Katie Cassidy was all in for these scenes, but I’m still not happy with the fact that Sara had to die in order for Laurel to take on the Canary mantle. Don’t kill your females just to give other characters their dark backstories. That’s cheap at best, and lazy at worst. Or maybe it’s the other way around. I’m too frustrated to decide.

That goes for the rest of the characters. Sara had to die for Diggle to rejoin the team? Sara had to die for Oliver to reach out to his sister? Sara had to die for Felicity to realize that she doesn’t want to play Monday morning quarterback to a guy with a deathwish, a guy who just a couple nights ago told her they couldn’t be together? Sara had to die for Oliver to realize he doesn’t want to die in his hood?

It’s bad. It angers me that her death set them all spinning onto these paths so easily, when there were a million other nuanced ways to get these reactions out of these characters. Laurel could’ve become the Canary on the rebound from Quentin’s near-death in the finale. She already has the dark backstory. Her sister was declared dead in a shipwreck, her boyfriend died saving her in an earthquake, and she was nearly turned into a porcelain doll by the creepiest man alive. That’s not even mentioning all of her other near brushes with death and her ongoing struggle with addiction. Laurel already had her crucible, and with a bit of preplanning and tweaking (and working with the actress) they could’ve had her on the Canary arc as early as the middle of season 2 if they really wanted it.

Similarly, Felicity could’ve decided to go work for Ray Palmer after Oliver’s half-hearted rejection of her last week. She could’ve decided that being Oliver’s sometimes-girl wasn’t enough for her, so instead of toiling away at Starling City’s smallest Best Buy, she could’ve accepted that job offer from Ray and told Oliver “Sorry bro, maybe if you hadn’t signed over your company to your side piece last season, we wouldn’t be having this discussion.” Sure, it means losing the emotional punch of those scenes where Felicity cries in the foundry, at Queen Consolidated, and at Sara’s graveside, but on the flipside, it’d also mean we never had to sit through that scene where she accused Oliver of not having feelings.

 

I don’t love that Felicity abandoned Oliver in his hour of need, but at the same time, he can’t have his cake and eat it too. I can’t fault Felicity for knowing her absolute limit, for knowing that she can’t sit there and watch Oliver slowly lose his life to his crusade. On the other hand, Oliver’s right, he can’t grieve because if he grieves, everything falls apart.

We all say and do things in grief that we wouldn’t normally say or do, and I know it must’ve been hard for Felicity to watch Oliver be so “cold and rational” over an ex-girlfriend. Part of her was probably scared, in the wake of what they just went through with their date and kiss, that he would seem this unaffected by her death. It must seem unfair to Felicity, who would feel so much overwhelming grief if something happened to Oliver, to think that he could be so detached and unaffected. But I still don’t buy, in that moment, that Felicity would accuse him of not having feelings. She of all people knows how he internalizes, how he feels so much that sometimes his body just seems to shut it off so that he doesn’t go to pieces.

And by the same token, I don’t buy that Oliver would insinuate that Felicity’s ability to be off her game and be able to cry all over the place is some kind of luxury. He realized he could easily die on one of his missions, or be taken by surprise, and instead of it inspiring him to live a fuller life, it scares him. That paralyzes Felicity, it’s the first time they just can’t empathize with each other, which is what causes the friction. He can’t argue with her when she says she can’t stay and watch him die; he doesn’t want to do that to her. But it still hurts him when she says it. How could it not?

But Sara still didn’t need to die in order for this to come about. Oliver losing Felicity and Diggle in the same week could’ve set him on this identity trajectory of “Damn, being alone sucks, maybe I don’t want to die down here!” He’d still have his mentee, Roy, but he’s also about to embark on Operation Save Thea which I’m sure will also be a target-rich environment for Oliver’s ongoing identity crisis. Through all of this, Sara could’ve still existed, alive and well and joyously assassinating bad guys offstage, while occasionally flitting in and out of Starling to dole out useful advice and maybe scare the crap out of Laurel once in a while.

There was an organic way to go about this, and killing off Sara Lance was not the right option. They keep saying this season is all about “identity,” yet Sara went through her own identity crisis last season. Both Oliver and Laurel insisted Sara was a hero, but Sara was plagued with self-doubt based on her assassin past. Sara doesn’t get her heroine arc. She was killed, and that arc was artlessly passed on to Laurel. Laurel, who could’ve credibly earned that arc all on her own. But hey, at least Diggle named his daughter Sara. Maybe she’ll grow up to become a future Canary.

And what about Sin?

 

Next week: It’s the Thea show, starring Thea’s new haircut, with a cameo appearance by John Barrowman! I’m actually looking forward to that — I think Thea will be a refreshing change from what we’ve dealt with in the first two episodes.

“We all have to keep secrets, Miss Smoak.”

**This post contains spoilers for episode 2.13 of Arrow, “Heir to the Demon”**

It was a Lance family reunion last night on Arrow, but it didn’t exactly go as Oliver (and Quentin, and Sara, and the viewers) had hoped it would.

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Last episode, we saw Sara drawn back to Starling City by Oliver, who called her when Laurel showed up drunk and insulting everyone in sight at Verdant. Sara showed up just in time to watch Laurel collapse in a drunken (okay, poisoned) state and then boom, we were made to wait an entire week — seven whole days! — for sister reunions.

Well, the reunions went a bit out of order. The episode opened with a beautiful woman (Spartacus alumna Katrina Law, but I recognized her from Legend of the Seeker) at the Starling City airport, where her passport is flagged by A.R.G.U.S. She knocks out a bunch of guards and saunters through the terminals, and I actually wanted to see more of that. She’s Nyssa al Ghul, daughter of Ra’s (“heir to the demon”), and she’s here for Sara… but not for the reason we expected.

 

Yes, readers, Sara is a bonafide bisexual character! Her orientation might have been played as a twist for shock value, but the rest of the characters treat it like it’s non-news. Indeed, Lance outdoes himself for Father of the Year award by simply expressing his relief that she had someone to love during her six years of hardship. Hooray! This show did it right!

Sara admits that she loved Nyssa, and not just because Nyssa rescued her. But Sara asks Nyssa to convince her father to release Sara from the League of Assassins (we learn that he’s only excused one person before: Malcolm Merlyn). Nyssa doesn’t take this well, and decides to kidnap Mama Lance, who is in town to help care for Laurel after her apparent overdose.

 

The showdown is explosive and emotionally-charged: Lance and Sara bust in and rescue Dinah, who is shocked to see her daughter is alive. Lance drags Dinah out of the warehouse before they can have much more than a tearful embrace, and it turns out Sara’s taken a lethal dose of the same snake venom that Nyssa had used to poison Laurel. After Oliver appears and saves Sara’s life with his Magical Healing Island Herbs of Sunshine and Happiness, Nyssa releases Sara from the League of Assassins. That won’t be the last we see of her!

Speaking of the island, this week’s flashbacks go all the way back to six years ago, where we see the Lance’s side of the story of the week that the Queen’s Gambit sank. Last season, Quentin and Dinah’s relationship was so strained that it was hard to imagine them happily married, but in this episode, we finally got to see the Lance family together and happy, for the most part. Laurel and Sara get into a fight about Oliver, because Sara is flirting with him via text while Laurel’s trying to find an apartment for herself and Oliver.

Sara: “This is kind of assuming that he’s ever ready to settle down.”
Laurel: “What’s that supposed to mean?”
Sara: “We both know at least ten girls that he’s slept with.”
Laurel: “Can’t you just be happy with me? If you met some amazing guy who wanted to spend the rest of his life with you, I would be so supportive and so happy for you –”
Sara: “I wasn’t trying to be a bitch.”
Laurel: “Title of your autobiography.”

It’s not exactly what we were hoping for in the flashbacks of Sara and Laurel. It would’ve been nice to see happier times between them before Oliver came into the picture, but clearly their relationship has always had an element of hostility. Sara leaves the room and texts Oliver, “See you at the docks,” and the rest is history.

Laurel drops a plate when she sees the news that the Gambit went missing, but it’s not until Moira rings their doorbell that they get the news about Sara. “The dock master saw her sneak onboard.” Paul Blackthorne deserves all the praise for his acting in that scene (and really, the entire episode.) It’s nice that Lance’s season 1 antics of drunkenness and tunnel vision vengeance was the anomaly, and that this New and Improved Beat Cop Lance is the real Quentin.

Elsewhere, the nonexistent relationship between Felicity and Moira took a huge hit when Felicity confronted Mrs. Queen about Thea’s paternity.

 

 

Her tactics work. She finds a pressure point and bears down (oh, too soon) with all of her might. That Felicity has a history of abandonment was just a bonus; losing Oliver is scary, but the fear of losing someone else was paralyzing enough that she kept that secret for a couple of days, aided by Moira’s constant side-eyes and threatening glances. (I half expected Moira to drag a finger across her throat in Felicity’s direction.)

 

It’s a natural course for their dynamic to take: Felicity and Moira have similar motivations toward Oliver, and both possess a deep loyalty to him, but their moral codes are wildly different. Moira will do anything for her children, even if it means selling her soul or coming off as selfish and conniving. Felicity has the capability to go that far for the ones she loves, but she has an innate sense of right and wrong that makes her question everything and everyone around her, even Oliver and Diggle. It would’ve been nice to get a storyline where Moira and Felicity team up to help Oliver before it took this turn, just to give them a bit more depth, but Moira showed her hand when she called Felicity by her first name. Felicity showed hers when she gave Moira the opportunity to tell Oliver the truth first.

And in defense of Moira Queen, don’t forget that this was a secret over which she was willing to go to jail. Not just jail, prison. For the rest of her life! So when this upstart blonde girl comes in, aggressively telling Moira she doesn’t trust her and that she needs to tell Oliver the truth, Moira essentially went Mama Bear on her. She saw, in her mind, a family torn asunder by a secret she had moved heaven and earth to keep under wraps. No way was she going to let someone as inconsequential as Felicity Smoak undo all of her hard work! (Unfortunately, she underestimated two things: Felicity’s importance, and the strength of the relationship between Oliver and Felicity.)

I’m not saying she was right to manipulate and threaten Felicity in such a way, but it was a great demonstration of the power Moira wields and how she’s made it this far in her life. If we want women on TV to be portrayed as powerful and varying, then sometimes, those strong women are going to clash. Moira fits that bill: Nothing she does is inherently evil, but in some cases, she’s not morally sound. If her every motivation in life is in the quest to protect her children, that makes her one of the most fascinating characters on television.

 

Because of her own family history, Felicity struggles with the secret. Oliver proves to be highly perceptive, and after two days of distraction and jumpiness, he finally corners Felicity at his mother’s campaign announcement rally (as she’s walking away, “Felicity? Fe li ci ty…”) and demands she tell him what’s bothering her. That’s when we finally, finally get a bit of backstory on Felicity: Her father abandoned her family, and all she remembers is how badly it hurt when he left.

 

Moira greatly underestimated their relationship; the moment he takes to process it is probably the most intimate scene he and Felicity have shared. If this were Gossip Girl, Oliver would’ve gotten up onstage and embarrassed his mother, but Arrow is not your typical CW fare. He does right by his mother, but ultimately, he keeps the secret for Thea’s sake. As he leans down to hug his mother, he tells her that he knows the truth.

 

That night, Moira’s worst nightmare comes true.

 

“Because Thea can never find out about Merlyn, and she can never know the truth about us, which is that as of right now, we have no relationship. I will keep up appearances for Thea’s sake. Publicly, I will support your campaign. But privately… we are done.”

Keeping in mind that she was afraid of this sort of thing happening back during the trial, and how happy she was when her kids reassured her that none of her secrets would make them hate her, this scene is particularly affecting. She should’ve taken Felicity up on her offer to tell Oliver herself, because it’s not the secret that he’s angry about, it’s the lie. The subtext is that he’s mad that she went to such lengths as to threaten Felicity, that he now has to keep this secret from Thea, that he can’t trust his mother anymore.

The question is, what does this mean in the war between Moira and Felicity? Is she going to give Felicity the respect she deserves, or is Moira going to try to squash one of Oliver’s closest allies like a bug?

Laurel spends most of the episode in the hospital, recovering from her poisoning (which was originally thought to be an overdose, so everyone was relieved to hear that it was just deadly snake venom that someone had slipped her, at least it’s not rat poison). She doesn’t turn up until the end of the episode, when Quentin and Dinah are tearfully hugging their recently revived daughter on the docks. She looks stunned and shaken before it cuts to commercial.

Later, at Laurel’s ill-fated apartment, three of the Lances are talking about how happy they are that Sara’s back and alive, but Laurel’s still boozing. Sara says Laurel must have questions, but Laurel claims she has none. “I already know all of the answers to them. How could you still be alive? Where have you been all this time? Why didn’t you call us? And the answer to all of them: Because it’s Sara.” The fact that Laurel doesn’t even give Sara a chance to explain herself is evidence enough that she’s not ready to hear any hard truths. Laurel spends her days railing against the world that she perceives as unfair to her, but she insulates herself from the harsh reality that other people are paying for their sins, too. Sara’s paid for hers through six years of exile and captivity. Dinah pays for hers in loneliness and regret. Quentin pays for his by watching his daughter disappear into the same bottle he’d hidden in for five years. Oliver pays for his every single day, in ways that Laurel would notice if she’d just pay attention. Laurel wants to believe that her life is harder than everyone else’s because it’s easier to feel like the world’s victim than it is to admit that maybe she’s just weak. She doesn’t have to be weak, she’s demonstrated strength before, but her constant misplaced blame and isolation from the people who love her is a sign of hiding from the larger truth, and that will always breed weakness. Until I’m explicitly told otherwise, I’m going to start watching Arrow with the understanding that Laurel is on a villain arc.

Quentin starts to ask Laurel not to drink the wine she just poured, but Laurel’s already on the sauce and she snaps at her father, “Dad, I swear, if you say one more word.” Sara asks Laurel not to blame their dad, to blame her instead, and that’s all the invitation Laurel needs. She rattles off a list of ways that this is all Sara’s fault.

 

Given the story Sara told Oliver on the island a couple of episodes ago, it sounds like there’s equal blame to spread around here, but neither woman is blaming the real culprit: Oliver. It was that fateful boat trip that changed everything, he had cold feet about getting serious with Laurel, but he could’ve invited anyone. He chose to invite Sara, and both families were destroyed when the Gambit disappeared.

Laurel forgave Oliver, so why won’t she forgive Sara? It probably goes back to their deep sibling antagonism, and the fact that Sara never seemed to be happy for Laurel’s successes. Coupled with Laurel’s growing self-victimization and the fact that she’s emotionally compromised thanks to the alcohol, it was a tall order to expect forgiveness of Sara anytime soon. Laurel throws her out of her apartment, and Sara goes straight to the foundry.

 

Oliver loved Sara, that much was evident when she first reappeared and he nearly had a breakdown. He spent five years believing her to be dead, and he never hid his feelings for her, not even on the island (where he chose to save Sara over Shado). Their final scene is actually detrimental (and maybe a nail in the coffin) for the Oliver/Laurel relationship; not only did he not spent the five years of exile obsessing over Laurel as we’d previously thought, he spent a portion of it running around with Sara. When he came back to Starling seeking out Laurel, we know it was partially because of guilt… but could it also have been because he thought she was his last connection to Sara? (That makes Oliver the jerk, and it makes Laurel right about a lot of things, but still, it’s up to her to decide whether to move on.)

 

Either way, Oliver and Sara’s emotionally charged makeout (which presumably led to other things) at the end of the episode makes a lot of sense. Their shared history and shared double-lives make them naturally compatible, and the actors have a lot of chemistry. However, Sara’s always been portrayed as a free spirit, and I have a feeling she won’t stick around Starling City for long, especially after being rejected by her sister.

Finally, Slade Wilson watches news coverage of Moira’s campaign announcement as Sebastian Blood walks in to his office. “I warned you not to underestimate Moira Queen.” Sebastian asks what to do next, but Slade tells him to do nothing. “I’ll take care of it.” What does that mean?! I want nothing less than a scene where Slade confronts Moira in person.

The bad news is, we have to wait until February 26th (after the Olympics that no one is going to watch) to find out! How will we survive?

The Power of Love

Warning: this post contains spoilers from episode 2.12  of CW’s Arrow, “Tremors”

“Love’s the most powerful emotion, and that’s what makes it the most dangerous.” –Sara Lance

It may not be Valentine’s Day yet, but Arrow had love as one of the major underlying themes in last night’s episode (which may explain why I have had The Power of Love by Huey Lewis stuck in my head all day).

Last night, was the beginning of Oliver trying to be Roy’s Mr. Miyagi. Instead of Oliver teaching Roy how to wax on and wax off, he decided to teach Roy how Shado had taught Oliver. The problem with that is Roy seemed to be more impatient than Oliver was when he was first learning. Throughout this episode, Roy isn’t able to connect with Arrow, and Oliver realizes this. This is why he reveals himself to Roy because he knew Oliver understands the need to protect Thea more than Arrow would. The revelation was beautiful, and I’m glad they didn’t wait for the reveal. Oliver may have a mask now, but it is easy to tell who he is. I’m still claiming Lance pretends he doesn’t know who Arrow is for plausible deniability.

Now that Roy finally knows the secret Oliver decides to introduce him to the rest of Team Arrow. He tells Roy that Diggle and Felicity are the only ones who matter to him who know his secret identity. He is telling Roy the truth. This episode between the trio was wonderful. Oliver was being more open to them about the island. Yes, there are things he will keep secret, but he finally told them about Slade, and this is monumental. He trusts these two, and their friendship is a wonderful thing to behold.

As for the flashback island sequences, Oliver is also able to help Slade by stopping him from destroying the freighter. In the first flashback, Sara tells Oliver “love is the most powerful emotion” and it is true. Oliver is able to use what Sara tells him to talk Slade down by saying even if Shado didn’t love Slade the way he loved her, she still loved him and wanted him to get off the island. Oliver also mentions Slade’s son, and I’m sad to say I forgot Slade even had a son. This is the first mention of him in season two, and I wonder if the show will actually address what happened to Slade’s son later.

Another wonderful thing about this episode is Sara comes back into play with the present life again. Laurel has hit a new low, and is not being receptive to her father. Paul Blackthorne deserves high recognition for his part in this Laurel arc. Lance knows what is happening to Laurel because he himself once was on a parallel path when he lost Sara. He is trying to reach out to Laurel, but she is not letting him help her.

Lance tries to get her to go to his support group, but she is upset that he tricked her. I love Lance in this episode, and his character is only getting stronger. Laurel later finds out from Joanna that she could possibly become disbarred due to her recent activities. Laurel needs help, but she is refusing the help from both Lance and Joanna when they offer. She ends up at Verdant, and the scene she shares with Oliver and Thea is not pretty. This makes Oliver call Sara. After all, it was Sara who said love was a powerful emotion. Oliver is hoping Sara will be able to get through to Laurel, and we do get to Sara kneeling over a very drunk Laurel at the end of the episode.

It will be interesting to see if Sara can actually get through to Laurel. The history between the two of them is rather shaky because of their past interest in Oliver. Sara also went on the yacht trip with Oliver, which then wrecked, leaving Laurel to believe they both had drowned. Sara coming back to see Laurel now proves Sara does love Laurel enough to risk her safety as well as her family’s.

 

Finally there is Moira’s storyline. Walter finally makes a reappearance, and I’m so glad to see him back. He wants Moira to run for mayor against Sebastian, and she isn’t willing at first. This is where Thea comes into play. Thea’s and Moira’s relationship has become stronger compared to first season or even the beginning of this season. Thea has learned to forgive Moira. When Moira tells Walter she has reconsidered running for mayor, he knows it was Thea who helped change her mind. I love the relationship Walter and Thea have, and it was great to see them together again. It is also interesting to find out Walter knew Thea’s father was not actually Robert. This means Moira must have told him at some point. It is going to be interesting to see how Walter helps Moira keep her OB quite about the truth, as well as Thea finally finding out the truth of her parentage. The only one who apparently doesn’t seem to know now is Thea and Oliver.


However, what I’m most excited to see is how Roy will interact with Team Arrow.

“What color are your shoes?”

**This post contains spoilers for the most recent episode of Arrow, “Blind Spot.”**

This week’s Arrow was a Laurel episode, as least as much as any Arrow episode can be character-centric. It was also heavy on the Roy storyline (with bonus Sin!) as well as the island flashbacks. That means we saw a lot less of Oliver than usual (both in amount of screentime and amount of skin) and we really only got two good scenes of Team Arrow. But there was this:

 

This episode felt a little disjointed, especially given that we’ve been treated to tightly-plotted and fast-paced episodes since we met Sara. I saw it as a good thing; I think shows like this need to take an episode or two to step back and reconfigure their storylines, at least to establish a base line of normality so that we don’t start losing our connections to the characters. The alternative would be something akin to The Vampire Diaries, a show that went full-throttle with every episode, to the point that some beloved character had to die (and come back to life) at least once a week in order to maintain the momentum. Arrow is doing a better job of striking a balance, and a slower-paced episode couldn’t have come at a better time. Shado is dead, the Mirakuru is at work in the city, and we know that the end of this season is going to be explosive. It’s nice to watch an episode where Oliver spends most of his time in regular street clothes instead of in business attire or a hood.

Unfortunately, the slower pace happened during a Laurel episode. Her character has many detractors (sometimes including me) so it’s easy to pin this episode’s lack of action to Laurel. I don’t think that’s entirely fair. Yes, Laurel’s scenes could’ve been more dramatic and emotional, but she’s not a superhero or a villain. She’s a normal person struggling with addiction, so her scenes are going to be a little more human than the ones with Roy or the island flashbacks.

I will give Katie Cassidy credit where it’s due: her scene with Paul Blackthorne in the interrogation room is some of her best work. Even though she still doesn’t actually shed a tear onscreen, she looks absolutely wrecked, like a person going through the anguish of drug withdrawal. Her sobbing and begging to her father were heartbreaking, and Blackthorne in turn gave a deeply emotional performance.

In fact, if there’s an MVP in this episode, it’s Blackthorne as Beat Cop Lance, because he straight up Diggled this episode. (To “Diggle” something means “to make the most of one’s very limited screentime by being amazing.” I’m determined to make this an actual verb.) He had three key scenes: One in the interrogation room, one with Oliver, and one at the end where he debriefs with Laurel. The scene with Oliver, in particular, shows his growth as a character.

 

It also supports my theory that Lance knows Oliver is The Arrow, just because I want it to be true.

And Diggle also Diggled this episode big time.

 

But let’s get into the meat of the episode: Laurel is busted for illegal possession of narcotics. She’s busted because she’s getting too close to Blood, who kills his mother in the cold open. She went to Hooded Oliver for help, and they went on a wild goose chase for a file that would prove Blood killed his father, but the file turns out to be empty.

Present-day Slade gets on Blood’s case for being sloppy, so Blood has Daly ransack Laurel’s apartment with a warrant, which is how they find the drugs. This, plus the fact that Laurel’s kidnapper turns out to be Daly himself, effectively discredits Laurel’s increasingly screechy theory that Blood is a criminal mastermind, as everyone from her own father to ADA Adam think she’s lost credibility. In the end, she loses her job, as well as the trust of her closest ally: The Arrow.

But things aren’t looking so rosy for Laurel from a backstory standpoint, either. Sara tells a story about how she had a crush on Oliver back before he dated Laurel, and that her dear sister called the cops to bust a party so that Sara would be grounded. A month later, Laurel and Oliver were dating.

It certainly doesn’t excuse what Sara did, going on the Gambit and sleeping with her sister’s boyfriend, but… it certainly provides the motivation. And if the details are to be believed — if Laurel truly busted that party just to get Sara grounded so that she could take her shot at Oliver — it certainly changes the commentary on the elder Lance sister, doesn’t it?

The island flashbacks also explored Sara’s Stockholm Syndrome with Ivo, but she manages to separate herself from him at the end of the episode, just as he vows to find her and end her. Sara turns to Oliver and says they should find Slade. Hopefully they find him soon.

 

Elsewhere, Roy is dealing with his superhuman strength by trying to use it to make the city better. That involves getting Thea to dress up Sin in her “first date outfit” which of course makes Sin look like a prostitute. She’s able to lure someone called the “Starling Slasher” into Roy’s trap so that he can apprehend the guy, but Roy ends up losing control and beating the guy to within an inch of his life. The resulting angst sends Roy running from a concerned Thea, and he sinks against a hospital wall and cries.

Thea later tells Oliver about the man Roy nearly beat to death, and that finally compels Oliver to go to Roy and offer to train him to control his emotions. I’m not sure how Oliver knows how to do that, but I do think it will involve Oliver finally revealing his true identity to Roy in the near future.

 

Finally, after Blood has successfully discredited Laurel, sacrificed Daly, and taken the heat off of himself, Slade has a logical response: slaying all four of Blood’s henchmen. He’s wearing his Deathstroke mask and warns Blood that if he fails again, he will be the next to die. It’s pretty much the greatest thing ever.

None of that compares to the greatest scene of the entire episode:

 

That’s a scene you need to listen to in order to enjoy. Never has the question “What color are your shoes?” sounded so threatening.

Next week: Roy gets house trained! I mean… Roy gets trained!

Shrapnel All Over the Place

**This post contains spoilers for the most recent episode of Arrow, “Blast Radius.”**

Oliver Queen is really stressed out, y’all. He’s worried about this Mirakuru that has resurfaced in Starling City, he has to keep an eye on Roy, he has to track down the man who is blowing up buildings all over the city, and His Girl Wednesday is still out of town tending to a lightning-struck Barry Allen. But he’s totally not jealous, okay? He’s just stressed!

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It’s been five weeks since Roy technically died after being injected with the Mirakuru. Oliver’s been spending that time stringing up petty criminals and questioning them about the whereabouts of Skull Face Man. It’s probably earning him a reputation as a crazy person, but Oliver doesn’t really care — Diggle points out that Oliver’s got a bit of tunnel vision about this, and Oliver doesn’t deny it.

Barry’s been in a coma for all that time, and presumably, he will stay that way until his pilot airs in the fall. Whether Felicity will continue to split her time between Starling and Central City remains to be seen, but it’s still an effective way to raise Oliver’s hackles about Barry in general. The thing is, he’s not being jealous so much as he’s being selfish about Felicity’s situation; he’s the kind of guy who doesn’t sit at someone’s hospital bed as they recuperate, instead he’s out hunting down the jerk who put them there. He can’t wrap his head around the idea of spending day after day by someone who is comatose when there are lives to be saved elsewhere. In a way, it’s a sad commentary on Oliver’s current state of being. Will he ever get to the point where he can just press pause on the vigilante-ing and go sit by someone’s bed, just to be there?

I think it’s another good example of the perspective Felicity brings to the team. Diggle is a lot like Oliver, he’d rather be out in the trenches, bringing in the bad guys and making the city safer. Felicity still has the ability to put aside this aspect of her life and just be a person who cares about someone else, and I think that’s something that Oliver (and sometimes Diggle) needs to see.

Diggle: “I’ve just never seen you spooked like this before.”
Oliver: “That should tell you something.”

And with that, we flash back to the island. For once, I was looking forward to these flashbacks more than the present-day plot. It turns out… not a whole heck of a lot happens in this episode, island-wise. They bury Shado, which is so sad to watch because Slade’s basically weeping. He’s also not hiding his feelings anymore, and it’s likely a combination of the grief and the Mirakuru. Still, for now, he’s Slade at his very core, and he hands Oliver the Hood that we know so well.

 

And doesn’t that just break your heart? It breaks mine. Oliver is distraught over Slade not knowing the truth about Shado’s death, but Sara wisely tells him that dropping that sort of thing on Slade right now is not the best idea. Turns out, Sara’s done the research on the Mirakuru. The Japanese tested the serum on hundreds of people, and “the people who died? They were the lucky ones. The ones who survived, they were deformed. Either their bones or their minds. They became someone else.”

That’s sad for me, I got very attached to Slade, but I know this is also what I signed up for when I wanted him to survive the serum. As they wander around the island, Slade undergoes an obvious change: he becomes rage-filled and hell-bent on taking out Ivo, and it ends with him grabbing Oliver around the neck and lifting him up. It takes Sara actually beating him with a huge tree branch to get him to drop Oliver, and that’s when it becomes clear that Slade was not himself in that moment. Later that night, Ivo contacts them and says he plans to blow up the whole island, and they discover Slade has run away with the Mirakuru. That’s about it for the island.

In the present, Oliver is publicly endorsing Alderman Blood’s campaign for Mayor, while Laurel is pretending to date Blood in order to get information on him. She suspects he isn’t who he says he is, and she later tells Oliver that Blood reminds her a lot of him in that way.

 

Laurel actually has a pretty solid storyline in this episode! Her brand of non-emotion is a particularly good match for Blood, whose underlying sinister nature makes their scenes compelling. Laurel’s rightfully picking up on the thread of secrecy, but she’s hampered by her growing addiction to narcotics. Blood feeds her a sob story about his upbringing (his abusive father was shot by his mother, who ran away and left him an orphan) which she seems to buy until she sees the name “Maya Resik” on a bill on his desk.

She goes to her dad (who is telling Corrupt Cop Daly that he can’t find his pain meds, leading one to believe Laurel is swiping her dad’s pain pills) and asks him to dig up information on Maya Resik. Beat Cop Lance agrees just to humor her, but later he reveals that Maya is Blood’s aunt, who is in a psychiatric facility. Blood actually gets Lance’s seal of approval, just because on paper he sounds good, but he also advises Laurel to stop looking for reasons for this relationship not to work out.

To her credit, Laurel goes with her gut. (It is part of her characterization, to be so driven to find the truth that she loses sight of everything else. It’s actually refreshing to see her go back to that.) At the end of the episode, she goes to visit Maya, who grabs Laurel and warns her that Blood is a bad, bad man.

 

Anyway, back at the political rally at the beginning of the episode, Oliver asks Thea how Roy’s doing, and she basically says he’s fine.

Then someone blows up a building and all hell breaks loose.

Thank goodness Felicity gets a news alert about the bomb and arrives at Queen Consolidated bright and early the next morning, much to Oliver’s poorly-concealed delight.

 

He woodenly asks how Barry’s doing while Diggle makes sympathetic and observant faces at both of them. Felicity says Barry’s “still sleeping” because “‘coma’ sounds… not fun.” Then she ends the whole awkward exchange by going to contact Beat Cop Lance.

They meet on a rooftop again, because Oliver likes to be up high where he can see the city I guess, and Lance even comments on the absurdity. He gets close enough to The Arrow to ask about the mask, which just strengthens my hopes that he knows who it is under that hood. Plausible deniability is a strong motivator. Just ask Blair Waldorf.

Anyway, Lance brought over the sample that Oliver had requested, but not without his own request: phone records for everyone in the department. Oliver is incredulous at the idea that there might be a leak in the department, but as we know, Lance is right. It sucks that he’s finally becoming a good cop right when he’s doling out bad fatherly advice to Laurel.

“Your blonde friend, she’s pretty good with computers.”

Aw, Lance. She’s gonna blush when she hears that.

Oliver’s answer is interrupted by another explosion, which looks like it’s only a few blocks away. Felicity traces the detonator and Oliver chases it down on his motorcycle. But much like that episode where the bad guy was underground, Felicity loses the signal and Oliver nearly crashes into a bus.

Now, for some perspective: We have no idea what happens with Slade now that he’s been injected with the Mirakuru. It’s bad, clearly, because it has Oliver jumping at loud noises and raging without warning. To him, these are high stakes that could end up changing not just the city, but the world. To him, it’s not too ridiculous to expect the same sort of urgency from his team.

Except… he hasn’t told his team anything about this. For whatever reason, he’s keeping the exact facts about the Mirakuru (and Slade) to himself, so neither Digg nor Felicity know the gravity of the situation. So this might explain Oliver’s mindset in this next scene, but it does not excuse it at all, because in the end, it’s on him for not being forthcoming. (And it makes me worry about just what happened on that island.)

Oliver comes back to the foundry and snaps that Felicity was supposed to be the expert on electronics and tracking. Diggle is immediately on alert as Felicity comes back with an “Excuse me?” but Oliver’s on a tear. “People are dying. So I would like you to pull your head out of Central City and get back in the game.” She’s not having any of this, as she tells Oliver in no uncertain terms to get his head out of his ass.

 

How she managed not to punch Oliver right in the stubble, I’ll never know. Maybe I’m just more prone to violence than she is?

Diggle is such a calming presence in these situations. He gently but firmly tells Oliver that his theory of distraction is complete bull, and then he drops the truth bomb:

 

Oh Diggle. So much smarter and more observant than the rest of us.

Alderman Blood announces a rally at a downtown plaza, which Oliver sees as a suicide mission. He hoods up and goes to Blood’s office to try to convince him to call it off, but Blood refuses. It scares him, though — he reaches for a concealed gun, fearing that The Arrow has finally figured out who is behind the skull mask.

Oliver and Felicity continue to bicker the next day, and Diggle asks, “Is this how it’s gonna be with you two from now on?” But Felicity’s had a breakthrough — she knows who the bomber is. He’s active on forums and message boards, and he goes by the name Shrapnel. She traces his IP, and Oliver heads that way as Diggle goes to the rally.

At the toy store that Shrapnel owns, Oliver’s trapped by lasers as a recording tells him that the plaza is rigged with explosives. He contacts his team, and Diggle sets off to find the detonator as Felicity works to help Oliver out of the laser trap. “Are you sure you want me doing this? My head might not exactly be in the game.” He yells at her, but she points out a fuse box for him to shoot.

They get to the rally but just as they find the detonator in the sound system, Shrapnel appears and shoots Diggle in the shoulder. The shot causes chaos, and Shrapnel throws the detonator into the crowd. Oliver shoots it in midair and it explodes, causing a light tower to fall straight toward Moira, but she’s saved by Roy, who takes the hit himself. He escapes without a scratch.

Oliver corners Shrapnel, who says he has explosives all over the city, but Oliver simply cuts the wire to the detonator and punches him out. That was easy!

Thea’s figured out that Roy’s hiding something, he’s not scratched from the incident at the rally and he has no marks from when he broke a box of glasses during his and Thea’s makeout the other day. He runs away before Thea can ask too many questions, but she’s the inquisitive type, so he has that to look forward to next week.

Diggle’s wound is “just a through-and-through, a walk in the park,” he might as well have said “Tis but a scratch!” After Diggle leaves, Oliver considers Felicity and then does the one thing we’ve never really seen him do before: apologize.

 

He actually apologizes twice.

But it gets even better!

 

But he still wasn’t done!

  

He relies on her, on them, and even though we all knew it, it’s nice to see him finally admit it to himself and out loud! And it’s so sweet and real that even though Felicity might let him off the hook just a little too quickly, considering how he treated her the day before, it’s a fitting reward for the vulnerability he just showed.

He even talks about Barry without grimacing or clenching his fists!

 

Maybe he is. And maybe that’s an incredibly considerate thing for Oliver to say to her. She gets all science-y about dreams and hallucinations during comas, but Oliver puts his hand on her shoulder to stop her babbling and reinforce the nice thing he just did, and she smiles and thanks him.

 

It’s basically the second-sexiest thing to happen with shoulders on TV.

His last errand of the night is to visit Blood once more, to congratulate him on his rally. Blood offers an alliance of sorts — that they work together to save the city. How are these not red flags to Oliver? The last time he met someone who talked like that, it turned out the guy actually meant to save the city by using an earthquake to wipe out half of it. But maybe he’s shaking his hand in a “keep your enemies closer” kind of way.

Next week: Laurel takes her suspicions about Blood to Oliver. This should go well!

The Hopes and Dreams for 2014

Making Christmas wishlists are fun. Sometimes the wishes won’t come true, but one can still find enjoyment in other things about our favorite shows. Here are my wishes for my favorite TV shows in the new year. Merry Christmas!

Arrow – I would like to find out more about Felicity Smoak’s background. It seems the show has been able to give basic background information for almost all the characters on the show, but all we know about Felicity is that she went to M.I.T.

Arrow – I’d also like to keep Sara Lance and Sin. Both are welcome additions to the show, and they make it more enjoyable to watch. Plus, I want Sara and Felicity to become friends.

Community – I would love if NBC renewed it for a sixth season. Community has a dedicated following, and NBC has been using the #sixseasonsandamovie hashtag while promoting the new season.

The Flash – I really want this pilot to get picked up. Arrow introduced Barry Allen, and I found him so delightful that I would gladly watch a show about his character.

Miranda – I’d like to have an official announcement of a fourth series. Miranda left off with a cliffhanger at the end of series 3, and we have no idea what Miranda’s answer will be.

Once Upon a Time – I just want this show to get better.

Once Upon a Time – Hook needs to lose the pirate clothes. He can possibly keep the jacket, but can he please start wearing clothing from this world?

General – I want more holiday themed episodes. I know I will never get a Justified episode with Raylan Givens and Boyd Crowder being each other’s secret Santa, or a bottle Thanksgiving episode of Once Upon a Time. However, some of my favorite episodes are holiday themed. I want Felicity Smoak getting into costume for Halloween on Arrow, or for Agents of S.H.I.E.L.D. (if renewed) to celebrate Christmas in the background of an episode.

What are your wishes for the new year? Leave us your ideas in the comments.