I Need a Hero

*Warning: This post contains spoilers to CW’s Arrow Episode 3.13 “Canaries.”

Last week, was one of the first weeks I did not loath Laurel. At the beginning of the episode, we saw Laurel taking out a bad guy Oliver and Roy were going after. Oliver confronts Laurel, and tell her what she is doing is selfish. Laurel replies that it is not selfish and “it’s what a hero would do.” This leads to the problem I have with the show. For some reason the show believes Laurel needed to lose her boyfriend and gain a drug habit so she could find her path to being a hero. Here’s the thing. Before Laurel’s part became mostly a love interest in season one, she was a hero. She fought for justice, and she didn’t have to wear a mask to do it. The people she brought justice to thought she was a hero. You don’t need to wear a mask and prowl through the night finding criminals to fight in order to be a hero. If that was the case, Felicity would not be considered a hero.

During the episode, Laurel gets stabbed with Vertigo by The Count (these are the times I miss Lincoln Lee Seth Gabel as The Count). Her nightmare is revealed as Sara, but in reality it is her doubt in ever becoming a hero like her sister. Illusionary Sara names all of Laurel’s flaws, tells her she will never be a hero, and asks why Laurel is trying to take her place. When Laurel comes to Felicity is there, and Laurel tells Felicity, “I was crazy to think I was fit to wear Sara’s jacket. So much as follow in her footsteps.” Felicity agrees with Laurel’s statement, and the reaction on Laurel’s face is priceless. She wasn’t expecting Felicity to agree. Felicity agreed because she knows Laurel does not face the demons Sara faced. Sara didn’t just wear the mask to hide her identity, but more to hide from who she thought she was. Laurel may have seen her sister as this hero, but Sara did not see herself in that way. Heroes generally do not see themselves as heroes. It what makes them a hero. For them it is a job. Oliver is seen as a hero, but he doesn’t recognize himself being one. He recognizes being Arrow as his job, and Sara was the same. They use fighting because that is what those five years being away taught them. Both of them lost so much of their humanity with those five years. They are/were slowly gaining part of their humanity back, but the demons will always be present.

The last vision Laurel sees from her second dose of Vertigo is Sara without her Canary outfit. The two sisters may not have always been on the best of terms, but Sara would never have been like the illusion Laurel saw and Laurel knows that.

What I do wonder is if Laurel went to see her dad the same night or not because Oliver must have taken her to get the second dosage of vertigo flushed out. She did seem to have all her faculties with her when she finally told Quentin the truth about Sara. Both actors gave their best performances with the scene and it was very moving. I do wonder if Laurel had not seen Lance accusing her of not telling him and Sara’s death, how much longer Laurel would have kept the secret. I guess we can thank Vertigo for something, but will we see any ramifications of nobody telling Lance the truth?

The episode had a couple of other revelations. The DJ was revealed to Thea as a member of the League of Assassins. I’m glad they didn’t bring out the story with him. By revealing who he was, then killing him shortly after made me see a glimpse of the second season where everything was fast paced. Stories don’t need to be drawn out, or visit points Q, M, and Z when going from A to B. The DJ served his purpose, and then killed himself. His purpose was to show Thea that Ra’s al Ghul was a real threat and she needed to be prepared.

The other revelation for Thea was Oliver being Arrow. The show did right with Merlyn in this episode compared to his his “redemption” story a couple of episodes ago. He was there when Roy and Thea couldn’t handle the DJ alone, and he was the one who told Oliver (what the audience has been screaming for a very long time) he needed to tell Thea about Arrow. Of course Thea also finds out Malcolm has known about Oliver for a while now, and whatever trust Malcolm was gaining with Thea is lost. The show uses Oliver’s voice when he tells Thea he is partnering with Malcom because it is the better of two evils. However, If Oliver does not also reveal to Thea what Malcolm did to her at the beginning of this season he may also lose her trust.

Oliver may have revealed to Thea he’s Arrow, but he is still trying to hide part of it from her when he tells her to leave the basement. Roy is the one who stands up to him, and tells him Thea should not be kept out anymore. When Oliver made the decision to tell Thea about Arrow he invited her into all of it. Oliver cannot comprehend his team not jumping when he tries to enforce Thea leaving, and Felicity drops another truth bomb. They all have their own voices, and the mission became even more theirs when they thought he had died. There’s no way they are going back to the way things were before Oliver left. Now Arrow is becoming more of a partnership than ever before. Oliver considered them partners before, but he still was the leader. He is able to understand the teams reasoning when Diggle lays it out for him. Felicity may drop truth bombs, but Diggle is the guru of understanding Oliver’s way of thinking and explaining how things are to him.

Nothing really happened in the flashback front. Maseo told Oliver to get back home before Waller could find him, but Waller found him and Maseo came back for Oliver. One of the last scenes we saw of the three was them entering Starling City. Home Sweet Home. A time where Tommy was still alive. This week will hopefully be a good week with Tommy and Slade appearances.

Uprising

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**This post contains spoilers for episode 3.12 of Arrow, “Uprising.”**

Everything is so bad right now, I don’t even know how to write about it. Should I stop? Should I stick it out in the hopes that it’ll get better? Can it get better? I think I’ve set a mental deadline for myself — if things aren’t amazing by the time Slade returns, I’ll be done writing about this show. It’s not fair to keep coming here and trashing something that, judging by social media, a lot of people are still enjoying. It’s getting exhausting. But I can’t sugarcoat my feelings, so the language gets worse, the writing gets more italicized and exclamation point-y, and I end up sighing with relief on Wednesday nights when I hear those blessed words: Previously, on The 100…

The funny thing is, I’m not angry about any of the things I expected to be upset about. I really, honestly thought that this batch of episodes would be hard for me primarily because of Laurel ascending to the Black Canary, but this week, she was the most inoffensive part of the whole episode. There was a snafu with her when it seemed like she actually wanted to team up with Malcolm Merlyn, but ultimately she cast her vote correctly, and my tiny bit of faith was restored in Laurel. I also thought Ray Palmer would be flitting around in this episode, but he was mercifully absent… unfortunately, it made way for other terrible developments and plot devices and ugh.

We didn’t see Oliver fight his way back. Did you know he was stabbed through the midsection, on a snowy mountaintop, and left for dead? Did you know someone dragged him all the way back to a cabin in God-knows-where to have him nursed back to health, sans magical herbs or a mythical healing pool? Did you know Maseo, and by extension Tatsu, risked everything for him? And we see, what — we see him get on a truck and half-heartedly ask Tatsu to come with him back to Starling. Then suddenly, one commercial break later, he’s back in his leathers, shooting people, bellowing at Merlyn in an alley, and moving around like he didn’t just recover from certain death. They made such a big deal about him almost dying, you guys, they pretended he was dead even though we knew better, they had the characters spin out of control in their grief, they had a madman take over the Glades, and Oliver just… appears. Mid-battle. And gives the most hokey, cringe-inducing speech on top of a truck. It was horrible. It was rushed, it was poorly edited, and worst of all, it was hackneyed.

Instead of going immediately to his team, who kept his image going for as long as they could while he was gone, Oliver went to Thea’s apartment to make a deal with the devil. We got to hear all about how Thea is now Malcolm’s redemption, except for the fact that he already ruined her. And Oliver just nods like this is totally normal language! Like, “Yes, I can see how this is a good thing, you know, you turned her into a killer and our mother wouldn’t recognize her today but sure, yeah, your redemption should totally hinge on my twenty-year-old sister who still doesn’t know the truth about Sara’s death! Hey, let’s get drinks later!”

His team barely reacted when he finally deigned to appear in the foundry; a couple of relieved looks, maybe a grin or two, and Felicity flinging her arms around his neck, but then things got so much worse. Felicity’s been fighting for the Right Thing since Oliver left, she and Diggle are holding the party line, but as the city falls into more chaos, Roy and Laurel have considered making exceptions. Felicity shouted them down.

 

And then Oliver comes back and the first thing he says is that he’s going to team up with the monster Felicity’s been facing down for weeks. It’s unimaginable.

I can’t even get into the horrible Merlyn flashbacks. Some of the scenes indicate that even Barrowman can’t make this crap work onscreen, and the anti-climactic showdown in the alley was just embarrassing for all parties. (No, I take that back, I think Vinnie Jones can hold his chin up after that.) Why bother doing a three-episode arc of a supervillain trying to take over the Glades, then throw in a random last-minute twist that Brick killed Rebecca Merlyn, then not even resolve the bigger issues around it?! The mayor kowtowed to a terrorists! The police were pulled out of that section of the city. That’s not even Gotham-levels of corruption and misplaced power, that’s just BAD. That’s just anarchy and death.

What was the point of twisting it so that Brick killed Merlyn’s wife? He didn’t even do it for a reason, he just needed someone to kill, so it wasn’t even a compelling backstory. It gave Merlyn a reason to kill him, but having him choose “correctly” doesn’t absolve him of the other horrors he’s bestowed on the people he loves. He killed his son. He turned his daughter, who still doesn’t know the truth, into a killer. He killed Sara and sent Oliver to his certain death. And Oliver made a deal with him? This is not Moira — this is not shades of right and wrong meshing and mixing in a gray area, this is black and white, this is manipulation and emotional abuse and Oliver actually making a decision that will turn him from an every-man hero into an Advocate for the Greater Good. And as Diggle rightly pointed out to Merlyn early in the episode — that makes him no better than Merlyn himself.

So ultimately, by the time the last scene rolled in and Felicity was standing alone in the alley as Oliver wandered over to her, I was done. I was livid, I was over it, and I was ready for the whole thing to implode. I’m so tired of this season, of the choices Oliver has been making for no good reason, of our beloved characters becoming warped versions of themselves… I was done.

I can put myself in Felicity’s shoes and picture falling out of love with Oliver Queen in that moment. Here is a guy who, despite the blood on his hands, I thought was a hero. I fought for him. I defended him to cops, to friends, to family, even to myself. He always did the right thing. He saved lives. He loved his mother and his sister, he defended his father’s honor, he chose not to kill in the name of his deceased best friend. He loved me back. He believed in me. He saved me. He armed me for a takedown, and I followed through. Things were good, and then they weren’t, and he pushed me away. I had to choose how to feel, and I tried to move on, but one of our close friends was killed, and that changed everything — that changed him. Suddenly he stopped believing in the good of people. Suddenly he started aligning himself with a criminal. He went to his death even when he knew it would hurt everyone, even when he knew it would leave his sister in the care of a psychopath. But he went anyway, and I asked him to fight, and he died. I mourned. I thought he was gone, but deep down, I wanted him to be alive, I wanted him to fight back and come back to me and decide life was worth living in the light, that being in the streets and in battle wasn’t fulfilling anymore, and maybe he deserved better… But he came back, and he said, “I’m going to work with Malcolm Merlyn.”

Yes. I can definitely see myself falling out of love with Oliver in that moment. At the very least, I can see myself hating him, and hating that he is who I love. I can see every reason behind Felicity’s speech, even if it was cruel, even if it was worded specifically to hurt him. He deserved it. As angry as I am at Roy for lying to Thea and considering aligning himself with Merlyn, as angry as I am with Laurel for even considering it for a moment, that’s nothing compared to the fury I feel when I think that Oliver is teaming up with the man who stole his sister’s agency, the man who killed Sara for no reason. Now Oliver is the hero Starling City has, but he’s certainly not the hero Starling City deserves. Not anymore.

Other notes:

– Thank goodness Sin was back, even if it was just for one episode. I love that character, and it sucks that they shoved off the “Hey that chick in black isn’t Sara” reveal to Lance on her, of all people, but at least he’s going to figure it out now. I kinda hope he tries to kill Oliver when he finds out the ugly truth.

– Also back was Ted Grant, who might or might not have been killed in the Braveheart battle, because why keep around a compelling side character whose backstory we didn’t even explore and who can actually fight when you can keep… Malcolm Merlyn. #ArrowLogic

– My sister was excited about “baby Oliver and Tommy!” but I couldn’t even work up a little bit of enthusiasm since they were part of the Humanize Malcolm Merlyn Campaign that this show is currently on. Still, here they are:

 

– I’m sorry I have to do this, but the absolute worst editing and voiceover work I’ve ever seen outside of The Mindy Project happened at the end of the episode, when Thea and Malcolm were chatting and Oliver walked into the apartment with an “Is my room still available?” It was poorly timed and poorly edited and honestly, it might seem like nitpicking, but after that terrible truck-top speech, I can’t abide it. IT WAS BAD.

– Also, I call it the Braveheart Battle because have you ever seen a crowd with assault rifles start charging at each other? Or do they, you know, hang back and use their assault rifles?

– I’m sad that the Vinnie Jones arc ended so lacklusterly. I’m so sad that I might spend tonight rewatching his episodes of Elementary, because THAT was a compelling villain.

– The only people who managed to make this episode watchable: John Effing Diggle and Felicity Friggin Smoak, that’s who. Diggle really Diggle’d this episode and his criminally few lines by being amazing:

 

And Felicity, well…

– Finally, this needs to be seen in its entirety.

Next week: I don’t even remember the promo for next week. Actually, I wrote this whole thing based on my memory of the episode, instead of rewatching as I write like I normally do, that’s how much I didn’t want to relive it. I think I read a summary somewhere that Oliver won’t be happy with the changes on the team, but hey, that’s what you get for going to your ultimately pointless near-death, bro.

Flash vs. Arrow: The Great Crossover Event

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**This post contains spoilers for episode 1.08 of The Flash, “Flash vs. Arrow,” and episode 3.08 of Arrow, “The Brave and the Bold”**

I’m gonna do something I’d intended to do since October — I’m going to write about The Flash! Well I’m actually going to write about the big Flash/Arrow crossover that aired this week just in time for Christmas, like a big beautifully wrapped present under our trees! And make no mistake, these were two exceptional hours of television which were groundbreaking in exciting ways that will pay off once Arrow finally gets its act together.

If you haven’t been watching The Flash, I won’t go as far as saying “You’re really missing out!” because it’s going through the same initial pains that Arrow did early in season 1. There’s no credible Main Villain, the love triangle needs to be sorted, the relationships need to be given room to grow, and overall, we’re still getting to know these characters. There’s nothing inherently wrong with the main love triangle (because it’s not a CW show if it doesn’t start out with a love triangle) except for the fact that it’s a really tired trope. Barry and Iris are friends since childhood, but Iris is in a relationship with Eddie, who is a cop and happens to be her dad’s partner. So Barry has been sitting on the sidelines making sadfaces at Iris for seven episodes. And instead of making Eddie unbearable, mean, or neglectful, the writers went and made him an utter delight, to the point that I can’t ever fully get behind the Barry/Iris concept unless Eddie turns out to be a supervillain. But it’s a concept the show is still pushing, and much like Oliver/Laurel, we have to cross our fingers and hope that there’s some sort of course-correction one way or the other in the future.

Barry’s superhero life is much more interesting, especially with his “team” of Cisco and Caitlin. Cisco is enthusiastic, Caitlin is nurturing and in mourning, and as a trio, they make a great dynamic. They’re led by Dr. Wells, who is faking a disability to sit in a wheelchair. He frequently sneaks off to stand up in an odd little room and talk to his clairvoyant computer, but after Slade Wilson’s halluciShado from last season, it’s not that crazy in comparison. He’s ramping up to be a Big Bad but for now, he’s manipulating and shaping Barry into a scientific specimen to his standards, and Barry has only recently started to question Wells’ motivation and methodology.

The real standout on The Flash is Joe West, played charmingly by Jesse L. Martin, who raised Barry after Barry’s father was (wrongfully) imprisoned for the death of his mother. Joe is also Iris’s father and he frequently has to toe the line between father and cop with both of his unruly children. He’s in on Barry’s super-secret identity and he’s very supportive of his hero efforts, and in general, he’s just a joy to watch onscreen. If you enjoy nothing else about The Flash, you will enjoy Joe West.

The Flash has made a very strong, concerted effort to differentiate itself from Arrow tonally and thematically. One is light, the other is dark. One is hope, the other is vengeance. One is life, one is death. One is superpowers, the other is strategy. Barry and Oliver spearhead their own shows effectively, with Barry bouncing around all chipper while Oliver stands still and scowls. It’s the difference between a slightly goofy sci-fi show and a grittier show about war and loss, and yet they both fit seamlessly into the same universe.

So now that I’ve covered the basics, I’ll remind you that Arrow left off with a guy killing someone in an alleyway with a metal boomerang, which is what brings Team Arrow (minus Roy, so I guess he really is Team Arrow Adjacent, sort of like those junior babysitters in The Babysitters Club?) to Central City just in time for Oliver to pop up at a crime in progress and save Barry and Joe from certain death. Probably. Okay, not really, but Oliver can’t resist an entrance.

 

When Barry zooms up to the abandoned house where Team Arrow is congregated, Diggle is shaken to his core. He spends the entire scene staring at Barry with deep distrust. Diggle then spends the rest of the episode questioning not only Barry’s powers and how they function, but also Oliver’s complete non-reaction to Barry’s abilities. “Mirakuru soldiers are one thing, but this?” Oliver insists that Barry’s new powers do not change who he is as a person, but Diggle still doesn’t trust it because he doesn’t understand it.

 

That’s where this Flash episode really got Diggle’s characterization right, and I know the Arrow writers were in that room helping out and making sure everything stayed in character, but still — it’s better than Diggle’s been for the last few episodes. I’ve said before that he’s the one character that grounds everyone else; he’s the realist, the rock, the shoulder to cry on, the steady soldier. He believes in what he sees, nothing more and nothing less. He is suspicious of people whose motivations he doesn’t understand (Laurel, Moira) and of people who have power, because power corrupts. Barry has a power now. Diggle’s reaction was played for laughs because it’s funny to see someone who is normally composed be so shaken, but it was based in something real. Superpowers freak him out. Metahumans freak him out. He understands Slade and his army because Mirakuru was a drug, and that’s a science he can grasp. Super speeds thanks to a lightning strike and a particle accelerator? That has him questioning everything he knows.

It’s great to have Diggle wig out because of what it brings out in Oliver and Felicity, too. They’ve both already known about Barry for a while, and after their initial shock and awe, they moved on. Felicity is technically-minded with a slant toward science, so she was always going to be fascinated and enthralled by something like this. But Oliver accepted it as a part of who Barry is now. His only concern was that Barry would use it for good. His responses to Diggle are part of his intrinsic trust in the goodness of some people — of the light inside his heart.

Oliver and Barry agree to collaborate on their cases, but Oliver’s opposed to Team Flash learning his true identity, so Felicity heads to Star Labs alone, just before she’s scooped up by Barry and flashed there. He sets her shirt on fire, which is why Cisco and Caitlin find her standing in her bra in the middle of the lab; they’re both happy to see her, but for vastly different reasons. Cisco gets even more excited at the sight of the boomerang (“Aaaaaawesome!”) as Caitlin fills Barry in on the Metahuman Of The Week. He’s a rage-inducer. I’ll get to him later.

Meanwhile, Joe is understandably horrified at having the Starling City vigilante in his city and that he’s an acquaintance of Barry’s. This is where we truly get to appreciate what the rest of this CW-DC-verse perceives of Starling City, because Joe and Dr. Wells sit there and reel off the facts: “He was wanted for murder in at least twelve different cases dating back three years.” “There’s been at least two major terrorist attacks on Starling since he became active.” Barry argues that the cops are on good terms with the Arrow now, and calls him a hero, to which Wells responds, “You’re a hero, Barry! You offer protection, hope, light. What that man does is carry out a dark reckoning for his city. It is a brutal, violent vision of justice.” He ends his speech saying that even if the Arrow is a hero, “He’s not the kind you should be looking up to.” Joe tells Barry to get the Arrow out of his city, now. You can’t blame the guy. Looking at the cold, hard facts, it does look like the Arrow is a harbinger of death rather than a hero. (And let’s be frank — one of those terrorist attacks was directly due to Oliver’s presence in that city. Oh Slade. The gift that keeps on giving.)

 

Oliver and Felicity have coffee at Jitters (fun fact: I spent all season thinking it was named Co-Jitters and wondered at the stupid name, but it’s actually CC Jitters… for Central City Jitters… which really isn’t any better, but at least it makes sense) where Iris basically drapes herself all over Oliver as he crosses his arms tightly in a defensive pose. Her excitement is understandable, sure, but her complete obliviousness to Barry’s obvious feelings for her is getting a little obnoxious at this point. It’s even more insulting when she proclaims “His arms are, like, twice the size of yours!” and then talks about how he’s on her list of exceptions and ends with “I just cannot stop staring at him.” Which is funny because as she stares at him and drools, he’s staring at Felicity even more adoringly and saying, “Felicity, this is me noticing you staring.”

 

She wants to help Barry with his case, and even tells him that Barry defended the Arrow to Wells and Joe. Oliver (correctly) says that Barry doesn’t really want his help, but Felicity is insistent, a fact that is not lost on Oliver:

  

After that, how can a guy say no? (May I remind you that the last time we saw Oliver, he had just watched Felicity kiss Ray Palmer? This is actually kind of a big deal — a lot of other brooding types would’ve cold-shouldered the bewildered woman, but Oliver is being a big boy and recognizing that these are the consequences of his choices.)

Oliver refuses to use the term “metahuman,” though, which is a running gag through both episodes of this crossover and I don’t totally get it. He hates the nicknames but he’s always been “Ollie” to the Lances, Tommy, and Thea, plus he calls Thea “Speedy” and brightly suggested the nickname “Arsenal” for Roy only a couple of episodes ago. Later, when Oliver expresses more disdain for “Captain Cold,” saying he’ll discuss the nicknaming later, Barry snarks, “You mean, like, over coffee with Deathstroke and the Huntress?” and I hate that those were the two examples they chose, because of all the nicknames, those were some of the only two that Oliver didn’t assign or even use. “Deathstroke” was an Interpol code name, but Oliver only ever addressed him as Slade, and I don’t even know who coined or used “Huntress” besides maybe the police.

Anyway, Oliver is very annoyed at Barry’s lack of training and discipline. And when I say very annoyed, I mean very annoyed, like he’s downright irritable about it. He asks if Barry cases new environments when he comes across them; “You could. You have the time. But you don’t.” He says it with crushing disappointment, but Barry’s still playing it off as something he doesn’t need to take seriously, so Oliver’s rigged up a system to teach Barry about perception and observation, and it ends with two arrows in Barry’s back. It’s okay. He heals fast.

Barry continues to defend the Arrow to Joe even if his personal misgivings with Oliver continue to grow. Meanwhile, Caitlin and Felicity are collaborating on the metahuman case, a man named Roy G. Bivolo (get it?) who uses his eyes to induce rage in people, causing chaos wherever he goes. They figure it’s linked to the color spectrum, since he uses red in his eyes to induce the rage, while Cisco continues to analyze the boomerang for the Team Arrow case. Wells rolls by and asks for a word with Felicity, and she obliges, but she quickly clams up when he says he wants to know the Arrow’s identity. “That is not my secret to tell, Dr. Wells,” she says, which is almost verbatim what Oliver said to her a year ago in 2.09 after she told Barry his secret. Wells graciously backs down, saying he’ll figure it out on his own, but it’s not that hard — she immediately turns around and asks Barry, “How did it go with Oliver?”

C’mon Felicity, SECRET identity!

Barry gets dispatched to Roy G. Bivolo’s location and gets macularly assaulted, but there are no immediate signs that he’s affected. It turns out his superhuman abilities are delaying the reaction, but they’re also intensifying his rage. It’s a gradual process, starting with him snapping at Caitlin (“I’m not Ronnie, you gotta stop treating me like I am”) and increasing at another training session with Oliver. It starts out pretty well, and Oliver’s intentions are from a good place.

Oliver: “Barry, I have been living this life for almost eight years, encountering things that you can’t even fathom, and I am still alive. Not because super-speed kept me out of the ground. It was because I realized I needed to keep learning, keep training, keep getting smarter. And until you get that, despite your best intentions, you will do more harm than good.”
Barry: “I finally see it. You’re a little bit jealous of me, aren’t you? A guy like you, handsome, rich, can have any girl he wants, jealousy’s probably a new emotion for you, so you might be a little slow to get what it is that you’re feeling.”
Oliver: “That’s your theory?”
Barry: “Absolutely. See, you can train, lift weights, climb that stupid bar until your heart explodes, but you will never be as fast as I am. You will never be what I am. And that’s gotta hurt your rock-hard pride, Ollie.”

He spits out the nickname like an insult, and it’s probably a little shoutout to the fact that Oliver hates nicknames, but how did Barry know that Oliver even has that nickname? Anyway, Barry’s rage builds as he shouts at his sergeant and then shoves Joe as he blames him for his father’s incarceration. Joe pops in at Star Labs to report that Barry’s off his rocker, and Wells turns to Felicity and says, “I think you better call back Oliver Queen. We’re gonna need the Arrow’s help.” Rude.

Barry attacks Eddie as he rides with Iris down Central City’s most deserted street, and he does enough damage to Eddie to send Iris into sobs as she begs for him to stop. Oliver shows up just in time to give Barry enough of a distraction from Eddie and Iris for them to escape, but Barry ends up dragging Oliver down the street and then punching him at super-speed. (This show is great with effects but not so great with stunts.) Oliver gets the drop on Barry in time for Wells and Joe to show up with a bunch of flashing blue lights to counteract the rage in Barry, but just before he turns him, Oliver says, “I still believe in you, Barry.”

 

Diggle, meanwhile, is now at Star Labs since Wells blew Oliver’s cover, and he’s arguing with Caitlin and Cisco about who is better: Oliver or Barry. Objectively, super-speed (coupled with super-healing) will trump a regular human, so it’s really great to see Diggle sitting there staunchly supporting Oliver as the superior superhero. Subjectively, I’d be Team Oliver just because of his experience and his training. In three years, though, who knows?

They vanquish Roy G Biv offscreen and Oliver jokes that he has an impenetrable prison, too! “Mine’s on a nearly inhospitable island in the North China sea, but this works too.” Then he basically threatens everyone on Team Flash, including Joe, if they ever reveal his identity, which Felicity translates as “He had a lovely time working with you and getting to know each of you, and he can’t wait to do it again soon.”

 

Felicity asks Caitlin to run a genetic marker sample on the DNA from the arrow in Sara’s murder. Wells tells Oliver that he met his father once, and that Robert would be proud of the man Oliver’s become, but Oliver ends up muttering to Felicity as they leave, “There is something off about that guy.” I mean, he never noticed with Malcolm or Sebastian, so it’s about time he started noticing weirdos now.

At Jitters, Oliver and Felicity are meeting Barry for one last coffee, but they find him staring broodingly at Iris as she hugs a patched-up Eddie at the bar. Oliver makes all of the necessary deductions in about two seconds, and he sits with Barry as Felicity joins Iris at the bar. Barry apologizes, and Oliver simply says, “You can always talk to me.” He then proceeds to dole out some truly terrible advice about heroes not being able to “get the girl,” which is odd because we are meant to see it as both guys staring at the girls they “can’t” have, when in reality, Barry is staring at his Laurel. In that respect, Oliver is right. Oliver couldn’t have Laurel, he tried. And Barry won’t be able to have Iris, not in this current scenario.

 

It’s especially bittersweet to Barry, too, who sees Oliver taking that same attitude with Felicity. Barry respectfully “let go” of Felicity a while ago because he saw her clear feelings for Oliver, so it’s a tough pill for him to swallow… if he chooses to believe it. He shouldn’t, though, because Oliver is dark and Barry is light… Oliver is regret and Barry is hope. If Barry wants relationship advice, maybe Oliver isn’t the best counselor.

As if that’s not enough drama for one day, Oliver then encounters his baby mama who confirms via a phone call that she is, in fact, his baby mama, unbeknownst to him. I hate hate hate this subplot but I can’t stop it from happening so I guess I have to hope for the best. Iris blows off the Flash later, bitterly disappointed in his antics from the previous night, and then surprise! Caitlin’s believed-to-be-dead fiance, Ronnie, is alive and living under an overpass! And he’s on fire! (I resisted the pun. You’re welcome.)

That brings us to the Arrow episode, “The Bold and the Brave,” which aired last night. Team Arrow (now with bonus Roy!) is still pursuing the boomerang case when they come across a rigged house. They explode it only to come face-to-face with ARGUS agents (one of whom says, “You’re outnumbered, jerkwad!” and I feel so bad for that guy) which confirms Oliver’s suspicion that the guy killed by the boomerang was an ARGUS agent. Now, who do we know at ARGUS…?

Diggle says Lyla won’t want to get them involved in ARGUS matters, and Oliver snaps, “Then tell her to stop letting people get killed in my city!” like it’s a completely reasonable thing to say, and this is the first of seventeen times that the characters really hammer home the point that Diggle and Lyla are not married. They were married. But they aren’t anymore. Got that? They are divorced. This episode stated it like eleven hundred times because their plot points are anvils, so I want to make extra sure that you, dear reader, are aware that Diggle and Lyla are living in sin.

 

I bet you thought this crossover episode was a good place to have flashbacks. You were wrong. While I adore Amanda Waller in all of her badassery, this is the first time in a long time that I’ve felt annoyed and even cheated by the presence of flashbacks. In them, Oliver fails to torture a guy, bombs go off, Amanda tells Oliver to toughen up, then he tortures a guy. There’s no Maseo, no Tatsu, just Oliver and his bad wig.

Cisco and Caitlin show up at Felicity’s office (Ray has officially replaced the Queen Consolidated sign on the building) under the guise of analyzing the arrow sample from Sara’s murder, but really, “We want to see the Arrowcave.” Felicity tells them they don’t call it that. Ever. Because of Oliver’s aversion to nicknames and names in general and just fun things. But they want to see the toys, and their smiles are so huge, and Felicity can’t resist them. You couldn’t either! You know you couldn’t.

So Oliver sits in the middle of the basement and growls at Cisco not to touch things as Roy stands there flummoxed and asks, “Since when did we start selling admission to the Arrowcave?” which makes Oliver point at Felicity accusingly and say, “You see what you’ve done?!” Cisco freaks out over the Arsenal outfit and mutters, “Red is so much cooler than green, am I right?” to Roy, hilariously only a week after his Flash case with the red-eyed guy.

 

Caitlin asks about the salmon ladder, which Felicity says is for “distracting me from work,” and really what we need is Caitlin and Felicity just sitting there at the desk watching Oliver do his thing. Then Caitlin would understand. She’d understand completely.

Diggle is at ARGUS HQ asking Lyla for a favor (she knows this because he calls her “sweetie”) when they’re attacked by Boomerang Man. Diggle calls Oliver for help, but he won’t get there in time. You know who will? BARRY. He zooms right by Thea as she’s on the phone, and he gets there in time for Boomerang to steal an exit from Malcolm Merlyn and poof away.

 

Arrow is really good at the effects, too. Lyla finally discloses the villain’s identity: Digger Harkness, former ASIS and in my mind, former friend of Slade Wilson. You can’t talk me out of it until the show proves me wrong. Anyway, he was a member of the Suicide Squad, and Lyla had once tried to detonate the bomb in his head, which apparently malfunctioned, so now he’s on a revenge mission. Does that sound familiar?

Lyla’s put under Oliver’s protection, which means she’s admitted into the Arrowcave just in time for Barry to zoom back with some sushi and bump into Felicity’s computers like it’s no big deal. Caitlin reminds him that he’s supposed to be keeping his identity a secret, and Barry hilariously assumes that Diggle had told Lyla about him. “I keep secrets for a living, man.” “Oh. My bad.”

 

Oliver pulls Barry aside to tell him he doesn’t need help, and asserts that things are different here, “Starling City is… meaner.” Hahaha when you think about it, yeah, it’s pretty mean… corrupt cops, Malcolm Merlyn trying to kill the underprivileged, Sebastian Blood stepping on people’s throats to get elected, Laurel running around all crazy… Barry insists he’s been practicing everything Oliver taught him (for a whole week, you guys!) and Oliver grudgingly accepts his help, but on his terms. No one can match Barry’s enthusiasm except for Cisco, who figures out who manufactured the boomerangs. That leads Oliver and Barry straight to Detective Lance!

You know who’s fun? Lance when he’s annoyed. He’s currently being annoyed by his daughter, Laurel, who literally only pops up in this scene as a visual reminder that she exists for the viewers, so… way to get that paycheck, Katie. Laurel’s never met Barry, but Lance remembers “Bart Allen, right? You get hit by a bus or something?” Barry asks Lance about the manufacturer, and Lance remembers that he’s connected to the Bratva, which would be really great news if Oliver hadn’t burned that bridge last season. That means he has to torture for information, which horrifies Barry, who hadn’t been privy to these tactics in action before now. Oliver is unapologetic, telling Barry, “You live in Central City, where it’s sunny all the time, and your villains get cute nicknames.” I’ve always likened Starling to Seattle, so does that make Central City the CW-DC-verse version of Los Angeles? Sunny with cute nicknames?

Oliver says that in his city, his best friend died, his former love was shot full of arrows, and his mother was murdered right in front of him, and Barry points out that his mother was killed in front of him, too, “But I don’t use my personal tragedies as an excuse to just torture whoever pisses me off!” Oliver sarcastically apologizes for not being as emotionally healthy as Barry (accurate) and tells him to go back to Central City if he can’t handle the terms of their partnership.

Oliver and Lyla have a surprisingly great scene that starts off weird (she refers to “Speedy” and Oliver thinks she’s talking about Roy? When did he ever call Roy that? And Lyla meant the person who is literally speedy because why would she know Thea or Roy’s nicknames? What did I miss???) but Oliver admits that he and Barry had a disagreement on the way the world works. She understands and glances at Diggle as she says, “There are people in the world who deal only in extremes –” and she’s surprised when Oliver finishes the quote, “and it would be naive to think that anything less than extreme measures will stop them.” They both got that from Amanda Waller. And suddenly I want a lot more scenes of Lyla and Oliver collaborating in these ways.

Felicity frightens everyone by hacking into the ARGUS spy satellite (even Cisco looks terrified at her power) and tracking Harkness’ location. Barry and Oliver team up again as the other three men load into the van and have a philosophical conversation about metahumans and their purpose. Turns out Harkness isn’t there, though. That means they walk (well, they Flash and Arrow their way) right into a trap, leaving the ladies at the Arrowcave vulnerable. I guess Boomerang had the code to get in? Or the guys left the door open, probably.

 

Lyla gets a boomerang to the chest and Caitlin manages to stabilize her so that Barry can flash her to the hospital. Oliver demands to be left alone while Diggle’s at the hospital, so the other four (minus Barry) hang out at Verdant, where Cisco is super attracted to Thea.

 

Oliver, meanwhile, is in Super Brood Mode and Barry tries to talk him down from that ledge.

Oliver: “To do what I do, Barry, takes conviction. But more often than not, it’s the will to do what’s ugly. Every time I do that, I’m trading away little pieces of myself, so, you asked what’s wrong with me? That’s what’s wrong. Because the part that I’m trading away is… Oliver Queen. And lately I’ve been feeling like there’s nothing left except the Arrow.”
Barry: “I think you’re full of crap. You’ve convinced yourself that everything you’ve been through took away your humanity. But I think it’s because of your humanity that you made it through. You wouldn’t have survived, much less come out the other end a hero, somebody who wants to do good, if you didn’t have a light inside of you.”

Oliver’s stricken by this, because Barry has no way of knowing how much he sounds like Sara in that moment. It hurts Oliver because everything’s already been full-circle back to Sara since she died anyway, and here’s this kid, this guy that showed up in his life and was struck by lightning, and the whole time he was in that coma, Oliver loved and lost Sara, who talked about that same light. Most of his light died with Sara, and here’s Barry, who didn’t even really know that, and after all the bitterness and yelling last week, and the torture and doubt this week, Barry’s still insisting that he sees that light. Oliver doesn’t believe it, because he only knows his own darkness.

Yet even as Barry says it, even as Oliver’s prepared to argue and drown himself in misery, light walks up and apologizes for interrupting. She’s dressed in blue and is sporting a blonde ponytail, but she’s light because it’s the only thing she brings out in Oliver: his light.

Felicity found Harkness, and Team Arrow and Team Flash (minus Diggle) reassemble to take him down. Barry and Oliver confront him at the train station while everyone else watches from the Arrowcave. Harkness issues the usual threats and stuff, and says that he has five bombs placed around the city. That sends Barry running while Oliver pins Harkness to a column. They figure out that all of the bombs need to be deactivated at the same time, so Barry flashes everyone (Roy, Caitlin, Felicity, and Cisco) to bomb locations so they can coordinate, and it works like a charm.

Harkness taunts Oliver for his weakness in not killing him, but Oliver corrects him: “It means I have some humanity left.” And you’re still honoring your best friend, don’t forget.

 

Diggle proposes to Lyla as soon as she wakes up (he calls her “sweetie” because he wants something). Caitlin packs up the arrow for analysis as Roy expresses regret that Team Flash is leaving, “You guys are fun.” Cisco says they could be fun too, if they ever realized they were working under a nightclub. Oliver and Barry saunter in all victorious and Oliver basically confirms my wildest dream: Digger Harkness is now cellmates with one Slade Wilson. Oh, the shenanigans! My heart can’t handle the possibilities. “We’ve got a pipeline, he’s got a gorgeous tropical island.” I guess Barry wasn’t listening to the part where Oliver said “inhospitable” and “North China Sea” last week, but Felicity helpfully mentions the land mines which gives everyone pause.

Barry’s happy to see a creepy mannequin enclosed in a glass case for his future visits, and Cisco presents Oliver with a gift of his own: a redesign of his Arrow top, now lighter and able to carry more gear. “I wanted to replace the hood, but Felicity said it had sentimental value.” Oliver beams at Felicity after Cisco says that — the beam is so bright, in fact, that Felicity has to look away, lest she be blinded by the beam.

 

Roy once again expresses regret that they’re leaving (he hates to see you leave but he loves to watch you go) but Barry says he and Oliver have some unfinished business to attend to first. Then they go to a hangar to try to determine who would win in a head-to-head battle. Barry tells Oliver he can inspire people, “Not as the Arrow, that guy’s a douche, but as Oliver Queen.” Then they face off and we cut to a nifty Arrow signoff with the lightning flash tracing the letters.

Whew! That was a lot of stuff. And I can’t wait until the next one. My only gripe is that Joe West has not met Quentin Lance… and now that I’m making a wishlist, I kind of want Eddie Thawne to meet some Arrow characters as well. I’m thinking Thea? That could be fun.

Next week on The Flash: Firestorm, I think? But mainly, Reverse Flash and Christmas!

Next week on Arrow: R’as al Ghul and the League of Assassins wreak havoc. It’s the midseason finale, and let’s hope it’s a thrilling end to a less-than-stellar half-season.

“You’re just another weapon in his arsenal.”

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**This post contains spoilers for episode 3.06 of Arrow, “Guilty.”**

Oliver Queen does not give up on people. If you take nothing else away from last night’s Arrow episode, which was a Ted Grant episode disguised as a Roy episode — you should at least glean that about Oliver Queen. It’s one of the few things he did not pick up from the island; it’s deeply embedded in his DNA. It probably started, once upon a time, with Tommy Merlyn, but we never got the backstory of how they became friends or their adventures in getting arrested together. So instead, we look at the first demonstration of Oliver’s deep belief in people: the loyalty he displayed to Yao Fei on the island. No matter what happened, no matter what dire stories Slade told Oliver about betrayal of trust, no matter what kind of evidence pointed to Yao Fei working for the enemies, Oliver was relentless in his attempts to save Yao Fei from Edward Fyers. It was played off as childish naivete, mostly because Oliver was a little whiny back in those days, but ultimately he was right about Yao Fei.

The list continues, straight through the flashbacks and into the present day. He believed in Slade until the Slade he knew was gone. He believed in Diggle. He believed in Felicity. He believed in Sara. He believed in Quentin. He believed in Walter, and he even believed in Moira, though a few too many secrets drove him away for a while. Remember all the fights Oliver would have with Diggle about Moira’s true nature? That’s because Oliver simply cannot function in a world where the good doesn’t outweigh the bad — that for every villain he stops, a truly good person is saved.

He believes in Roy in the same way he believed in Sara, that their motives and their hearts outweighed their past actions. That might be why he’s being so obstinate about Roy this time around, when everything seems to incriminate him, because in his mind, Roy and Sara are intrinsically linked. Sara wanted to kill Roy when he was on Mirakuru, and Oliver had the same argument with Sara back then that he had with Diggle tonight: he can’t give up on Roy. It’s not in his nature.

 

Roy is pretty sure he killed Sara. He’s been having vivid dreams about throwing arrows at her on that rooftop, of watching her fall, but he doesn’t remember being there or having a motive. He confides in Felicity that he worries about traces of Mirakuru still being in his blood, but Felicity checks his blood and he’s clean. When he finally reveals his nightmares to her, Felicity gravely points out that the trajectory of the arrows in Sara’s body don’t match the trajectory of arrows shot from a bow; she also says the DNA on the arrows came back inconclusive for a match. She seems frightened on Roy’s behalf, but he can’t take it anymore and tells the group the truth, unfortunately while Laurel is present.

Roy makes his escape even as Diggle tries to stop him, and that’s when a very revealing argument ensues. Diggle makes a case for bringing in Roy, and Oliver asks, “So you bring him in. Then what?”

“Oliver, this crusade of ours, it’s supposed to be about justice, right? Well if that’s supposed to mean something, we can’t have two sets of rules: one for the bad guys, and one for us.”

“I’m the one who brought Roy in to this crusade.”

“Then maybe it’s time for you to cut him loose.”

“Are you telling me to abandon him?”

“Yes, Oliver. If that’s what it takes to find justice for Sara.”

Diggle’s being the soldier here, trying to stick to the arbitrary moral code that they’ve set for themselves. Maybe he turned a blind eye to Roy killing that cop last season, and Sara’s death is just the final straw. Either way, everyone in this episode seems to be forgetting that Oliver (aided and abetted by Diggle) killed a ton of people in the first season. (Lance’s line to Ted about seventeen murders, “That’s more than the Son of Sam!” was particularly laughable considering I think Oliver’s body count more than doubles that.) It wasn’t until Felicity came onboard, pointing out the families and loved ones of the targets and refusing to partake in some of the missions, that Oliver started questioning his own methods. It wasn’t until Tommy found out his secret and displayed deep disgust over Oliver’s body count that Oliver really started to doubt himself. And it wasn’t until Tommy’s death that Oliver finally vowed to do whatever he could to avoid killing in the future.

But Diggle is right, Oliver can’t willfully and arbitrarily protect people who fall under his umbrella of affection. This is in line with Digg’s character, too, as he’s had this argument with Oliver about Laurel countless times, and he was even dubious when Oliver brought Felicity onboard. Diggle is a hard sell, and even if he really likes Roy, he’s probably standing there wondering, “What if it had been me or Felicity?” They were a team, after all. But I don’t know. This seems abrupt and extreme even for Diggle.

(I’ve thought about it for hours and I’m still not sure how abandoning Roy brings Sara any justice, so I’ll just chalk it up to the writers trying to add in a line that sounds good for a sound bite, otherwise I’ve got nothing.)

The thought of abandoning Roy never crosses Oliver’s mind. He seems to figure out pretty quickly that Roy’s having repressed memories from that time he killed the cop, but he still presses Felicity for more information about Sara’s body as he runs around on the Ted Grant case. Did I mention this is a Ted Grant episode? Yeah, I haven’t even gotten to him yet.

 

That is one of the best moments for both Roy and Oliver; Roy for displaying his vulnerability (remember how dudebro he was at the beginning, how he tried to push Thea away and act like he didn’t care about other people’s approval? Roy’s come a long way) and Oliver for still believing in him despite everything. Later, Roy tells Oliver what the other man had claimed: that he was just another weapon in Oliver’s arsenal. That’s when Oliver gently says, “Maybe that’s what we should call you.” Thus, Arsenal is born. But not without some bumps in the road.

 

After another unexpectedly emotional exchange, Oliver guides Roy through meditation, which helps Roy realize that he was conflating Sara’s death with the cop he killed. It’s very elegant, and I have to give props to the show for this: Roy looked up and saw Sara’s face in the broken face of the clock tower that night. That, plus the arrows in Sara, are the reason is brain cooked up this vivid non-memory of killing Sara. And in an even more elegant way, Oliver suspected this all along.

Roy’s not comforted by this news, not really. “So I didn’t kill Sara… but I am a murderer.” He’ll be too hard on himself, as he should be, because that cop was an innocent who was only doing his job, and he left behind a family who expected him to come home that night. If Roy had brushed that off and cried, “Oh, that’s a relief! Yeah, great, I’m famished, let’s get some burgers!” then that would’ve been alarming and borderline psychotic. But I hope Oliver works hard to help Roy cut himself some slack. He was drugged, he wasn’t in his right mind, and the fact that he can feel such deep remorse is a good thing. It’ll fuel his desires to protect the city and make it better. And after all… Oliver is a murderer, too. Or did literally everyone forget that?

But that’s enough about Roy! This was actually a Ted Grant episode. Turns out he’s an ex-MMA fighter who even fought in a few title fights (Diggle even watched one!) with the nickname “Wildcat.” Fitting! He’s also an ex-vigilante, which is an unexpected and neat parallel with Oliver’s story, is it not?

Ted’s being framed for sixteen murders of drug lords and other bad people in the city, all strung up with blood on the ground spelling “Guilty.” One is hanging in his boxing gym, which Oliver is investigating when Ted and Laurel show up fresh from their dinner. Laurel is Ted’s alibi, but Oliver’s hackles are up (“Just because Laurel trusts him doesn’t mean I have to”) and he tracks Ted to a storage unit where, surprise! another body is strung up. That’s when Ted reveals his past vigilantism and the frame-up, which Oliver takes with a grain of salt. (Also, the fact that Oliver broke a lot of his patented and practiced MMA fighter holds doesn’t bode well for Laurel’s training.)

 

Oliver never heard of him because Ted stuck to the Glades and was only active six years ago (doing the math, that would be the second year Oliver was gone… so while he’s battling Ivo and trying to save Slade, Ted’s running around the Glades targeting drug lords). He gave up vigilantism after one of his targets was beaten to death (he continually takes the blame until it’s revealed that his apprentice, and the man currently framing him, had actually killed him) and never told anyone about his storage locker, telling Oliver that he’s sure he has one just like it. “Mine’s bigger,” Oliver says, because he is a man and he can’t resist measuring.

He and Ted team up to try to track down the killer, but they’re cornered in their very next location when they’re ambushed by a man with a gun. A gun! A man using a gun on this, the show called Arrow. Only two people are allowed to use guns here: Quentin Lance and John Diggle. Everyone else is supposed to use outdated weaponry!

Anyway, the guy escapes with Oliver in pursuit, leaving Ted to get arrested. He reveals to Laurel that his apprentice was Isaac Stanzler, that he was the one who had beaten that man to death six years ago, and that he’s the one framing Ted now. That drops the charges, but he and Laurel are cornered by Stanzler in the alley and forced to drive him… I don’t even know where. She blindly dials Felicity (just like Oliver did last season) and they’re able to ambush him, with Roy doing the cleanup with Stanzler as Oliver and Diggle save Laurel and Ted from the wrecked car.

Oliver later hoods up and appeals to Ted to stop training with Laurel, but Ted politely declines to turn her away, saying it’s her choice. Ted then doles out some “hard-won advice” about being a vigilante, how it messes with people’s heads, and ominously tells Oliver to know when to cut Roy loose. Oliver, the MVP of this episode, has the perfect response:

 

The next day, Laurel shows up despite Oliver’s protestations and steps up her requests. She doesn’t just want boxing lessons; she wants vigilante lessons.

We really need to talk about Laurel, too, because she’s sort of all over the place again, just like she has been since Tommy’s death, but I think I get a little bit of the thread the writers are trying to follow here. She’s still angry, still looking for a way to let off steam, and the boxing is better than the booze, that’s for sure. But it’s still the behavior of an addict, she’s still taking hits (literally and figuratively) instead of trying to cope, that much is clear as soon as Roy reveals that he (might have) killed Sara.

 

He tries to apologize and she doesn’t let him, so he makes his escape, which leaves Oliver staring at Felicity and growling, “I thought he was cured?” Felicity admits that “what we know about Mirakuru is vastly outweighed by the things we don’t know.” Laurel lashes out at Felicity, “What does that even mean? That Roy killed my sister and it’s not his fault?”

She’s completely, utterly, totally paralyzed with inaction. She even steps to the side and cries, “I can’t process this right now.” Because her entire reason for being has just been snatched away from her. If Sara had been killed in cold blood by some nameless, faceless villain, that gives Laurel a reason to fight. But Sara (seemingly) died on accident — she died because one of her friends was still struggling with the after-effects of Mirakuru, which he was not aware of and couldn’t control, and she wasn’t prepared for the attack.

And… on some level, I get that. Countless families and loved ones of people who died in freak accidents will ask these questions for the rest of their lives. They’ll wish they knew why. They’ll wish there was someone to blame. As someone who watched a loved one die slowly from cancer, I know what it’s like to wish you can channel your anger on one thing, just to relieve yourself from the grief and wondering why. We all have our ways of coping, and my point is, I don’t think Laurel’s doing that. Boxing is her booze — she goes right back to it, even after Oliver begs her not to, even as she still believes Sara’s death was an accident. It means Sara’s death didn’t actually have to mean anything for Laurel after all.

There’s still something not quite right about Laurel’s characterization or the story transition from Sara to Laurel as the Canary. I think once again, the writers made a mistake by having her too close to the team; if she hadn’t been there for Roy’s big non-confession, we never would’ve seen her pathos exposed for what it is. Laurel as the Canary isn’t justice for her sister after all; it’s just another addiction.

 

It seems to be something else Oliver intuitively knows, and probably part of the reason he refuses to train her. After he questions whether she knows Ted at all, he asks Laurel if she’s told him why she’s training. She says she has told him about Sara, but not that she intends to follow in her footsteps.

“You’re playing a very dangerous game, Laurel.”

“I can handle it.”

“No, you can’t. Because you haven’t realized that it’s not actually a game.”

I wish Diggle had been better written in this episode, then I’d feel better drawing a comparison to his “War changes you, it chips away pieces of your soul” speech from 1.04 again. Oh well. Anyway, a Canary/Wildcat team could be intriguing, but again, I still don’t like where Laurel’s motivation is rooted. I still think this whole thing would be a lot better if she hadn’t been there for Roy’s misguided confession.

It’s crazy to think that with all of this happening, there was still time for flashbacks, but oh, there was! And I haven’t talked about them much because not a lot’s been happening besides that time Tommy showed up. We don’t have a lot to root us to this storyline because everyone we had grown attached to, save Oliver, is dead or gone now, and Oliver himself is once again more interesting in the present than he is in the past.

However, I really like Maseo. He’s done a great job of really expressing himself in the limited screentime he has, and he’s even built up credible goodwill with Oliver in the limited flashbacks we’ve had. I said during the episode that I like Maseo enough that I hope the storyline gets interesting soon. With his wife, Tatsu, playing a more prominent role in this episode, I get the feeling things are about to ramp up. She teaches Oliver about meditation and memory techniques, but she seems singularly unfazed by him. It’s refreshing! After Shado and Sara on the island, it’s nice to finally have a female around who seems immune to Oliver’s charms.

The end of the episode brings another twist, have any of these season 3 episodes ended without a cliffhanger? Stanzler is being transferred to jail via the same alley where he’d cornered Laurel and Ted (you’d think they’d have secured it by now) when the two guards are shot in the legs with arrows. Stanzler looks shocked and asks who’s there, and lo and behold, it’s Cupid. Well actually…

 

Why didn’t this happen in February? The world will never know.

P.S. Olicity shippers, never fear! Tumblr has your back:

If that looks overwrought and emotional, it’s because it is, but they’re talking about Roy, not their undying love for each other.

Next week: Thanksgiving looks like Valentines Day! I guess it’s because Thanksgiving already happened in Canada. Seriously, the promo almost looks like some kind of pink-tinged fever dream, and Roy’s had enough of those, thank you very much.

“Harness that light that’s still inside of you.”

**This post contains spoilers for episode 2.20 of Arrow, “Seeing Red.”**

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Buckle in, because there is a lot to unpack from this episode. I want to start this off by saying that this is easily one of the best episodes of the series. The pacing and plotting were tight, the transitions were smooth, the emotions ran high, and all of the characters managed to be likeable even though they were all being extreme versions of themselves (except Laurel, who only appeared in flashbacks).

Since starting my blog posts about Arrow, one of my favorite things to dissect has been the character of Moira Queen. She gets a lot of hate from the fans, usually because she’s lying to Oliver, threatening Felicity, or, you know, that time she played a part in the deaths of over 500 people. She makes tons of bad decisions, a lot of dubious calls, and clearly exists in a morally grey area. No one would call her a good person, but she’s not inherently evil, either. Ever since we’ve known her, Moira has always been single-minded: She will do absolutely anything in the best interest of her children.

This philosophy often backfires for her. She was so determined to keep Oliver and Thea safe from the clutches of Malcolm Merlyn that she allowed herself to be part of the Undertaking. It resulted in Oliver’s broken trust as well of the loss of his best friend. She wanted to protect Thea (and the rest of the world) from knowing her true paternity, but the secret destroyed her relationship with her daughter. Indeed, the very trait that Oliver seems to derive solely from his mother is the one trait that Thea can’t abide in either of them. Secrets, lies, and half-truths are the only reasons Moira and Oliver have survived so long in this world, and they tell themselves that Thea’s lack of duplicity is the thing that will ultimately destroy her, so they take on the burden themselves. Even in his deepest hatred of his mother, Oliver’s instinct was still to keep the truth from Thea, in order to protect her. Thea is their innocent, despite the fact that she’s withstood more than either of them understand.

Oliver’s kept so many secrets since that shipwreck, but none as big as The Arrow. He kept that secret from Moira, and she, in turn, kept it a secret that she’d figured it out during the Undertaking. It’s not clear why she decides to tell him now, just before her big rally, when he’s still lying to her and pretending his broken leg is just a motorcycle accident. He freezes with his back to her, because he has to make a decision: more lies, or truth by omission? And if it had been anyone else — Laurel, Thea — he would’ve kept lying. But this is Moira, and the one thing they have in common is their secrets, it’s the bond they’ve always shared. So he takes a moment to turn around, and goes with the truth. He instinctually tries to stop her from saying the words, but this is Moira, and she’s already three steps ahead of him. “There’s nothing else to say, nothing I need to say, except I could not be more proud.”

 

It’s such a great moment for Moira, who goes on and holds her rally, deciding not to resign her candidacy in order to work on her relationship with Thea. She even looks to Oliver in the crowd for strength. It’s all done with the belief that she’s not done making bad choices — she will always choose her children over The Greater Good — but there’s also a sense that maybe she’ll start trying to emulate her son and try to fix the problems of the city, problems that she and her family created in the first place.

The flashbacks to this episode are not island-based, but instead involve Oliver confessing to his mother that he got a girl pregnant. Moira snaps into protection mode, asking all the usual questions (“Are you sure it’s yours? Is she after our money?”) before hiring an investigator to research the young woman. She offers up a million dollars if the woman tells Oliver she lost the baby, and another million if she went back to Central City and stayed there. Toward the end of the episode, past!Ollie gets a phone call confirming that the woman had miscarried, but the implication is that he actually has a six- or seven-year-old kid running around Central City, just waiting to show back up in mid-season 3. So that’s fun.

The flashbacks serve to show the sort of lengths Moira goes to in order to preserve her childrens’ futures, so that it makes a lot of sense later when she offers herself up to be slain in place of one of her children.

After the rally, the Queens are in a limousine heading for home, and just as Moira is about to tell Oliver and Thea that Malcolm Merlyn is alive and lurking offstage, just waiting for the season finale, their limo is t-boned and the screen cuts to black. Oliver wakes up to find his mother and sister bound and kneeling, with Slade looming behind them. Does this sound familiar? It should, because it’s how Ivo made Oliver choose between Sara and Shado over five years ago. Oliver starts crying and shaking his head, because he knows how this ends, but that doesn’t stop Slade from monologuing in front of a confused Thea and Moira.

He and Oliver argue about Shado, with Slade finally conceding the point that Shado’s heart belonged to Oliver, only to have Oliver choose someone else over her. It’s also the first time Slade indicates that he’s hallucinating Shado, just like Roy was hallucinating Thea earlier in the episode. Moira figures out with dawning horror that Slade was on the island with Oliver, and the music gets even more foreboding.

Oliver begs Slade to kill him, but they both know that’s an empty request. Slade wants Oliver to suffer, he won’t suffer if he’s dead. Instead, Slade gives Oliver the choice, and for the second time in his life, Oliver is faced with an impossible decision. And for the second time in his life, Oliver screams “No!” rather than choosing. It’s when Slade turns the gun on Thea that everything changes. Moira stands and offers herself so that both of her children can live. Oliver cries and begs her to stop while Thea sobs and asks what she’s doing.

Slade points the gun right at her face, his one eye filled with tears, and Moira yells, “Thea, I love you! Close your eyes, baby!” They’re her last words; Slade praises her for the bravery her son lacks, then he stabs her in the torso with his sword. Just like last time, when Shado was shot, Oliver’s body goes limp and he falls over sideways as his mother crumples to the ground.

She got a better ending than Shado, and hopefully that’s because some writers learned from Shado’s death. At the time, we suspected she would be killed, but we thought it would be in battle, or in defense of Oliver or Slade. What we didn’t expect was for her to be bound, powerless and kneeling, with two men deciding whether she lived or died. None of that was Oliver’s fault, but it still rankled that a warrior like Shado went out at the split decision of a man.

Slade wasn’t there for that, as he told Oliver when he first awakened. He wondered how Oliver looked, how it happened, and what was said, but he doesn’t know. Moira is no warrior, she was only ever blue-blooded, sharp-tongued, and calculating… but she was also self-sacrificing, fiercely protective, and based every decision on the welfare of her children. This was her moment, because she could not live after watching one of her children die. She already faced the reality of outliving each of her children: when Oliver disappeared for five years, and when Thea was abducted by Slade. She knew she could never survive that, she knew the only course of action was to protect her children one last time, so she stood up and sacrificed herself. She begged her daughter to close her eyes, and the last thing she heard was her daughter’s screams, because her son had been shocked into silence.

As Moira lay on the ground, Slade stands over Thea and says, “There is still one person who has to die before this can end.” Oliver faintly protests, clearly in shock, and for a second it looks like Slade will behead Thea, but he only cuts her hands free before walking away. I’m not sure who else he intends to kill. The easy bet would be on Sara, since she was the one Oliver chose over Shado, but if Slade’s going for the biggest emotional impact, I still think Diggle, Felicity, and Laurel are in the mix there. The fact that Slade didn’t kill Thea says something about his priorities.

Slade probably always intended to kill Moira in this standoff. He must’ve had this planned for a while, because he had the perfect clearing (which so resembled the one where Oliver had to choose between Sara and Shado), he orchestrated the crash, and he needed Sebastian Blood to be the next mayor. There was no version of this showdown that didn’t end with Moira being killed. Even if he didn’t expect Moira to stand up and show the bravery her son so lacked, Slade probably knew that Oliver would’ve dove to protect Thea over Moira. She is their innocent, and a world where Oliver and Moira are the last Queens alive and burying a murdered Thea is a bleak world indeed. Moira never would’ve forgiven Oliver, and Oliver never would have forgiven himself.

It’s disheartening to watch Slade playing Oliver like a fiddle. We watched as Sara tore away at Oliver’s hope, because her nature is darkness, self-preservation, and pragmatism. Oliver’s nature is to believe, and when he loses that ability, he retreats in on himself. He goes back to his island and sleeps on the ground and runs through the woods, haunted by his ghosts, until someone else who believes comes to rescue him. We watched that light die out on the island, slowly but surely, starting with Yao Fei and lasting up until the current flashbacks. He was a kid who couldn’t kill a chicken, who believed that there was a way off of that island without letting it become part of him, but by the time he was rescued in the pilot, he was all darkness and distrust. The fact that Oliver refuses to give up on Roy is not weakness, it’s that same belief that Oliver’s always had inside him, the belief that there is still some humanity left even in the worst people.

That makes Sara’s story twice as tragic, because she was lighter and brighter than Oliver before their shipwreck. She’s been broken and mended more times than we know, and now, she doesn’t know how to fight in this world without the instinct to kill. Oliver’s fought that same instinct since Tommy died, but Sara’s become too hard-wired and too removed from her old life to be able to go back. She says goodbye to Oliver, saying “You deserve someone better, someone who can harness that light that’s still inside of you. But I’m not that person, and I never will be.”

 

She doesn’t apologize for who she is, and she doesn’t leave to change herself. She recognizes that her relationship with Oliver is not built on mutual trust or similar outlooks, it’s solely based on shared history. It ran its course today, because her instinct to kill was so corrosive to Oliver. She gave up on Roy too soon, and it hurt Oliver every time she challenged him on it. Don’t get me wrong — Sara was probably right! Roy might be past repair, and there is a dead cop in his wake even if he does come to, which makes Oliver’s decision seem even more foolhardy. But if Oliver decided Roy wasn’t worth saving, then where would the line be drawn? Would he sacrifice Diggle or Felicity, or even Sara or Laurel, for similar reasons if it meant helping the greater good?

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Sara leaves with a hug and a goodbye to a confused Sin, but she’ll be back. Sin, meanwhile, had a big episode. She was hit pretty hard by Roy after she encountered him in the street, and she’s the one who alerts Sara and Oliver to his whereabouts when he closes himself off in the clock tower. That’s where Roy ends up breaking Oliver’s leg (or blowing out his knee? I’m squeamish about that stuff so I didn’t look too closely) before ending up in the street, where Sin watches in horror as he rampages. It results in the death of a cop, which should’ve been Oliver’s cue to start using deadly force.

Roy’s hallucinating a version of Thea that begs him to kill her, which is why he ends up at Verdant, wrapping his hand around her throat. That’s when Sara tries to take the kill shot, but Sin gets between them, spurred by the same instinct as Oliver to save her friend. That gives Oliver the opportunity to shoot Roy in the chest with three arrow tranquilizers, which finally takes him down. They strap him back to the table downstairs in the lair, but honestly, I don’t know where the Roy storyline will go from here. He ran around town without a mask, causing tons of property damage, injuries, and one fatality. It’s nice that Oliver thinks he’s still worth saving, but how will the show rectify Roy’s public perception, assuming he actually comes back around? How will they explain everything to Thea?

Other observations:

– Thea and Diggle’s scenes were adorable. I like the idea of future lurking on Diggle’s part as Thea acts exasperated, but that seems like a lot to ask of a show that just got so dark in the last ten minutes of this episode.

– Speaking of darkness, fandom seems to think Felicity is the answer to Sara’s bid for more light-harnessing in Oliver. The show seems to be hinting at that, since they’ve used the word “darkness” in connection with Laurel a lot this season, plus Felicity’s name means “happiness.”

– There was also this:

 

Because I am still a shipper at heart even though I try to be non-partial in these reviews.

– Lastly, this:

Because Diggle is perfect and he Diggle’d all of his scenes. Even when he took a rope stand to the face, he took it like a champ.

Next week: A funeral, a missing former CEO, a crying Felicity, and an Arrow confession from Oliver. I really hope he’s either telling Beat Cop Lance or Thea, because at this point, I don’t want anyone else to know.

“We all have to keep secrets, Miss Smoak.”

**This post contains spoilers for episode 2.13 of Arrow, “Heir to the Demon”**

It was a Lance family reunion last night on Arrow, but it didn’t exactly go as Oliver (and Quentin, and Sara, and the viewers) had hoped it would.

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Last episode, we saw Sara drawn back to Starling City by Oliver, who called her when Laurel showed up drunk and insulting everyone in sight at Verdant. Sara showed up just in time to watch Laurel collapse in a drunken (okay, poisoned) state and then boom, we were made to wait an entire week — seven whole days! — for sister reunions.

Well, the reunions went a bit out of order. The episode opened with a beautiful woman (Spartacus alumna Katrina Law, but I recognized her from Legend of the Seeker) at the Starling City airport, where her passport is flagged by A.R.G.U.S. She knocks out a bunch of guards and saunters through the terminals, and I actually wanted to see more of that. She’s Nyssa al Ghul, daughter of Ra’s (“heir to the demon”), and she’s here for Sara… but not for the reason we expected.

 

Yes, readers, Sara is a bonafide bisexual character! Her orientation might have been played as a twist for shock value, but the rest of the characters treat it like it’s non-news. Indeed, Lance outdoes himself for Father of the Year award by simply expressing his relief that she had someone to love during her six years of hardship. Hooray! This show did it right!

Sara admits that she loved Nyssa, and not just because Nyssa rescued her. But Sara asks Nyssa to convince her father to release Sara from the League of Assassins (we learn that he’s only excused one person before: Malcolm Merlyn). Nyssa doesn’t take this well, and decides to kidnap Mama Lance, who is in town to help care for Laurel after her apparent overdose.

 

The showdown is explosive and emotionally-charged: Lance and Sara bust in and rescue Dinah, who is shocked to see her daughter is alive. Lance drags Dinah out of the warehouse before they can have much more than a tearful embrace, and it turns out Sara’s taken a lethal dose of the same snake venom that Nyssa had used to poison Laurel. After Oliver appears and saves Sara’s life with his Magical Healing Island Herbs of Sunshine and Happiness, Nyssa releases Sara from the League of Assassins. That won’t be the last we see of her!

Speaking of the island, this week’s flashbacks go all the way back to six years ago, where we see the Lance’s side of the story of the week that the Queen’s Gambit sank. Last season, Quentin and Dinah’s relationship was so strained that it was hard to imagine them happily married, but in this episode, we finally got to see the Lance family together and happy, for the most part. Laurel and Sara get into a fight about Oliver, because Sara is flirting with him via text while Laurel’s trying to find an apartment for herself and Oliver.

Sara: “This is kind of assuming that he’s ever ready to settle down.”
Laurel: “What’s that supposed to mean?”
Sara: “We both know at least ten girls that he’s slept with.”
Laurel: “Can’t you just be happy with me? If you met some amazing guy who wanted to spend the rest of his life with you, I would be so supportive and so happy for you –”
Sara: “I wasn’t trying to be a bitch.”
Laurel: “Title of your autobiography.”

It’s not exactly what we were hoping for in the flashbacks of Sara and Laurel. It would’ve been nice to see happier times between them before Oliver came into the picture, but clearly their relationship has always had an element of hostility. Sara leaves the room and texts Oliver, “See you at the docks,” and the rest is history.

Laurel drops a plate when she sees the news that the Gambit went missing, but it’s not until Moira rings their doorbell that they get the news about Sara. “The dock master saw her sneak onboard.” Paul Blackthorne deserves all the praise for his acting in that scene (and really, the entire episode.) It’s nice that Lance’s season 1 antics of drunkenness and tunnel vision vengeance was the anomaly, and that this New and Improved Beat Cop Lance is the real Quentin.

Elsewhere, the nonexistent relationship between Felicity and Moira took a huge hit when Felicity confronted Mrs. Queen about Thea’s paternity.

 

 

Her tactics work. She finds a pressure point and bears down (oh, too soon) with all of her might. That Felicity has a history of abandonment was just a bonus; losing Oliver is scary, but the fear of losing someone else was paralyzing enough that she kept that secret for a couple of days, aided by Moira’s constant side-eyes and threatening glances. (I half expected Moira to drag a finger across her throat in Felicity’s direction.)

 

It’s a natural course for their dynamic to take: Felicity and Moira have similar motivations toward Oliver, and both possess a deep loyalty to him, but their moral codes are wildly different. Moira will do anything for her children, even if it means selling her soul or coming off as selfish and conniving. Felicity has the capability to go that far for the ones she loves, but she has an innate sense of right and wrong that makes her question everything and everyone around her, even Oliver and Diggle. It would’ve been nice to get a storyline where Moira and Felicity team up to help Oliver before it took this turn, just to give them a bit more depth, but Moira showed her hand when she called Felicity by her first name. Felicity showed hers when she gave Moira the opportunity to tell Oliver the truth first.

And in defense of Moira Queen, don’t forget that this was a secret over which she was willing to go to jail. Not just jail, prison. For the rest of her life! So when this upstart blonde girl comes in, aggressively telling Moira she doesn’t trust her and that she needs to tell Oliver the truth, Moira essentially went Mama Bear on her. She saw, in her mind, a family torn asunder by a secret she had moved heaven and earth to keep under wraps. No way was she going to let someone as inconsequential as Felicity Smoak undo all of her hard work! (Unfortunately, she underestimated two things: Felicity’s importance, and the strength of the relationship between Oliver and Felicity.)

I’m not saying she was right to manipulate and threaten Felicity in such a way, but it was a great demonstration of the power Moira wields and how she’s made it this far in her life. If we want women on TV to be portrayed as powerful and varying, then sometimes, those strong women are going to clash. Moira fits that bill: Nothing she does is inherently evil, but in some cases, she’s not morally sound. If her every motivation in life is in the quest to protect her children, that makes her one of the most fascinating characters on television.

 

Because of her own family history, Felicity struggles with the secret. Oliver proves to be highly perceptive, and after two days of distraction and jumpiness, he finally corners Felicity at his mother’s campaign announcement rally (as she’s walking away, “Felicity? Fe li ci ty…”) and demands she tell him what’s bothering her. That’s when we finally, finally get a bit of backstory on Felicity: Her father abandoned her family, and all she remembers is how badly it hurt when he left.

 

Moira greatly underestimated their relationship; the moment he takes to process it is probably the most intimate scene he and Felicity have shared. If this were Gossip Girl, Oliver would’ve gotten up onstage and embarrassed his mother, but Arrow is not your typical CW fare. He does right by his mother, but ultimately, he keeps the secret for Thea’s sake. As he leans down to hug his mother, he tells her that he knows the truth.

 

That night, Moira’s worst nightmare comes true.

 

“Because Thea can never find out about Merlyn, and she can never know the truth about us, which is that as of right now, we have no relationship. I will keep up appearances for Thea’s sake. Publicly, I will support your campaign. But privately… we are done.”

Keeping in mind that she was afraid of this sort of thing happening back during the trial, and how happy she was when her kids reassured her that none of her secrets would make them hate her, this scene is particularly affecting. She should’ve taken Felicity up on her offer to tell Oliver herself, because it’s not the secret that he’s angry about, it’s the lie. The subtext is that he’s mad that she went to such lengths as to threaten Felicity, that he now has to keep this secret from Thea, that he can’t trust his mother anymore.

The question is, what does this mean in the war between Moira and Felicity? Is she going to give Felicity the respect she deserves, or is Moira going to try to squash one of Oliver’s closest allies like a bug?

Laurel spends most of the episode in the hospital, recovering from her poisoning (which was originally thought to be an overdose, so everyone was relieved to hear that it was just deadly snake venom that someone had slipped her, at least it’s not rat poison). She doesn’t turn up until the end of the episode, when Quentin and Dinah are tearfully hugging their recently revived daughter on the docks. She looks stunned and shaken before it cuts to commercial.

Later, at Laurel’s ill-fated apartment, three of the Lances are talking about how happy they are that Sara’s back and alive, but Laurel’s still boozing. Sara says Laurel must have questions, but Laurel claims she has none. “I already know all of the answers to them. How could you still be alive? Where have you been all this time? Why didn’t you call us? And the answer to all of them: Because it’s Sara.” The fact that Laurel doesn’t even give Sara a chance to explain herself is evidence enough that she’s not ready to hear any hard truths. Laurel spends her days railing against the world that she perceives as unfair to her, but she insulates herself from the harsh reality that other people are paying for their sins, too. Sara’s paid for hers through six years of exile and captivity. Dinah pays for hers in loneliness and regret. Quentin pays for his by watching his daughter disappear into the same bottle he’d hidden in for five years. Oliver pays for his every single day, in ways that Laurel would notice if she’d just pay attention. Laurel wants to believe that her life is harder than everyone else’s because it’s easier to feel like the world’s victim than it is to admit that maybe she’s just weak. She doesn’t have to be weak, she’s demonstrated strength before, but her constant misplaced blame and isolation from the people who love her is a sign of hiding from the larger truth, and that will always breed weakness. Until I’m explicitly told otherwise, I’m going to start watching Arrow with the understanding that Laurel is on a villain arc.

Quentin starts to ask Laurel not to drink the wine she just poured, but Laurel’s already on the sauce and she snaps at her father, “Dad, I swear, if you say one more word.” Sara asks Laurel not to blame their dad, to blame her instead, and that’s all the invitation Laurel needs. She rattles off a list of ways that this is all Sara’s fault.

 

Given the story Sara told Oliver on the island a couple of episodes ago, it sounds like there’s equal blame to spread around here, but neither woman is blaming the real culprit: Oliver. It was that fateful boat trip that changed everything, he had cold feet about getting serious with Laurel, but he could’ve invited anyone. He chose to invite Sara, and both families were destroyed when the Gambit disappeared.

Laurel forgave Oliver, so why won’t she forgive Sara? It probably goes back to their deep sibling antagonism, and the fact that Sara never seemed to be happy for Laurel’s successes. Coupled with Laurel’s growing self-victimization and the fact that she’s emotionally compromised thanks to the alcohol, it was a tall order to expect forgiveness of Sara anytime soon. Laurel throws her out of her apartment, and Sara goes straight to the foundry.

 

Oliver loved Sara, that much was evident when she first reappeared and he nearly had a breakdown. He spent five years believing her to be dead, and he never hid his feelings for her, not even on the island (where he chose to save Sara over Shado). Their final scene is actually detrimental (and maybe a nail in the coffin) for the Oliver/Laurel relationship; not only did he not spent the five years of exile obsessing over Laurel as we’d previously thought, he spent a portion of it running around with Sara. When he came back to Starling seeking out Laurel, we know it was partially because of guilt… but could it also have been because he thought she was his last connection to Sara? (That makes Oliver the jerk, and it makes Laurel right about a lot of things, but still, it’s up to her to decide whether to move on.)

 

Either way, Oliver and Sara’s emotionally charged makeout (which presumably led to other things) at the end of the episode makes a lot of sense. Their shared history and shared double-lives make them naturally compatible, and the actors have a lot of chemistry. However, Sara’s always been portrayed as a free spirit, and I have a feeling she won’t stick around Starling City for long, especially after being rejected by her sister.

Finally, Slade Wilson watches news coverage of Moira’s campaign announcement as Sebastian Blood walks in to his office. “I warned you not to underestimate Moira Queen.” Sebastian asks what to do next, but Slade tells him to do nothing. “I’ll take care of it.” What does that mean?! I want nothing less than a scene where Slade confronts Moira in person.

The bad news is, we have to wait until February 26th (after the Olympics that no one is going to watch) to find out! How will we survive?

The Power of Love

Warning: this post contains spoilers from episode 2.12  of CW’s Arrow, “Tremors”

“Love’s the most powerful emotion, and that’s what makes it the most dangerous.” –Sara Lance

It may not be Valentine’s Day yet, but Arrow had love as one of the major underlying themes in last night’s episode (which may explain why I have had The Power of Love by Huey Lewis stuck in my head all day).

Last night, was the beginning of Oliver trying to be Roy’s Mr. Miyagi. Instead of Oliver teaching Roy how to wax on and wax off, he decided to teach Roy how Shado had taught Oliver. The problem with that is Roy seemed to be more impatient than Oliver was when he was first learning. Throughout this episode, Roy isn’t able to connect with Arrow, and Oliver realizes this. This is why he reveals himself to Roy because he knew Oliver understands the need to protect Thea more than Arrow would. The revelation was beautiful, and I’m glad they didn’t wait for the reveal. Oliver may have a mask now, but it is easy to tell who he is. I’m still claiming Lance pretends he doesn’t know who Arrow is for plausible deniability.

Now that Roy finally knows the secret Oliver decides to introduce him to the rest of Team Arrow. He tells Roy that Diggle and Felicity are the only ones who matter to him who know his secret identity. He is telling Roy the truth. This episode between the trio was wonderful. Oliver was being more open to them about the island. Yes, there are things he will keep secret, but he finally told them about Slade, and this is monumental. He trusts these two, and their friendship is a wonderful thing to behold.

As for the flashback island sequences, Oliver is also able to help Slade by stopping him from destroying the freighter. In the first flashback, Sara tells Oliver “love is the most powerful emotion” and it is true. Oliver is able to use what Sara tells him to talk Slade down by saying even if Shado didn’t love Slade the way he loved her, she still loved him and wanted him to get off the island. Oliver also mentions Slade’s son, and I’m sad to say I forgot Slade even had a son. This is the first mention of him in season two, and I wonder if the show will actually address what happened to Slade’s son later.

Another wonderful thing about this episode is Sara comes back into play with the present life again. Laurel has hit a new low, and is not being receptive to her father. Paul Blackthorne deserves high recognition for his part in this Laurel arc. Lance knows what is happening to Laurel because he himself once was on a parallel path when he lost Sara. He is trying to reach out to Laurel, but she is not letting him help her.

Lance tries to get her to go to his support group, but she is upset that he tricked her. I love Lance in this episode, and his character is only getting stronger. Laurel later finds out from Joanna that she could possibly become disbarred due to her recent activities. Laurel needs help, but she is refusing the help from both Lance and Joanna when they offer. She ends up at Verdant, and the scene she shares with Oliver and Thea is not pretty. This makes Oliver call Sara. After all, it was Sara who said love was a powerful emotion. Oliver is hoping Sara will be able to get through to Laurel, and we do get to Sara kneeling over a very drunk Laurel at the end of the episode.

It will be interesting to see if Sara can actually get through to Laurel. The history between the two of them is rather shaky because of their past interest in Oliver. Sara also went on the yacht trip with Oliver, which then wrecked, leaving Laurel to believe they both had drowned. Sara coming back to see Laurel now proves Sara does love Laurel enough to risk her safety as well as her family’s.

 

Finally there is Moira’s storyline. Walter finally makes a reappearance, and I’m so glad to see him back. He wants Moira to run for mayor against Sebastian, and she isn’t willing at first. This is where Thea comes into play. Thea’s and Moira’s relationship has become stronger compared to first season or even the beginning of this season. Thea has learned to forgive Moira. When Moira tells Walter she has reconsidered running for mayor, he knows it was Thea who helped change her mind. I love the relationship Walter and Thea have, and it was great to see them together again. It is also interesting to find out Walter knew Thea’s father was not actually Robert. This means Moira must have told him at some point. It is going to be interesting to see how Walter helps Moira keep her OB quite about the truth, as well as Thea finally finding out the truth of her parentage. The only one who apparently doesn’t seem to know now is Thea and Oliver.


However, what I’m most excited to see is how Roy will interact with Team Arrow.

“What color are your shoes?”

**This post contains spoilers for the most recent episode of Arrow, “Blind Spot.”**

This week’s Arrow was a Laurel episode, as least as much as any Arrow episode can be character-centric. It was also heavy on the Roy storyline (with bonus Sin!) as well as the island flashbacks. That means we saw a lot less of Oliver than usual (both in amount of screentime and amount of skin) and we really only got two good scenes of Team Arrow. But there was this:

 

This episode felt a little disjointed, especially given that we’ve been treated to tightly-plotted and fast-paced episodes since we met Sara. I saw it as a good thing; I think shows like this need to take an episode or two to step back and reconfigure their storylines, at least to establish a base line of normality so that we don’t start losing our connections to the characters. The alternative would be something akin to The Vampire Diaries, a show that went full-throttle with every episode, to the point that some beloved character had to die (and come back to life) at least once a week in order to maintain the momentum. Arrow is doing a better job of striking a balance, and a slower-paced episode couldn’t have come at a better time. Shado is dead, the Mirakuru is at work in the city, and we know that the end of this season is going to be explosive. It’s nice to watch an episode where Oliver spends most of his time in regular street clothes instead of in business attire or a hood.

Unfortunately, the slower pace happened during a Laurel episode. Her character has many detractors (sometimes including me) so it’s easy to pin this episode’s lack of action to Laurel. I don’t think that’s entirely fair. Yes, Laurel’s scenes could’ve been more dramatic and emotional, but she’s not a superhero or a villain. She’s a normal person struggling with addiction, so her scenes are going to be a little more human than the ones with Roy or the island flashbacks.

I will give Katie Cassidy credit where it’s due: her scene with Paul Blackthorne in the interrogation room is some of her best work. Even though she still doesn’t actually shed a tear onscreen, she looks absolutely wrecked, like a person going through the anguish of drug withdrawal. Her sobbing and begging to her father were heartbreaking, and Blackthorne in turn gave a deeply emotional performance.

In fact, if there’s an MVP in this episode, it’s Blackthorne as Beat Cop Lance, because he straight up Diggled this episode. (To “Diggle” something means “to make the most of one’s very limited screentime by being amazing.” I’m determined to make this an actual verb.) He had three key scenes: One in the interrogation room, one with Oliver, and one at the end where he debriefs with Laurel. The scene with Oliver, in particular, shows his growth as a character.

 

It also supports my theory that Lance knows Oliver is The Arrow, just because I want it to be true.

And Diggle also Diggled this episode big time.

 

But let’s get into the meat of the episode: Laurel is busted for illegal possession of narcotics. She’s busted because she’s getting too close to Blood, who kills his mother in the cold open. She went to Hooded Oliver for help, and they went on a wild goose chase for a file that would prove Blood killed his father, but the file turns out to be empty.

Present-day Slade gets on Blood’s case for being sloppy, so Blood has Daly ransack Laurel’s apartment with a warrant, which is how they find the drugs. This, plus the fact that Laurel’s kidnapper turns out to be Daly himself, effectively discredits Laurel’s increasingly screechy theory that Blood is a criminal mastermind, as everyone from her own father to ADA Adam think she’s lost credibility. In the end, she loses her job, as well as the trust of her closest ally: The Arrow.

But things aren’t looking so rosy for Laurel from a backstory standpoint, either. Sara tells a story about how she had a crush on Oliver back before he dated Laurel, and that her dear sister called the cops to bust a party so that Sara would be grounded. A month later, Laurel and Oliver were dating.

It certainly doesn’t excuse what Sara did, going on the Gambit and sleeping with her sister’s boyfriend, but… it certainly provides the motivation. And if the details are to be believed — if Laurel truly busted that party just to get Sara grounded so that she could take her shot at Oliver — it certainly changes the commentary on the elder Lance sister, doesn’t it?

The island flashbacks also explored Sara’s Stockholm Syndrome with Ivo, but she manages to separate herself from him at the end of the episode, just as he vows to find her and end her. Sara turns to Oliver and says they should find Slade. Hopefully they find him soon.

 

Elsewhere, Roy is dealing with his superhuman strength by trying to use it to make the city better. That involves getting Thea to dress up Sin in her “first date outfit” which of course makes Sin look like a prostitute. She’s able to lure someone called the “Starling Slasher” into Roy’s trap so that he can apprehend the guy, but Roy ends up losing control and beating the guy to within an inch of his life. The resulting angst sends Roy running from a concerned Thea, and he sinks against a hospital wall and cries.

Thea later tells Oliver about the man Roy nearly beat to death, and that finally compels Oliver to go to Roy and offer to train him to control his emotions. I’m not sure how Oliver knows how to do that, but I do think it will involve Oliver finally revealing his true identity to Roy in the near future.

 

Finally, after Blood has successfully discredited Laurel, sacrificed Daly, and taken the heat off of himself, Slade has a logical response: slaying all four of Blood’s henchmen. He’s wearing his Deathstroke mask and warns Blood that if he fails again, he will be the next to die. It’s pretty much the greatest thing ever.

None of that compares to the greatest scene of the entire episode:

 

That’s a scene you need to listen to in order to enjoy. Never has the question “What color are your shoes?” sounded so threatening.

Next week: Roy gets house trained! I mean… Roy gets trained!

Shrapnel All Over the Place

**This post contains spoilers for the most recent episode of Arrow, “Blast Radius.”**

Oliver Queen is really stressed out, y’all. He’s worried about this Mirakuru that has resurfaced in Starling City, he has to keep an eye on Roy, he has to track down the man who is blowing up buildings all over the city, and His Girl Wednesday is still out of town tending to a lightning-struck Barry Allen. But he’s totally not jealous, okay? He’s just stressed!

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It’s been five weeks since Roy technically died after being injected with the Mirakuru. Oliver’s been spending that time stringing up petty criminals and questioning them about the whereabouts of Skull Face Man. It’s probably earning him a reputation as a crazy person, but Oliver doesn’t really care — Diggle points out that Oliver’s got a bit of tunnel vision about this, and Oliver doesn’t deny it.

Barry’s been in a coma for all that time, and presumably, he will stay that way until his pilot airs in the fall. Whether Felicity will continue to split her time between Starling and Central City remains to be seen, but it’s still an effective way to raise Oliver’s hackles about Barry in general. The thing is, he’s not being jealous so much as he’s being selfish about Felicity’s situation; he’s the kind of guy who doesn’t sit at someone’s hospital bed as they recuperate, instead he’s out hunting down the jerk who put them there. He can’t wrap his head around the idea of spending day after day by someone who is comatose when there are lives to be saved elsewhere. In a way, it’s a sad commentary on Oliver’s current state of being. Will he ever get to the point where he can just press pause on the vigilante-ing and go sit by someone’s bed, just to be there?

I think it’s another good example of the perspective Felicity brings to the team. Diggle is a lot like Oliver, he’d rather be out in the trenches, bringing in the bad guys and making the city safer. Felicity still has the ability to put aside this aspect of her life and just be a person who cares about someone else, and I think that’s something that Oliver (and sometimes Diggle) needs to see.

Diggle: “I’ve just never seen you spooked like this before.”
Oliver: “That should tell you something.”

And with that, we flash back to the island. For once, I was looking forward to these flashbacks more than the present-day plot. It turns out… not a whole heck of a lot happens in this episode, island-wise. They bury Shado, which is so sad to watch because Slade’s basically weeping. He’s also not hiding his feelings anymore, and it’s likely a combination of the grief and the Mirakuru. Still, for now, he’s Slade at his very core, and he hands Oliver the Hood that we know so well.

 

And doesn’t that just break your heart? It breaks mine. Oliver is distraught over Slade not knowing the truth about Shado’s death, but Sara wisely tells him that dropping that sort of thing on Slade right now is not the best idea. Turns out, Sara’s done the research on the Mirakuru. The Japanese tested the serum on hundreds of people, and “the people who died? They were the lucky ones. The ones who survived, they were deformed. Either their bones or their minds. They became someone else.”

That’s sad for me, I got very attached to Slade, but I know this is also what I signed up for when I wanted him to survive the serum. As they wander around the island, Slade undergoes an obvious change: he becomes rage-filled and hell-bent on taking out Ivo, and it ends with him grabbing Oliver around the neck and lifting him up. It takes Sara actually beating him with a huge tree branch to get him to drop Oliver, and that’s when it becomes clear that Slade was not himself in that moment. Later that night, Ivo contacts them and says he plans to blow up the whole island, and they discover Slade has run away with the Mirakuru. That’s about it for the island.

In the present, Oliver is publicly endorsing Alderman Blood’s campaign for Mayor, while Laurel is pretending to date Blood in order to get information on him. She suspects he isn’t who he says he is, and she later tells Oliver that Blood reminds her a lot of him in that way.

 

Laurel actually has a pretty solid storyline in this episode! Her brand of non-emotion is a particularly good match for Blood, whose underlying sinister nature makes their scenes compelling. Laurel’s rightfully picking up on the thread of secrecy, but she’s hampered by her growing addiction to narcotics. Blood feeds her a sob story about his upbringing (his abusive father was shot by his mother, who ran away and left him an orphan) which she seems to buy until she sees the name “Maya Resik” on a bill on his desk.

She goes to her dad (who is telling Corrupt Cop Daly that he can’t find his pain meds, leading one to believe Laurel is swiping her dad’s pain pills) and asks him to dig up information on Maya Resik. Beat Cop Lance agrees just to humor her, but later he reveals that Maya is Blood’s aunt, who is in a psychiatric facility. Blood actually gets Lance’s seal of approval, just because on paper he sounds good, but he also advises Laurel to stop looking for reasons for this relationship not to work out.

To her credit, Laurel goes with her gut. (It is part of her characterization, to be so driven to find the truth that she loses sight of everything else. It’s actually refreshing to see her go back to that.) At the end of the episode, she goes to visit Maya, who grabs Laurel and warns her that Blood is a bad, bad man.

 

Anyway, back at the political rally at the beginning of the episode, Oliver asks Thea how Roy’s doing, and she basically says he’s fine.

Then someone blows up a building and all hell breaks loose.

Thank goodness Felicity gets a news alert about the bomb and arrives at Queen Consolidated bright and early the next morning, much to Oliver’s poorly-concealed delight.

 

He woodenly asks how Barry’s doing while Diggle makes sympathetic and observant faces at both of them. Felicity says Barry’s “still sleeping” because “‘coma’ sounds… not fun.” Then she ends the whole awkward exchange by going to contact Beat Cop Lance.

They meet on a rooftop again, because Oliver likes to be up high where he can see the city I guess, and Lance even comments on the absurdity. He gets close enough to The Arrow to ask about the mask, which just strengthens my hopes that he knows who it is under that hood. Plausible deniability is a strong motivator. Just ask Blair Waldorf.

Anyway, Lance brought over the sample that Oliver had requested, but not without his own request: phone records for everyone in the department. Oliver is incredulous at the idea that there might be a leak in the department, but as we know, Lance is right. It sucks that he’s finally becoming a good cop right when he’s doling out bad fatherly advice to Laurel.

“Your blonde friend, she’s pretty good with computers.”

Aw, Lance. She’s gonna blush when she hears that.

Oliver’s answer is interrupted by another explosion, which looks like it’s only a few blocks away. Felicity traces the detonator and Oliver chases it down on his motorcycle. But much like that episode where the bad guy was underground, Felicity loses the signal and Oliver nearly crashes into a bus.

Now, for some perspective: We have no idea what happens with Slade now that he’s been injected with the Mirakuru. It’s bad, clearly, because it has Oliver jumping at loud noises and raging without warning. To him, these are high stakes that could end up changing not just the city, but the world. To him, it’s not too ridiculous to expect the same sort of urgency from his team.

Except… he hasn’t told his team anything about this. For whatever reason, he’s keeping the exact facts about the Mirakuru (and Slade) to himself, so neither Digg nor Felicity know the gravity of the situation. So this might explain Oliver’s mindset in this next scene, but it does not excuse it at all, because in the end, it’s on him for not being forthcoming. (And it makes me worry about just what happened on that island.)

Oliver comes back to the foundry and snaps that Felicity was supposed to be the expert on electronics and tracking. Diggle is immediately on alert as Felicity comes back with an “Excuse me?” but Oliver’s on a tear. “People are dying. So I would like you to pull your head out of Central City and get back in the game.” She’s not having any of this, as she tells Oliver in no uncertain terms to get his head out of his ass.

 

How she managed not to punch Oliver right in the stubble, I’ll never know. Maybe I’m just more prone to violence than she is?

Diggle is such a calming presence in these situations. He gently but firmly tells Oliver that his theory of distraction is complete bull, and then he drops the truth bomb:

 

Oh Diggle. So much smarter and more observant than the rest of us.

Alderman Blood announces a rally at a downtown plaza, which Oliver sees as a suicide mission. He hoods up and goes to Blood’s office to try to convince him to call it off, but Blood refuses. It scares him, though — he reaches for a concealed gun, fearing that The Arrow has finally figured out who is behind the skull mask.

Oliver and Felicity continue to bicker the next day, and Diggle asks, “Is this how it’s gonna be with you two from now on?” But Felicity’s had a breakthrough — she knows who the bomber is. He’s active on forums and message boards, and he goes by the name Shrapnel. She traces his IP, and Oliver heads that way as Diggle goes to the rally.

At the toy store that Shrapnel owns, Oliver’s trapped by lasers as a recording tells him that the plaza is rigged with explosives. He contacts his team, and Diggle sets off to find the detonator as Felicity works to help Oliver out of the laser trap. “Are you sure you want me doing this? My head might not exactly be in the game.” He yells at her, but she points out a fuse box for him to shoot.

They get to the rally but just as they find the detonator in the sound system, Shrapnel appears and shoots Diggle in the shoulder. The shot causes chaos, and Shrapnel throws the detonator into the crowd. Oliver shoots it in midair and it explodes, causing a light tower to fall straight toward Moira, but she’s saved by Roy, who takes the hit himself. He escapes without a scratch.

Oliver corners Shrapnel, who says he has explosives all over the city, but Oliver simply cuts the wire to the detonator and punches him out. That was easy!

Thea’s figured out that Roy’s hiding something, he’s not scratched from the incident at the rally and he has no marks from when he broke a box of glasses during his and Thea’s makeout the other day. He runs away before Thea can ask too many questions, but she’s the inquisitive type, so he has that to look forward to next week.

Diggle’s wound is “just a through-and-through, a walk in the park,” he might as well have said “Tis but a scratch!” After Diggle leaves, Oliver considers Felicity and then does the one thing we’ve never really seen him do before: apologize.

 

He actually apologizes twice.

But it gets even better!

 

But he still wasn’t done!

  

He relies on her, on them, and even though we all knew it, it’s nice to see him finally admit it to himself and out loud! And it’s so sweet and real that even though Felicity might let him off the hook just a little too quickly, considering how he treated her the day before, it’s a fitting reward for the vulnerability he just showed.

He even talks about Barry without grimacing or clenching his fists!

 

Maybe he is. And maybe that’s an incredibly considerate thing for Oliver to say to her. She gets all science-y about dreams and hallucinations during comas, but Oliver puts his hand on her shoulder to stop her babbling and reinforce the nice thing he just did, and she smiles and thanks him.

 

It’s basically the second-sexiest thing to happen with shoulders on TV.

His last errand of the night is to visit Blood once more, to congratulate him on his rally. Blood offers an alliance of sorts — that they work together to save the city. How are these not red flags to Oliver? The last time he met someone who talked like that, it turned out the guy actually meant to save the city by using an earthquake to wipe out half of it. But maybe he’s shaking his hand in a “keep your enemies closer” kind of way.

Next week: Laurel takes her suspicions about Blood to Oliver. This should go well!

“What’s the matter, kid? You look like you’ve seen a ghost.”

This post contains spoilers for the mid-season finale of Arrow, “Three Ghosts.” 

When we last saw our heroes, Felicity was begging a recently-drugged Barry Allen to “Save my friend,” as Oliver lay unconscious on a table in the foundry. He’d been injected with two different needles during his fight with a scary superhuman, and while Diggle had frantically dialled 911, Felicity had made the executive decision to call Barry instead.

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You know how in My Big Fat Greek Wedding, Toula’s dad thinks Windex cures everything? Did you think that was ridiculous? Well then you’re not prepared for Barry Allen, who cures Oliver with rat poison. Diggle, the entire time, defers to Felicity to make all of the calls, and she decides that rat poison is the way to go. Diggle’s implicit trust in Felicity with regard to Oliver’s life is so fantastic, I can’t even put it into words.

http://felicityholysmoak.tumblr.com/post/69758393066/i-knew-if-i-started-touching-you-i-wouldnt-be

When Oliver wakes up, he’s livid. Not because Barry, you know, technically poisoned him, but because Felicity revealed Oliver’s secret to Barry. It’s probably 50% disorientation from his current condition, 40% jealousy because it’s Barry, and 10% justified because Oliver is an intensely private person. He tells Felicity that he only brought in her and Digg after he did his research on them, but honestly, Felicity only needed to retort “Helena!” to shut down that line of self-righteous yelling. As Oliver and Felicity bicker, Diggle’s in the background rolling his eyes like “I told her he would react this way, no one ever listens…” and Barry tries to intervene on Felicity’s behalf: “You don’t have to thank me, but you should thank her instead of being kind of a jerk.”

 

You just know Oliver’s picturing at least seven different ways to disable Barry in that moment. Really, Oliver is a jerk the entire time, but it’s also great to see him be emotional and unreserved around Felicity, and it’s nice to see her hand him his behind in return. Oliver stomps away without a thank you or an apology, and Felicity quips to Barry, “Never meet your heroes, right?”

Oliver “Scrooge” Queen has also forgotten it’s Christmas for the second year in a row. Last year’s festivities ended with his stepfather getting kidnapped, so this year is bound to go better, right? Well not for Oliver Scrooge, who is in for some pretty trippy hallucinations thanks to ol’ Barry and his rat poison; italics are always necessary. (Okay, I’ll level with you: it turns out that hallucinations are psychological, but still, it probably started with the rat poison, right?)

This episode is surprisingly well-crafted. On the surface, it’s a nonstop thrill ride of action, suspense, agony, joy, and even some hilarity. It’s kind of like a regular Arrow episode on steroids, or on the Mirakuru that Blood’s injecting into everyone. But when you break it down and consider that Oliver Scrooge was visited by three “ghosts” at Christmastime, the structure becomes a little more elegant.

 

The Ghost of Christmas Past is Shado, who we see is killed in the flashbacks to the island. Professor Ivo, with no explanation, tells Oliver to choose who will live: Sara or Shado. Oliver can’t choose, so when Ivo turns his gun on Sara, Oliver leaps in front of her, sacrificing himself. Ivo takes that as Oliver’s choice and shoots Shado instead.

Today, as Oliver recovers from the effects of the mysterious injections and the rat poison, he begins hallucinating, and the first phantom to appear is the most inexplicable death in Oliver’s past: Shado. She begs Oliver to stop fighting, to put down the bow and take off the hood, or else everyone he loves will die. We also got confirmation that Oliver wears the green hood to honor Yao Fei and Shado, which is unbelievably sentimental for him. I need a moment…

 

The Ghost of Christmas Future is Slade, who first appears on a rooftop as Hooded Oliver is talking to Beat Cop Lance. He only stands there silently the first time, but it’s enough to freak out Oliver. Later, Oliver’s shooting tennis balls in the foundry when HalluciSlade catches an arrow and snarks, “What’s the matter, kid? You look like you’ve seen a ghost.”

In the flashbacks, Slade wakes from the injection fully healed from the burns on his face, and he roars outside to save Shado. He’s completely primal as he breaks guns in half and rips out hearts, but he sobers when he finds Shado shot dead. He vows to Oliver and Sara that “Whoever did this to her is going to suffer.” In the present, HalluciSlade yells at Oliver for not being a hero, friend, or brother. He harbors a lot of bitterness against Oliver, saying “The island didn’t make you strong, kid. It revealed you to be weak.” (It’s a fantastic scene for Manu Bennett, who has tears in his eyes throughout.) Oliver ends up “fighting” him and ruining the lair.

 

The fun thing about this particular “ghost” is that Slade is actually alive and well and living in Starling City. He’s the Ghost of Christmas Future because he has a lot of nasty stuff planned for Oliver and his friends, stuff that will run the course of the second half of the season.

“I am going to tear everything that he cares about away from him. Destroy those who choose to follow him. Corrupt those he loves. Once he has lost everyone and everything he values, I will drive an arrow through his eye.”

Fans got really excited that the camera panned over Felicity when Slade said “Corrupt those he loves.” After sweeping up the lair and sharpening his arrowheads for battle, Oliver asks Diggle if he’s lost his mind. Diggle, ever the soldier, says that we’re all a little crazy anyway. He tells Oliver he’s just suffering from survivor’s guilt, something Digg himself has gone through, and he advises Oliver to listen to what the ghosts are trying to tell him.

 

This scene is lost in the hustle and bustle of the rest of the episode but it’s probably the most important thing that’s happening for Oliver on a personal level. In a lot of ways, Digg is Oliver’s present-day Slade: he’s military trained, he has an instinctual understanding of Oliver, and he’s Oliver’s closest ally. All along, we’d assumed Oliver had lost Shado and Slade to death and nothing more, but now that Slade’s back with a vengeance, Oliver’s friendship with and trust in Diggle is even more noteworthy. Oliver is at his most vulnerable when he asks Digg how to get rid of his ghosts, and Digg, true to form, handled it like a pro. These little moments are going to become more and more important as we get closer to the day that Oliver discovers Slade is alive.

The Ghost of Christmas Present was a terrible, powerful punch of feelings to the viewers. Oliver ambushes a masked Brother Blood and his cronies just a minute too late, as they’ve already injected Roy, whom they captured earlier, with the Mirakuru serum. He dies as Oliver tries to fight off Cyrus Gold, and that’s when Tommy Merlyn appears.

 

Tommy says the things Oliver needs to hear: that he’s a hero, that he beat the island and his father, and that he needs to fight back. He’s the Ghost of Christmas Present because he represents the normal life that Oliver should be fighting for. Shado reminded Oliver of everything he’s lost in the past, Slade reminded Oliver of everything that’s at stake, but Tommy reminded Oliver that he needs to fight every day because there’s no other way to survive. Oliver jumps up and fights off Gold as Blood runs away. He starts yelling the same sorts of platitudes at Roy, telling him he’s a strong kid and that he needs to fight, and Roy finally wakes up… with superhuman strength, presumably.

Does Oliver ultimately learn the lessons that his three ghosts were setting out to teach him? I think so. Then again, they were all hallucinations, so maybe Oliver just needs to lay off the eggnog for a while. I hear Barry spiked it with rat poison.

Outside of the demons that Oliver’s fighting, there’s a lot going on in Starling. Originally, Roy was recovering from the arrow shot to the leg in the privacy of Thea’s room. Oliver helps out (with a rather sweet and awkward “Hi” to Sin, suddenly I need them to be in more scenes together) by pulling out the arrow and then telling those meddling kids to stay away from that blasted vigilante. His poker face is a thing of beauty throughout the entire scene. Later, Roy wakes in the Haunted Queen Mansion after his ordeal with the Mirakuru, and his leg is fully healed. Oliver tells Felicity and Digg that they need to keep an eye on Roy for the time being.

Oliver also hands over his information on Cyrus Gold to Beat Cop Lance after a failed recon mission by Diggle. Unfortunately, Lance recruits the wrong people to accompany him on the bust–namely Officer Daly, Blood’s right-hand man. The bust ends up being an ambush, and everyone except Lance is killed, including his former partner, Lucas Hilton. Hooded Oliver visits Lance at the hospital and apologizes for the deaths, but Lance sagely tells him “Not every death in this city is on you.” It’s the nicest thing Lance has ever said to him. (I really, really hope it turns out that Lance has known it’s Oliver under that hood since “Broken Dolls.”)

 

And yes, Laurel was floating on the periphery of this episode, barely crying over her father’s injuries, chastising Oliver for not decking his Haunted House halls with boughs of holly, falalalala lalalala, and awkwardly hugging Alderman Blood in the hallway of the hospital. Where every other character got a great setup for the back half of the season, Laurel got nothing.

Felicity and Barry share some really great scenes, the best of which is when Barry tells Felicity that if she likes Oliver, he would understand why. “I just have a little experience with liking someone who doesn’t see you the same way.” Felicity never concedes the point that she likes Oliver, but she and Barry seem to have a sort of mutual understanding of where they stand.

She also has some rather intense scenes with Oliver; when he prepares to go after Gold, Felicity begs him not to.

 

Barry looks like a sad puppy as Oliver walks past him, but he doesn’t let it deter him later when he calls Felicity and asks her to give him a ring if she ever decides that Oliver Queen is not the man for her. Felicity, meanwhile, is incredibly relieved that Oliver is back safe and sound from his encounter with the superhuman.

 

Thanks to a combination of a malfunction with the oft-discussed particle accelerator, a bolt of lightning, and a mess of chemicals, we see Barry go from Barry Allen, Fake CSI, to Barry Allen: Probably The Flash. Don’t worry, bro, I’m sure some rat poison will set you right in no time.

 

That brings the count of potential superhumans up to three, with only two of them potentially being on The Arrow’s side. We already knew that Roy and Barry were destined to be superheroes, but the fact remains that Oliver is still just a mortal man who is a good shot and happens to like parkour. The danger now is that he’s descending into a world where other people have “powers” and he does not… unless you count the rat poison, of course.

Finally, earlier in the episode Barry had asked Oliver why he wears grease paint instead of a mask, and Oliver snapped, “Find me a mask that conforms perfectly to my face and doesn’t affect my ability to aim while I’m on the run.” Nice try, Oliver, but at the end of the day, you’re still wearing eyeshadow. Just own it. Anyway, the episode ends with Oliver opening a Christmas gift from Barry: a mask!

 

Felicity puts it on and Oliver asks how he looks. “Like a hero,” she says. And she’s right: Tommy said so.

No new episodes until January 15th, but I think this one gives us enough material to last until then, don’t you?