Holy. ()*%#@!$. Cow.

It’s the Internet. And, as Joel McHale said in Alan Sepinwall’s HitFix post regarding the breaking news of Community’s return to the air (err, the web?), “We can swear now.”

The news broke late this afternoon of a deal between Sony Pictures and Yahoo! for an eleventh hour save of our (mostly) beloved comedy about a study group at a Colorado community college. At HitFix, Sepinwall explains today was the last possible point to revive the show as the show’s cast, consisting of McHale, Yvette Nicole Brown, Gillian Jacobs, Danny Pudi, Alison Brie, Jim Rash, John Oliver and Jonathan Banks, were set to be released from their contracts at midnight. (Jacobs secured a recurring role on HBO’s Lena Dunham-vehicle Girls, while Pudi made a surprise cameo in Captain America: The Winter Soldier this past spring, Oliver launched Last Week Tonight on HBO, and McHale showed no signs of leaving his role at host of E!’s The Soup.)

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And now, as they *would* say on “iCarly”, it’s time for some RANDOM DANCING.

Community, which had an unstable home at major US broadcaster NBC from 2009 to 2014, was not renewed for the 2014/2015 TV season, much to the disappointment of many fans, who redoubled the efforts of their ongoing social media campaign, spearheaded by Catherine Boyd. Fans lobbied Netflix, which resurrected fan-favorite Arrested Development from its premature death at Fox, as well as Comedy Central and Hulu, both of which have syndication deals in place for the show’s previous seasons.

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Us, to NBC, when the premiere date was changed for season three – and four and five.

While the relationship between NBC and Community often appeared adversarial, the show undeniably never contributed to returning the network’s Thursday night lineup to it’s “Must See TV” glory days. (Then again, scheduling Community opposite CBS’s inexplicable ratings juggernaut, The Big Bang Theory, never helped. And, like NBC’s other current Thursday night staple, Parks and Recreation, Community may not have drawn massive ratings, but it consistently received high marks from the critics. [For the sake of argument, we’re ignoring season four. Capice?]) The relationship did appear to deteriorate after NBC was acquired by cable TV provider Comcast, and the endtag of the fifth season finale undeniably flipped the bird at the network and its apparent inability to invest in popular primetime programming.

In which we are all Chandler, and Ross going after Rachel is our collective discovery of Yahoo Screen *for the very first time.*

Yahoo! plans to air Community‘s 13-episode sixth (and likely final) season on Yahoo Screen, an online video service that the Internet corporation plans to use as a platform for new programming. Arguably, using Community to draw the show’s existing fans to the service in the hopes they’ll stick around for other new shows is a savvy move on the part of Yahoo!, although details regarding specifics (premiere date, global availability, access fees, returning cast, etc.) are as yet unavailable.

Community is hardly the first canceled show to be brought back to life. It joins the ranks of Arrested Development, canceled (twice) after three seasons at Fox; The Family Guy, which also fell victim to Fox’s programming manipulations; Firefly, another victim of Fox that was later revived as a major motion picture; and, most recently, Veronica Mars, canceled after three seasons at UPN/The CW only to have a full-length theatrical release crowd funded through KickStarter and released simultaneously as a digital download, through various Video On Demand (VOD) services, and in a limited number of AMC theaters in the U.S.

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We – or at least I – relate to Jeff, but mostly because we’ve been burned by network TV before.

We here at WWFTP had mixed feelings regarding the show’s fifth season, but were still sad to think we wouldn’t see the cast on our TVs once a week. But as Community has, from the beginning, been immensely popular on the web, it will no doubt be interesting to see how the show transitions from a traditional platform to the brave new world of Internet TV.

More on the Sony Pictures/Yahoo! deal:

Community’ Resurrected by Yahoo Screen for Sixth Season (Zap2It)

Community Moving to Yahoo for Sixth Season (Vulture)

‘Community’ to Return for New Season on Yahoo (Variety)

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#WeAreGreendale

Check out our Community tag for our reviews and thoughts on the show’s fifth season, and follow us on Twitter @WWFTP for our thoughts on the new season (whenever it airs).

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Two in the Knees, or Next Time, Take the Kill Shot

**This post contains spoilers for episode 4.03 of Suits, “Two in the Knees.”**

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Last night, my friend Beth asked if I wanted to livestream a particular Miranda episode called “Holiday,” because it’s something I quote every single Wednesday night during Suits, thanks to the Rush promos starring non-accented Tom Ellis as the main character. “No, I’m sorry,” I said to her, “I have a friend over at my house unexpectedly.” Also, I didn’t tell her this, but I still had to torture myself with a rewatch of Suits in order to write this review before bedtime.

That’s my way of saying that I hope Rush is better than Suits, otherwise it might be the end of the line for me and USA Network.

What I wouldn’t give to be watching Miranda right now anyway. (Have you seen it? If not, get thee a free trial of Hulu Plus and educate yourself.)

“Two in the Knees” started out with Rachel complaining about all the work she has to do for the job she begged for, because she’s splitting her time between work and school, in case you weren’t aware that Rachel is a Columbia Law Student and a Specter Paralegal Summer Child Associate. Guys, seriously. I cannot impress upon you how busy Rachel is all the time, and how graceless she is about the entire thing.

Mike, of course, can’t let Rachel be the only terrible one on the screen, so he asks if Rachel loved Logan Sanders, son of the Colonel, and heir to the Fried Chicken Empire of Toronto-Manhattan. If that question seems a little out of the blue and oddly timed, that’s because it is. Why didn’t he ask when Rachel first disclosed this affair? Why didn’t he ask when he found out he was going up against Logan? Eh, those questions are better suited to a show that plots itself better. For now, we know that Mike is asking this totally random and juvenile question because it’ll come up later.

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Mike redeems himself by having coffee with Donna, who is flawless as always — she even declares herself a fan of Harvey, as if we didn’t already know that. She confides that Harvey is trying to get ahold of his dad’s original recorded tapes, and it seems like a nice little moment until Mike uses those tapes against Harvey later. Womp womp.

Logan Sanders, serious about running this Fried Chicken Empire now, stops by to tell Rachel that he’s going to be tactical and calculated in his movements from now on. Rachel pretends to be totally on board with that, because she’s always pretending she’s an adult who doesn’t take these things personally, but again, we know she’ll change her mind later once she realizes what the stakes are. Logan, for all of his douchery, not only pinpoints Harvey’s weak spot (Mike) but he seems to sniff out the fact that Mike has something to hide. He tells Harvey to hire investigators to look into Mike, or that he will himself.

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He’s in a waistcoat again! They’re reading my reviews! (Or my mind.)

Harvey spends the episode doing everything he can to avoid that eventuality — disclosing Mike’s former drug trafficking to Gilles, sidestepping Logan, the whole shebang — but Mike comes in stomping his little feet like some kind of Zane tornado and calling Harvey a “piece of shit,” which is something Harvey’s getting a lot lately. Harvey insists he shot Mike in the knees to keep Logan from shooting him in the face, but Mike continues his self-victimizing rant about Harvey having it out for him just because he left, and Harvey never seems to find the right way to tell Mike that he’s doing it because he cares. At the end of the fight, Mike reveals that he’s bought Harvey’s father’s tapes in a tactical move of his own, because he’s just awful now, I guess.

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Mike: “You can’t stand that I got out of here and that I’m succeeding without you.”
Harvey: “Without me? I made you. Without me, you’re nothing.”
Mike: “Right there. That’s who you are. That’s why I left.”
Harvey: “Bullshit, don’t lay that on me. You left because you needed to feed that huge ego.”

Mike makes Pearson Specter sound like some kind of slum that people need to work to get out of, and tries to trumpet the idea that he somehow ~made it out alive~. Harvey, unfortunately, falls for it and trots out all of his usual arguments, but he’s also not wrong. Mike’s rewriting history now; he never left because of Harvey, he left because he didn’t want the threat of his lack-of-law-degree to hang over him for the rest of his career. Trying to couch it in this idea of Harvey being overbearing or a bully is just cheap and stupid, and it automatically puts the viewer on Harvey’s side for at least being honest.

That makes Harvey’s subsequent scene with Donna kind of hard to swallow, because she lays out some truths that don’t seem to mesh entirely with the scene we just saw. Mike’s the one acting out, he’s the one making it personal and coming back to Pearson Specter to rail at Harvey every time the man takes a shot, but Donna calls out Harvey for not giving the kid a good explanation for what he did. She convinces him to go to Rachel, because even Donna has an occasional bad idea.

Rachel’s more than happy to do Harvey’s dirty work, but she gets home to a morose Mike who read her depositions from Logan’s divorce trial and — get ready you guys, because this is a doozy — she lied. GASP. I know. And he’s upset. Because Logan dumped her, so that means Mike is just the guy she settled for! Mike, the same Mike who kissed Rachel while he was dating Jenny, that Mike. He’s just all over the place being terrible. She puts a bandaid on it, but I’m betting it’s temporary. Like all bandaids.

She goes to Logan to plead to his human side? I don’t know, but we get another terrible Rachel flashback where she accidentally encounters Logan with his wife, and his wife correctly pins Rachel as his mistress. In the ensuing argument, Logan tells his wife that he’d never cheat on her with “a paralegal” which is presumably where she started getting that victim complex about her job, which is also incredibly annoying.

She goes to Logan’s Chicken Fried Apartment in the present and tells him he owes her because she lied for him in his divorce proceedings. He goes to Mike to apologize and say he’s backing off, but he doesn’t miss the chance to take his shot: “I don’t want to hurt Rachel.” He says it with a smug expression, and Mike takes it as a challenge I’m sure. (No one on this show just does straight up business.)

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The face of a man who just took another calculated shot at Mike Ross.

Luckily, Mike does right by Harvey by sending him the tapes via courier Rachel Zane. So that’s over.

Meanwhile, in Louis Land, Jeff uses Louis to try to get some one-on-one time with Jessica, but it backfires twice somehow. First, Louis thinks Jeff is in love with him. Then Louis figures out that Jeff is in love with Jessica. The upshot is that even though Louis was being great to Jeff, and Jeff wasn’t intentionally trying to hurt him… Louis now feels betrayed and heartbroken by someone he thought had genuinely liked him as a friend.

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It was all almost worth it for this expression, though.

Jessica spends the entire episode sidestepping an increasingly predatory Jeff, which I was mildly annoyed by, because dude is getting really pushy. It ended well, because Jessica didn’t give in to his rather aggressive tactics, so I feel like this storyline kinda works only because Jessica is so strong and driven. (Rachel would’ve given in a long time ago.)

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The episode ends with Jeff telling Jessica that the big SEC case they’ve been hinting at is about to start. She tells him it’s about time he started earning his money, and honestly, I’ll love this guy hardcore if he’s actually a good lawyer and doesn’t make the same Specter-Ross mistakes we’ve been putting up with for the last three seasons.

Two weeks from now: Rachel thinks all Mike cares about is winning. Then my DVR cut off the rest of the preview, so that’s all I have to look forward to. *yawn*

Litt Up for Lunch and Dinner

**This post contains spoilers for episode 4.02 of Suits, “Breakfast, Lunch and Dinner”**

This week on Suits, things not directly related to Jessica, Louis, and Donna continued to suck.

Harvey wore a waistcoat, so at least there was that.

Harvey wore a waistcoat, so at least there was that.

The episode started out promising that Rachel (you remember Rachel, she’s Sort of An Associate who goes to Not Harvard and had an affair with a married man who is now Harvey’s client) would make all the wrong decisions, just as she usually does. Luckily for her, Donna waltzed into her office as if she sensed angst and bad decisions in the air, and she forced Rachel to come clean about Logan Sanders. Rachel was literally like, “What do I do?” and Donna was like “I see I have to hold your hand through this, so I will be very clear: Go tell Harvey. Now. Because he hates Not Being Told Things.” Rachel was like, “Okay, yes, I will go tell Harvey now, quickly, because time is of the essence. Any dilly-dallying would be catastrophic. I’m going right now to tell Harvey.”

Then, unfortunately, we were treated to the worst flashback in the history of TV show flashbacks. And I mean, I’m being serious here, I’m an Arrow fan through and through and some of those early season-one flashbacks were tedious — but this Rachel one takes the cake. Let me paint you a word picture: She sits at a bar, Logan comes up to her and wants more kisses, she pretends to resist and asks what happens if someone finds out about their boring torrid affair, and he says, “I don’t care.” And that’s what sways her. He doesn’t care, and that’s just so attractive to her.

The hilarious thing is, I thought this would be a flashback episode like “Rewind,” where we chronicle Rachel’s relationship with Logan, or at least how it fell apart, but no, this was the only flashback. And it was utterly devoid of chemistry or compelling body language or anything that would get a viewer interested in Rachel’s single biggest transgression. The whole thing smacked of being perfunctory.

Anyway, remember how Rachel was running to go tell Harvey about her super-lame affair with Logan? Well —

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This shot just makes me really really irrationally angry.

I mean, this situation definitely calls for a hardcore session of Staring At Yourself in the Bathroom Mirror. Even when she tries to do the right thing, Rachel still managed to make this about herself.

She runs into Logan in Harvey’s otherwise-empty office and he tries to persuade her not to disclose their affair, because he’s an ass and we’re supposed to believe Rachel once found him appealing, but it’s all for nothing: Harvey doesn’t care. Or, he pretends not to care. He actually does care, because now Logan knows that Rachel’s in a relationship with the guy on the other side of the table, and Harvey knows that Rachel is incapable of handling things that aren’t clearly spelled out for her in those kiddie blocks with the letters on them.

Let it be known that it only took Rachel exactly two episodes before she started whining about splitting her time between work and law school. She accuses Harvey of setting a meeting during her time at law school (Donna set that meeting) and he says it doesn’t matter when the meeting is, because she’s not going anyway. She stomps her foot and tantrums that Harvey thinks she can’t handle it. Why doesn’t she realize that every time she throws the “So-and-so thinks I can’t handle this!” scenario out there, it just makes people believe she can’t handle it?! She’s self-victimizing, again, and once again, none of this is actually about her. (Make no mistake — this whole Logan Sanders case is about Mike vs. Harvey, Rachel just doesn’t know that.)

When Mike refuses Logan’s deal, Rachel yells at him because she’s like 98% sure it was about her, Rachel Zane, Special Unicorn Summer Child Associate at Pearson Specter, and she screams at Mike as she sloshes around her glass of alcohol. Unfortunately, Mike’s taken on some of Rachel’s less charming attributes (like taking things personally and an increasing victim complex) so we can’t be totally sure that Mike didn’t throw the papers in Logan’s face just to spite him.

The last 20 minutes or so of the episode are mercifully Rachel-free until the very end, when she and Mike lamely apologize to each other, and true to this show’s M.O. of late, it ends with a fizzle instead of a bang.

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Take your $30 million and DONATE IT TO CHARITY!

Harvey and Mike spend the entire episode hatefully snarking at each other and treating Gilles Industries like a pawn. Mike screams at Harvey and Logan and tosses their $30 million deal into the air in a truly Zane-ian tantrum, then goes crawling back to Harvey the next day after his boss threatens to fire him for turning down such a lucrative deal. Harvey basically tough-loves him; sorry, kiddo, you’re in the big leagues now. Mike ends up going back to Gilles himself and delivering almost the exact dialogue Thor delivered to Odin in Thor: “You are an old man and a fool!” And because no one on this show has normal reactions to things that should insult them, Gilles just deflates and gives up on his dream. Mike thinks he’s won, but Harvey tells him he’s only make it to Round Two. What I wouldn’t give for a good KO right now.

But! Now that all of that distasteful Main Story stuff is out of the way, we can focus on the good parts of the show! Louis is working hard on his pitch of Pearson Specter Litt to Jessica when Katrina comes rushing in, telling Louis to get his hiney over to Jessica’s office. That’s where Louis finds out that Jeff Malone, formerly of the S.E.C, has been hired as a partner. All Louis hears from Jessica is “You’re a loser,” about fifty different ways. Literally, the show actually did close-ups of Gina Torres’ mouth as she slow-mo said things like “And you’re a looooser!” Louis wants to curl up and die, but when Katrina finds him writing in his diary forlornly, she gives him a pep talk that gets him up and fighting.

He and Jeff Malone run at each other the next day, and that entire sequence was so delightful because they’re good sparring partners and their expertise is similar. They both end up in the deposition, bellowing at each other as their guy starts to sweat, and then they team up to break the guy. It’s pretty great, even if Louis still doesn’t like Malone.

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So pretty.

It takes a visit from Donna to turn things around; she tells Louis an unexpectedly personal story from her college days, where she auditioned for Hamlet and lost the part to another woman. She said she spent the whole run wishing something would happen to the girl so that she could go onstage, and then she tears up as she tells Louis that the night before their last show, the woman’s father died. Louis is visibly affected, mostly because he can’t seem to fathom such ugliness is in his beautiful Donna, and the message gets across.

She wasn’t done, though. She went to Jessica to advise her to at least give Louis the corner office, so that he can feel like his work is being rewarded even if he’s not as close to becoming a named partner as he wants to be. Jessica categorically refuses until Donna deduces that Jessica was sleeping with Jeff. Still, at the end of the day, rewarding Louis is what’s best for the company (and honestly, it’s long overdue). Louis is so happy when Jessica tells him that he hugs her tightly and fights off tears.

You feel that, Jessica? That's a LITT UP hug!

You feel that, Jessica? That’s a LITT UP hug!

Donna’s office-warming gift to Louis? A framed picture of herself as Ophelia. He puts it on his desk with a big smile. Their friendship is so sweet.

Next week, more stuff and things probably happen, there’s probably two or three tantrums, and maybe Harvey will wear a waistcoat again!

One-Two-Three Zzzzzz…

**This post contains spoilers for 4.01 of Suits, “One-Two-Three Go…”**

Suits came back… and everything still kind of sucks.

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I can’t help but feel like there’s a severe disconnect between me and the people who write and create the show. Sometimes I think I’m watching a completely different show from what everyone else is watching, and then I remember that I have a Twitter timeline of people who normally have vastly different tastes from me, but for one hour every Wednesday night, we’re all united in our bewilderment over the state of Suits for the past couple of seasons. That makes me think that maybe the problem isn’t with me… it’s with the writers and showrunners.

The show has evolved from a fun little drama (bordering on dramedy at times) into one that takes itself entirely too seriously. It’s like watching Law & Order but all of the characters are from your favorite comedies, and they’re awkwardly playing against type — like if Chandler Bing and Leslie Knope were walking around growling about lawsuits and mergers, nary a sarcastic remark or enthusiastic pep talk in sight. It’s like these characters have been warped and twisted to be more stoic and less interesting.

Last night’s season 4 premiere was more of the same pattern. Mike now works for one of Pearson Specter’s clients, and predictably, he and Harvey find themselves at loggerheads over something called Gilles Industries by the end of the episode; this will definitely be the new Hessington Oil/overwrought half-season story arc that will end with with a fizzle rather than a bang.

Rachel the Magical Unicorn, after getting her Super Special Exception from Jessica for going to Not Harvard, has managed to not only strongarm Jessica into letting her be some kind of dual-enrolled student-and-unicorn-lawyer, she is also Harvey’s new pseudo-mentee. Leaving aside the fact that Rachel I-Don’t-Use-My-Dad’s-Name-to-Get-Things Zane managed to make this entire law firm bow to her every whim through tears and tantrums, I’d like to know what it is about her that is supposed to make us believe that Harvey finds her an acceptable mentee. Harvey, who pitched a fit to Donna in the pilot episode that all of the prospective associates were so boring — they were so terrible that he went and hired a kid with no law degree just because he found Mike fascinating. Other than the fact that she’s dating his old mentee, what is Harvey supposed to see in Rachel? Because the viewers aren’t buying it.

Anyway, Rachel insists on not being used by Harvey to send messages to Mike unless she knows she’s being used, because that makes it better somehow. She whines to Harvey, then whines to Mike, then literally fails at being cute (Harvey: “Instead of failing to be charming, why don’t you do something useful”) before finding out that she’s going to be Special Unicorn Associate Lawyering for one Logan Sanders, which appears to horrify her. We don’t find out the big reveal until the end of the episode, where she tells Mike, “Do you remember when I told you that I once had an affair with a married man? It was him.”

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You dun goofed, Rachel.

Simple solution: take yourself off the case. Super Special Unicorn Columbia Law Student Associate solution: something infinitely more convoluted and whiny.

The Louis-Katrina alliance is a much more dynamic relationship to watch, because Katrina does everything with purpose; she’s serving Louis with simpers and compliments and while you get the impression that she genuinely likes him, you’re also acutely aware that Katrina is a schemer. But she’s loyal to Louis for the time being, and Louis is constantly proving himself too smart for this law firm. Nearly every episode starts with him about to make a good decision, then he’s waylaid by some harebrained advice or gossip from Harvey, and Louis proceeds to spend the rest of the episode (or season) being woefully misinformed, even though his initial instincts were right.

Last night’s episode was no exception, as Louis and Katrina quickly sussed out the week’s Big Bad Threat, a man named Jeff Mallone who happens to be the man Jessica is seeing. Louis spends the entire episode sitting on this information, waiting for Jessica and Harvey to come to him for help because Harvey had given him dumb advice early on. It’s frustrating that this show relies on its same old tropes even as they try to present them as New! and Fresh! because honestly, we’ve seen this same song and dance for three seasons now.

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“You cook?” asked Harvey, because apparently he wanted a knee to the groin.

Jessica Pearson continues to kick ass, because no one writes weak stuff for Gina Torres. The only thing that bothered me about her storyline is the way people (namely Jeff and Harvey) kept insisting that she had to choose between her business and her relationship, but since she’s Jessica, I’m pretty sure she’ll be okay. The scene in Harvey’s apartment, where she cooked and confided in Harvey about her relationship with Jeff, was a particularly great scene… until Harvey awkwardly turned into a twelve-year-old boy and literally asked Jessica if that means Jeff had seen her naked. This is what I’m talking about — this kind of banter is stilted and forced, but early in the show’s run, it happened organically.

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“Hmm, what? I can’t hear people who are WRONG ALL THE TIME. Bow to me, for I am Donna.”

The other theme du jour was Treating Donna Like Crap, and almost everyone did it. Donna is the everyman on this show, the person through which the average viewer tends to watch the show (this is another thing I think the writers fail to realize — they write as if we relate to Rachel the most, or Mike, but no: it’s Donna, it’s always Donna) and to watch her be dismissed and belittled separately by Harvey and Mike, it makes the viewer feel oddly alienated. If we aren’t going to have the reliable Harvey/Mike alliance to fall back on, we at least need to know that Donna’s still appreciated.

So to recap: Mike vs. Harvey, with Rachel having slept with Harvey’s married client, and Jessica is hiring her boyfriend Jeff as a partner I guess? These all sound like really good plotlines that will no doubt pan out perfectly for everyone.

Tune in next week for more shenanigans! Or don’t, I don’t really care. I’ll still write about it.

Triplett Brings the Noise and the Funk.

Since the beginning of this series Grant Ward never seemed to fully mesh with the whole group. Sure there were some moments (mainly with Fitz or Simmons) of him slowly finding a spot, but the full on chemistry with the entire group was never there. It was a brilliant idea of having him be Hydra, and bringing in Agent Antoine Triplett. Triplett was one of the best things to happen to Agents of S.H.I.E.L.D.

Triplett’s first appearance made it feel like he was a character who would only show up a couple of times. There was no real reason to invest in him, other than the fact he could possibly have a flirtation with Simmons. I was fine with this because I believe Jemma Simmons has chemistry with practically everyone she comes across. The scenes they shared were good.

Triplett really started to gain my interest in “End of the Beginning.” I went into this episode thinking anybody (except Coulson) could be Hydra. Triplett was able to gain my trust when he handed Jemma his knife, and sealed my faith in him when he decided he rather take on Hand and her men than pledge allegiance to Hydra. His storyline was only taking off with this episode.

The team really didn’t trust anybody but themselves due to the revelations of Hydra and Melinda May had been reporting to Nick Fury. Triplett only had Jemma’s trust, and he had to gain everyone else’s due to John Garrett being his Superior Officer. However, they were worried about the wrong person when it was revealed that Ward was actually Hydra because of Garrett.

The show slowly let people begin to trust Triplett, and one way was revealing his grandfather was a Howling Commando who fought side by side with Steve Rogers in taking down Hydra the first time.  No one knew this fact until after it was revealed in the lie detector test because he wanted to gain everything by his own merits.

He wanted to be the best he could be. His grandfather left a great impact on him just like Rogers left with Coulson. The scene where they were fanboying over the old spy gear the Commandos used created this great sense of camaraderie between the two of them.

The scenes between Fitz and him are something of perfection. To Fitz, Triplett is an outsider and someone who is interested in Simmons. It is harder for Fitz to trust him. However, this also leads to the audience learning Triplett is not just brawn. He is able to reference Moby Dick correctly, and has actually read the book. He also understands some of the medical and mechanical jargon that Fitz and Simmons throw around. He is not just a pretty face. He is still good looking, but his intelligence adds so many points to his character on the attractive scale.

The chemistry he has with the group is great, and I never got a sense of blandness that I got with Ward’s character. Therefore, I am hoping he is made a series regular for season 2.