The 71st Annual Tina Fey and Amy Poehler’s Lee Daniels’ The Butler Golden Globe Awards

On Sunday night, everyone in the film and TV industry except for Woody Allen gathered together for the 71st Annual Golden Globe Awards. They were hosted by Amy Poehler and Tina Fey, who were hosting for the second year in a row, and they did not disappoint. We here at WWFTP only watch awards in a cursory way; I’m pretty sure Moff didn’t even tune in, Becca only saw a portion of it, and I watched for the Amy-and-Tina of it all. While our Twitter feeds exploded with happiness (Leonardo di Caprio) and rage (something about Jennifer Lawrence not deserving her second GG?) from people who were watching this show for the actual awards (I know, crazy right?!) I will give you highlights of the show itself. Spoiler alert: I loved basically everything.

Let’s start with Tina and Amy’s best jokes:


There’s so much truth to that one that it might be the one joke everyone remembers about this show in 20 years.


JLaw’s reputation as a good sport endures. But they weren’t done:


Can we all agree that the real Amy and Tina look amazing in these gifs? Particularly when they called Matt Damon a “garbage person”:

But that’s probably because I’m not a fan of Matt Damon. They also gossiped about the father of Kerry Washington’s baby.

I kinda can’t wait to use this as a reaction gif one day. But my favorite Amy joke:


They also did a gag where Amy dressed up as Tina’s son from a previous relationship. His name was Randy, he was Mr. Golden Globes, and he was not happy to be there.


Kevin Bacon was not prepared to handle these two ladies that night.

Also, I can’t find gifs of the various times they messed up Tom Hanks’ name (Tam Honks) but that was one of my favorite bits.

Then there was the joke to cap off the night:

Leo was like:

He was in a good mood because he finally won an award for some movie where the f-word was used a record number of times. People keep repeating that fact like it’s the only notable aspect of the movie so here I am repeating it again.



The Mother of Dragons and that guy who played Robin presented it to her, but Amy was preoccupied with making out with Bono.

And the cast was so happy for her!

Even Larry was excited for her!

You’re always a winner in our hearts, Amy, but it’s nice that you’re finally getting the recognition you deserve.

And finally, Tina took a moment to congratulate her bestie:


Awww, that’s the sweetest thing I’ve ever heard.

But for me, there was one obvious snub:

Oh Tatiana. You deserved that award. But at least she went in with realistic expectations, and her nomination has gotten Orphan Black some good recognition. Plus, she was one of us on the red carpet:

@emilyzemler: I asked my favorite @tatianamaslany to take a selfie on the Globes carpet so here’s her and Mike Tyson

But my real hero and idol was Emma Thompson.

Drink in one hand, shoes in the other, PLEASE BE MY BEST FRIEND.


Also, two of my favorites were together again.

Speaking of JLaw:

View this post on Instagram

#GoldenGlobes were a blast

A post shared by Colton Haynes (@coltonlhaynes) on

I was also pleased that some of the Avengers made appearances.


Begging the age-old question: Robert Downey Jr, or Tony Stark?

This was Mark Ruffalo in the audience when RDJ first walked out:

But he also presented an award, so that we could have a gif of him making this face:

Weirdly, Cap was the only one rocking facial hair:

And finally, my second-favorite Avenger was there for his nominated movie, Rush.

ADORABLE. He also did the blurb for his movie onstage, but I can’t seem to find gifs of that, so you’ll have to use your imagination.

Not in attendance was Jeremy Renner, even though his movie American Hustle got an award.

There was also this weird moment:

And the part where Diane Keaton got up there and talked about how great Woody Allen was even though he doesn’t attend award shows:

She sang a song we all sang in Girl Scouts, and basically if she wasn’t Diane Keaton we would all think it was weird, but she’s Diane Keaton so we just went along with it.

But perhaps the most surprising part of the night was when Brooklyn Nine-Nine, which I’ve told you to watch, won TWO Golden Globes! Andy Samberg won one for his role as Jake Peralta, and the show itself won for Best Comedy (beating out Parks and Recreation, which made it a double-edged sword for me). Most people were excited about this:

But I was excited to see the whole cast onstage.

Breaking Bad won some stuff too, but we don’t watch that show so all we could do was be happy for the friends who do. Also, this:

That’s about it for our recap. Until the Oscars! (Spoiler: I won’t have watched any of the nominated movies by then, either.)


Favorites of 2013: TV Ships and Friendships

This is the big one–the one with our favorite TV ships and friendships/partnerships/bromances/what-have-you of 2013.


Oliver Queen / Felicity Smoak



Felicity: You killed again, and I am the one who put you into the position where you had to make that kind of choice.
Oliver: He had you, and he was going to hurt you. There was no choice to make.

All three of us are big fans of Oliver and Felicity. They complement each other really well, they have great chemistry, and they deeply care for each other. And they’re just so pretty together. —Kerry

Danny Castellano / Mindy Lahiri

{The Mindy Project}


Mindy: “You should get the Philadelphia roll. Danny says it’s amazing, it’s his favorite.”

Mindy: “Haven’t you ever had to do something because of work?”
Jason: “Yeah, sure, I just went to my boss’s kid’s graduation, but that doesn’t mean I’ve memorized her favorite sushi order.”

These two snuck up on me. I love their bickering, their friendship, and the way that they seem to be in love with each other without even realizing it. —Kerry

Monroe / Rosalee Calvert



Monroe and Rosalee’s romance could have seemed shoe-horned into the main narrative, and the differences in their upbringings could be overlooked, but the evolution of their relationship was natural, and they are confronting their contradictory natures in a way that’s both realistic and believable. —Moff

April Ludgate / Andy Dwyer

{Parks and Recreation}


“I’m going to tell you a secret about everyone else’s job: No one knows what they’re doing. Deep down, everyone is just faking it until they figure it out. And you will, too, because you are awesome and everyone else sucks.”

This is probably the relationship most would have believed would fail, but it hasn’t. The love and support they show each other is unique and genuine. —Becca

Barney Stinson / Robin Scherbatsky

{How I Met Your Mother}


Barney: “Our wedding is gonna be legendary.”
Robin: “No ‘wait for it?'”
Barney: “I’ve got you, I don’t have to wait for it anymore.”

Who knew they’d make it all the way to the neverending wedding weekend? The writing isn’t doing them any favors (they keep having to spin their wheels as the writers try to fill the entire season with pointless shenanigans) but they’re still growing into a supportive, if unconventional, couple. —Kerry

Jemma Simmons / Grant Ward

{Agents of S.H.I.E.L.D.}


F.Z.Z.T. is the episode I started shipping these two together. It is also the episode I finally started to like Ward. The scene where Ward mocks himself and Jemma corrects him sealed it for me. Plus: height difference. —Becca

Kensi Blye / Marty Deeks



Deeks: “I’ve never had a girl give me her knife before. Does that mean we’re official?”
Kensi: “You know sometimes a knife is just a knife.”

Ah, one of the great ‘will they, won’t they’ partnerships of the police procedural world. As much as I continue to hold out hope Eric Christian Olsen will one day return to Greendale, I can’t put into words how pleased I am Kensi and Deeks have finally taken the logical next step. —Moff

Joan Watson / Marcus Bell



Bell [to Sherlock]: “Where’s your better half?”

Bell and Joan have always had a unique chemistry; Bell initially liked Joan better than he liked Sherlock, and Joan always had a deep respect for Bell’s talents as an investigator. This season, there was a one-off line where Bell complimented Joan in her bulletproof vest, and suddenly, it felt like there was something there. It’s never overt: even when Joan brings him meals after his injury, it’s played as Joan just being a nice person. I won’t be mad if they never date, but I think they’d be great together. —Kerry

Ryan King / Carrie

{Go On}


Ryan: “I know we work together, and that’s weird. I don’t know what I want. I just- I just want it to still be a possibility between us.”
Carrie: “You’re right, it’s complicated. We work together… I quit. Ball’s in your court.”

The show got canceled, but before it ended Carrie kissed Ryan and told him the ball was in his court. I would like to believe this May/December romance actually worked out. —Becca

Ben Wyatt / Leslie Knope

{Parks and Recreation}


“Your heart is in the right place. Your heart and your butt.”

They’re married! They’re still amazing together! And sometimes I go back and watch the early seasons, where Mark Brendanowicz calls Leslie a dork and treats her enthusiasm like it’s an annoying little quirk, and I get really, really, insanely happy that Leslie found someone who loves that about her. —Kerry

Rumplestiltskin / Belle

{Once Upon a Time}


“You were the only one who could ever see past it… past the mask of the monster.”

While the Charmings have already had their somewhat happy ending, it feels like Rumplestiltskin and Belle will never get theirs. The pairing is beautiful, but it is hard for them to catch a break (especially after the winter finale). —Becca

Harvey Specter / Donna Paulsen


Harvey: “You and Stephen, it bothers me. I know it’s not fair, but it does.”
Donna: “Good.”

I just want them to be together and happy. Is that too much to ask? —Kerry


Shawn Spencer & Burton Guster



Shawn: “I think we should call the police and let the chips fall where they may.”
Gus: “You’re talking like a real white guy right now, Shawn. Brothers don’t get the benefit of the doubt. I will not rot in a cell. You said we were in this together!”
Shawn: “C’mon, man. You know I’m gonna bake you a cake with a gun in it.”

Their friendship has only gotten better over this past year. Gus supported Shawn during his breakup with Jules, and Shawn learned to share Gus when Gus started a serious relationship with a woman. —Kerry

Sherlock Holmes & Joan Watson {Elementary}


Joan: “You named a bee after me?”

Best partnership on TV. But, you know… besides all the other partnerships we have listed here. —Kerry

Team Arrow (Oliver Queen, John Diggle, Felicity Smoak)



Felicity: “What are you doing?”
Diggle: “Calling 911.”
Felicity: “Digg, wait!”
Diggle: “We can’t wait!”
Felicity: “How are we supposed to explain this? Everyone’s gonna find out Oliver is the vigilante!”
Diggle: “It won’t matter if he’s dead! Felicity, we can’t save him!”
Felicity: “I know! You’re right. We can’t.”

They all have their own special friendships with each other, and they work well as a team. It will be interesting to see how dynamics might change when/if someone else fully joins the team. —Becca

Ichabod Crane & Abbie Mills

{Sleepy Hollow}


The friendship has grown so quickly in just a few episodes. It is a strong friendship, and their camaraderie is enjoyable. —Becca

Sarah Manning & Felix Dawkins

{Orphan Black}


Felix: Sarah.
Sarah: What?
Felix: Um, just don’t die… ’cause your first funeral was just agonizing enough.

Felix has endured a lot (Sarah’s threatening ex-boyfriend, obstruction of justice, countless police interrogations, and oh yeah, all of that clone stuff) and he’s still deeply loyal to Sarah. That’s what family is for, right? —Kerry

Samantha Shaw & Root

{Person of Interest}


While former government agent Shaw hesitates to give anarchist hacker Root too much free reign, the morally dubious Root’s willingness to take immediate action appeals to the trigger-happy Shaw. —Moff

George Altman & Noah Werner



The news of Alan Tudyk no longer being a regular on Suburgatory depressed me. I found George’s and Noah’s friendship was one of my main highlights for the show. In some ways, they don’t appear to have a lot in common, but the time they spent on screen together were some of the best moments of the show. —Becca

Ron Swanson & Leslie Knope

{Parks and Recreation}


Ron: “You are a wonderful person. Your friendship means a lot to me. And you look very beautiful.”
Leslie: “Okay, weirdo. Let’s go.”

He walked her down the aisle. Twice. He also punched out a jackass at her wedding. Leslie, in turn, organized a beautiful wedding present for Ron: an intricate trip up to the Lagavulin distillery in Scotland. It moved Ron to tears. —Kerry

Lance Sweets & Seeley Booth



Dr. Lance Sweets and Agent Seeley Booth have grown from bickering antagonists to friends and coworkers who trust each other’s instincts. —Moff

Ryan King & Steven

{Go On}


Ryan had his support group, but he also has his best friend, Steven. Steven was still the one who understood who Ryan was, and wanted to be there for him. In my head, they are still the best of friends and double date together (Ryan with Carrie and Steven with Lauren). —Becca

Quentin Lance & Felicity Smoak



Oliver: “Felicity…”
Felicity: “Already on it.”
Lance [amazed]: “How the hell can she do that?”

Felicity and (former) Det. Lance have had only a few instances where they’ve worked together, but I think future episodes will reveal their values are more in line than they currently realize. —Moff

Favorites of 2013: TV Characters

Merry Christmas (or as Penny from Miranda would say, “Happy What I Call Christmas”) to all of our dear readers who celebrate the holiday. Today is all about characters, so here are our favorite TV Characters of 2013!

Abbie Mills and Jenny Mills

{Sleepy Hollow}


Jenny: Corbin said, that one day, you’d be back. When you were ready. Asked me to find a way to forgive you. I said I didn’t think I could.
Abbie: I’m sorry that it took me so long to find you.

The Mills sisters, despite being estranged for years, manage to make working through their past issues while saving the world look manageable. That they’re quicker witted than their male counterparts is simply a bonus. —Moff

Alice Morgan



Yes, she may be a murderer, but her loyalty to Luther is wonderful. She is an intelligent woman, and she always makes an episode of Luther even better. —Becca

April Ludgate

{Parks and Recreation}


“Leslie said it was a ‘come as you were in the nineties’ party, I assumed it was the 1690s.”

April has slowly grown up over the past few years, and it has become more obvious over this last season. She still has her Keep Away demeanor, but the loyalty she has for her friends is genuine. —Becca

Carlton Lassiter



“I have one speed, and it is full throttle.”

Lassiter is finally a happy and well-adjusted adult, thanks in large part to Juliet and in small parts to Shawn and Gus. He’s more relaxed, open-minded, and willing to compromise than he was when we first met him, and he’s become an even better cop thanks to Shawn forcing him to stay sharp. —Kerry

Diane Buckley

{Trophy Wife}


“Oh, relax, it’s just some light catfishing.”

The wives of Trophy Wife are sort of like the Hogwarts houses: who you relate to says a lot about your personality. Most people seem to favor Jackie, the second ex-wife of leading man Bradley Whitford, but me, I’m a Diane girl through and through. (I’m also a Hufflepuff, if you were wondering.) She clearly loves her kids, but she also wants the best for them. She is passionate but calculating, strong but practical, and above all, she gets stuff done. —Kerry

Donna Paulsen



“If you were ever lucky enough to have me, you wouldn’t want to share.”

This season of Suits did some not-so-great stuff with Donna, but she still came out of it looking classier and stronger than any other character on television. —Kerry

Felicity Smoak



“Never meet your heroes, right?”

It says something about an actor when a one-time appearance turns into a recurring role. It’s even more remarkable when that actor goes from recurring to series regular. The quirky, bright IT girl has won several hearts, saved countless lives, and helps humanize Oliver Queen. —Becca

Jemma Simmons

{Agents of S.H.I.E.L.D.}


“I can’t be a part of your bad-girl shenanigans. I like following the rules and doing what’s expected of me. It makes me feel nice.”

When the show started off, the focus was on Fitz-Simmons, but the show gradually began to separate them. Now they are Fitz and Simmons, and Simmons has my heart. The episode “F.Z.Z.T” made me cry (which I hardly do) because of the way Elizabeth Henstridge plays her role. —Becca

Joan Watson



“I think it’s sad that you’ve given up. I think you have a lot to share, if you cared to. I shouldn’t be the only one who knows you.”

Joan Watson set herself apart from traditional representations of the World’s Greatest Sidekick in season one, but she’s quickly becoming the fulcrum around which the show revolves without being anyone’s girlfriend, wife, mother or mistress. That’s nice to see both for Dr. Watson and for a woman in a mostly male ensemble. —Moff

John Diggle



“I’ve been meaning to tell you, it really weirds me out to no end the way you refer to yourself in third person like that.”

Any scene with Diggle in it is a good scene. —Becca

Leslie Knope

{Parks and Recreation}


“No one achieves anything alone.”

It’s difficult to picture a scenario in which Leslie Knope doesn’t top my list of favorite characters. —Kerry

Marcus Bell



Sherlock: “Have you always been this observant? I’m asking that quite sincerely. I was wondering if exposure to my methods had helped you in any way.”
Bell: “Actually, before you came along, I had never closed a case before, neither had the rest of the department. Most of us were thinking of packing up, leaving, letting the city fend for itself.”

Bell is such a great detective that Sherlock has taken to referring to all other detectives as “Not Bell.” Two of my favorite episodes of Elementary are Bell-centric ones (“Details” and “Tremors”) and I always look forward to his one liners to Sherlock. —Kerry

Oliver Queen



“The world doesn’t work anymore. It broke a long time ago, but it was like you were the only one who noticed. That makes you angry, and you’re afraid that that anger is going to burn you up inside if you have to live in the world one second longer knowing that you could do something to fix it.”

Oliver’s really come into his own since Tommy’s death, choosing now to save the city through non-murderous means. He still lives two (sometimes three) lives but now that he’s more removed from Laurel, he’s more three-dimensional and sympathetic. He’s still struggling to trust people, and thanks to the flashbacks to the island, we’re starting to realize why. —Kerry

Robin Scherbatsky

{How I Met Your Mother}


“I’m Sparkles, bitch!”

I love Robin, and I relate to her so much this season. I just wish we didn’t have to see every excruciating hour of her wedding weekend, but hey, that’s not her fault. —Kerry

Rosalee Calvert



Rosalee Calvert may have started as a one-off, but the decision to make her a series regular was inspired: She’s a source of wisdom, knowledge and reason on a show that routinely asks its audience to suspend disbelief. —Moff

Sara Lance



“No woman should ever suffer at the hands of men.”

Sara Lance managed, in a handful of episodes, to make a memorable impression as a variation on a classic comic book character normally inhabited by her sister, Laurel. But Sara made the role of Black Canary her own, and I can’t wait to see her return to Starling City. —Moff

Sarah Manning

{Orphan Black}


“Art, if you’re hearing this, you found a body. It’s not Beth. It’s me. My name is Sarah Manning and you’re about the only person I trust to figure the whole thing out.”

Sarah is the most practical and level-headed of the clones, focused solely on keeping her daughter, Kira, safe. I think she’s my favorite because her main instinct is survival. She’ll do anything to protect the ones she loves. —Kerry

Slade Wilson



“I’m sorry… for not telling you how I really feel.”

Former A.S.I.S. agent, island survivor, unlucky in love, and that accent? What’s not to love?! Kerry

The Cannon

{Back in the Game}


“No, Gannons, we inflict pain, and then we laugh!”

Rude, brash, drunk, and definitely not in touch with his feelings, The Cannon was an oddity on TV this season. There was no one quite like him, because while he said and did all these terrible things, he knows it’s his fault that he’s unhappy. He clearly loves his daughter and grandson, so I’m sad we won’t get to see what happens with them. —Kerry

Tinker Bell

{Once Upon a Time}


“I may have lost my wings, but I haven’t lost my dignity.”

There hasn’t been a whole lot for me to love on this season of Once; I was never a fan of Peter Pan in any of its various forms, so the idea of a whole arc set in Neverland made me wary. I especially dreaded the introduction of Tinker Bell, because I was sure this show would ruin that sort of complex female character. While this Tink has a backstory firmly entrenched in the Enchanted Forest, she still manages to be the best side character to join the show this season. The actress who plays her, Rose McIver, deserves most of the credit. —Kerry

Later today… Our favorite supporting characters from movies!

And for this, we are thankful

Happy Thanksgiving! And, if you’re not in the U.S., hello and welcome to Thursday, Nov. 28, 2013. We here at WWFTP are planning on spending the better part of today stuffing our faces. (Bread pudding? Bread pudding? Bread pudding?) On Friday, Becca will be heading out to work the sales; Kerry will be hitting the stores and drinking a (possibly) unhealthy amount of coffee; and I will be curled up, catching up on The Fades and finishing a present for my nephew.

But in the interest of celebrating the U.S.’s national day of gratitude, we thought we’d take the opportunity to share the things for which we’re thankful.


Everything Is Bloomable

So much better than with that awful Island wig.

Stephen Amell. I’m not sure a more perfect leading man exists.

FSU football. And football in general.


A genius, his locks, his partner and his tortoise. (Clyde is in his trailer.)

Jonny Lee Miller. His Sherlock Holmes is only getting better.


I went with the derpiest photo I could find.

Chris Hemsworth and Tom Hiddleston.

Bo Dennis

Ain’t she great?

Tatiana Maslany, on both Orphan Black and Parks and Recreation.


The Scarlet Avenger

Wow. Robot faces are so *lifelike* these days.

Joss Whedon brought back Coulson. Clark Gregg is a joy to watch as he plays Coulson.

Whedonesque on Tumblr

As pretty in color as it is in black & white.

Joss Whedon’s Much Ado About Nothing. Shakespeare with actors from the Whedonverse is perfection.

Veronica Mar’s kickstarter. I’m not going to reveal how many times I saw the kickstarter and Ryan Hansen announcing Dick Casablancas would be back videos.

Felicity Sm0ak

She may be blonde, but she’s not *that* blonde.

Emily Bett Rickards was made a series regular on Arrow. Team Arrow would not be the same if we didn’t have the trio.

David Tennant, Life Ruiner


David Tennant back on the small screen. (Including him soon being on the American version of Broadchurch; great choice, Fox.)

Film Onet

From left, Zachary Levi, Nathan Fillion and Tom Hiddleston at the premiere of “Thor: The Dark World.”

This picture exists.

Snarky Knightley on Emma Approved. I always have a hard time choosing between Mr. Darcy, Mr. Tilney and Mr. Knightley, and this web series is making it even harder.


Cobwebs, Books and Coffee

This has nothing to do with why I love this show, but it’s as perfectly weird *as* the show, so it works for me!

The cast of Sleepy Hollow is probably 90 percent of why this show works, and I’m so grateful it does because I need something a little bizarre to start my week.

Stop Then Rewind

And by ‘machine,’ Britta means ‘Thursdays at 8/7C on NBC, starting Jan. 2, 2014.’ Duh doy.

We finally have a start date for season five of Community, and whatever may come of the new season, at least I know when the Greendale Seven Six Five will be back on my screen.

I Lied Too

Good, bad or neutral as Switzerland, Acker as Root is both scary and scary good.

Amy Acker on Person of Interest. She’s always managed to bring charm to her roles, but her role on PoI has given her a chance to stretch her artistic limits as a character with questionable morals and even more questionable sanity.

Boys in Barrettes

Leslie Knope: Role Model. (No. Seriously.)

The ladies of Parks and Recreation, who manage to be everything I want to be when I grow up, both on- and off-screen.

Broadcast Archive @ the University of Maryland

What’s amazing about funny women? Is it that they’re funny? Or that people actually pay attention when they’re talking?

Carol Burnett winning the Mark Twain Prize for American Humor. I grew up watching her show, and between her professional talent and her personal grace under fire, I can’t imagine a better role model for an awkward, chatty little girl like I was.

And, finally, I’m thankful for Becca, who is the Marianne to my Elinor, and Kerry, who listens to my nonsense when I’m tired and rambling on pathetically. Both of them were willing to join me on this little blog adventure, and I’m so honored they did.

Double Whammy!

**This post contains spoilers for the two most recent episodes of Parks and Recreation, “Filibuster” and “Recall Vote.”**

After a long and Voice-filled hiatus (which didn’t work, if you were wondering; Sean Saves the World and The Michael J. Fox Show did not post better ratings after having a Voice lead-in for three weeks, so it’s time for NBC to go back to the drawing board if they want those shows to prosper) Parks and Recreation came back with two new episodes last Thursday, both of which were wonderful in their own unique ways. Since they were originally supposed to air separately, and not as a one-hour special, I’ll tackle each of them separately.

“Filibuster” centers around a birthday party that Leslie is throwing for Ben. We have no idea which birthday it is for him, but we do know that it’s an early-90’s themed party because, I kid you not: “It’s his favorite era.” It ties in perfectly with the worlds most boring kink: he has a “thing” for women in skates. In hindsight, I shouldn’t have been too surprised by this theme. This is the same guy who played “Whoomp There It Is” at his mayoral inauguration when he was eighteen. Maybe it’s because I was a preschooler for the early 90’s, but I don’t see the appeal. All I remember is terrible fashions and earwiggy music. But Leslie never meets a theme that she doesn’t make amazing, even if that theme seems weird and sorta lame.

wyatt ben can't jump

Unfortunately, the Wyatt Ben Can’t Jump party is in full swing at Pawnee Skateland (which really means that four of his friends are skating, two of them are playing an arcade game, and one of them is running around buying stuffed bears… cool party, bro) when Leslie finds out that Councilman Jamm is trying to push through a last-minute vote to ban the former Eagleton citizens from voting. It’s in her best interest to let them vote, since she saved a lot of their jobs, but, well, I’ll get to that in a minute.

Leslie is forced to filibuster in order to delay the vote while dressed in unflattering overalls and roller skates. She’s not allowed to sit down or accept help from the audience, and she has to talk the entire time. Easy peasy, except she’s unsteady on the skates, so she sits to take them off, earning her a strike. Jamm bangs a gong, much to Councilman Howser’s ire, but it’s totally worth it because Councilman Howser really nailed his side-eyes.

I stopped in the middle of writing just to gif this, because it needed to exist.

The citizens of Eagleton show up to support Leslie during her filibuster, but after Chris (dressed in amazing acid-washed denim) thanks them for supporting her in the recall, they inform him that they want to retain the right to vote so that they can vote Leslie out and vote a former Eagletonian in. Chris and Ben get the info to Leslie (which earns her another strike, thus another gong strike, thus another epic Howser side-eye) which sends Leslie sprialling. Ultimately, she decides to do the right thing and fight for every citizen’s right to vote in the recall election, even though it means she’s pretty likely to lose. She succeeds in filibustering, dumps a pitcher of margaritas over Jamm’s head, then runs off for an epic bathroom break. The storyline ends with her finding out that Ingrid (Kristen Bell) is the nominee to run against Leslie in the recall.

“She’s dancing around like she’s a character in one of those Peanuts cartoons.”

(I guess I don’t know how recalls work, or maybe they work differently in Indiana, but I thought Leslie was just getting voted out. Usually there’s a separate election to vote someone into the recalled seat, which Leslie would not be running for. Maybe Ben/the writers worded it that way for the sake of clarity?)

The B plot was Andy’s 19-hour visit to Pawnee to see April. They’re delighted to see each other and they even attend Ben’s lame party (even though April claims to have thought it was a 1690’s-themed party and dressed up as a Pilgrim), but the twist comes when it’s time for Andy to leave. The taxi only makes it two houses down the street before it stops, Andy jumps out, and he leaps into a dumpster.


It turns out Andy has no idea what he’s doing in his job, and it terrifies him. April reassures him that everyone’s basically faking it until they make it, and it’s a really sweet reminder of how their marriage works and how great it is. It’s also nice to see them overcoming the distance. April and Andy married so young that it would be easy for this show to play on any perceived immaturity and take a negative stance on young marriage, especially over long distance, so this is truly refreshing.

There are technically two other minor plots, both of which are great in their own ways. The first is Ron and Donna playing the hunting game at the arcade. Donna discovers that Ron is a sore loser, easily frustrated by his inability to shoot the fake deer. He takes her out to do some real hunting, during which they have a great exchange:


As they eat the animal Ron shot, Donna asks if he wants to go back to the party and work on winning the game. The episode closes with both of them standing at the game, long after the party is over, and Ron finally beats the game and lands in the top score list. After he tells Donna that his initials are private, she suggests he just put in three random letters. Ron’s letters? “A.S.S.” Proof that men never really grow up.

This is your reminder to watch Orphan Black.

My personal favorite part of this episode is the return of Tatiana Maslany as Nadia, Tom’s temporary girlfriend. She’s leaving for Rwanda soon, which has Tom freaking out because he likes her so much, so after she suggests that he win her a big stuffed bear by playing skee ball, Tom is determined. Unfortunately, there’s a sub-plot of Ann, dressed as Blossom, running around buying bears and talking about being an adult. (It’s storylines like these that make it painfully obvious why Ann is getting written off the show… if there was really nothing better for her to do, then I guess I shouldn’t be so sad that she’s leaving.) Ann walks up to Tom with the bear in her arms, yammering about how she taught herself to make out on her old bear (and that’s what she wants for her unborn child?) and Tom freaks out, because obviously Nadia’s going to forget all about him in Rwanda if she doesn’t have a giant teddy bear to remember him by.

Nadia is pretty awesome. Outside of being portrayed by Tatiana Maslany (which is a huge part of her appeal) Nadia only compares to Lucy on the scale of Tom’s Girlfriends. Lucy was never embarrassed to be dating Tom, she was always his partner in crime, and she clearly enjoyed spending time with him; Nadia’s the same way, only better, because she also keeps him on his toes. They work together to steal the bear from Ann (Nadia even yells “Suck it!” as she roller skates away) and then Tom adorably and shyly asks Nadia if they have a future after she gets back. She trolls him at first (“Eeegh… clingy…”) but after he backpedals, she relents and says, “Of course I’ll call you!”

Then Ann steals the bear back because really, what else is Ann going to do?

Bye, Tatiana. We hardly knew ye.

“Recall Vote” is about, well, the recall vote. Long story short: Leslie is recalled. It was actually a surprise for me, I think because I hadn’t given the actual recall a lot of thought even though it’s all anyone’s been talking about for the last few episodes. But the votes were stacked against Leslie and it shouldn’t have been a surprise at all.

She doesn’t take the news well. She arrives the next morning in sweats and a Garfield “I hate Mondays” shirt while she eats a Paunch Burger. Ben and Ann, having formed the Leslie Knope Emotional Support Task Force, scramble to help Leslie recover, but the fact is, where Leslie is capable of unbridled happiness and sunshine and rainbows, she’s also capable of deep depression. Losing her city council seat is no small thing.

Chris asks if Leslie’s considered her concession speech. Of course she has, she hands him her speech and he reads it aloud: “Eat my shorts, jabronis. Knope out.”

Ben tries to refocus her attention on the haunted house–Did I mention it’s Halloween? Yeah, it’s Halloween, never mind that it’s November 14th, thanks a lot NBC–but Leslie decides to go fall asleep on a bench in the courtyard. I won’t lie, I was a little envious of her in that scene, she looked so peaceful passed out on her stomach on a concrete bench.

Meanwhile, Tom’s dealing with the fact that Rent-A-Swag is going out of business thanks to Dr. Sapperstein’s “Tommy’s Closet” which is doing really well across the street. Dr. Sapperstein’s lawyer offers Tom a buy-out, and Tom takes a couple of days to consider it. He curls up on the bench in Ron’s office with a blanket and a “hot chockie” as he whines about his business, and Ron says, “If there was something I could do for you, I would. Maybe you should try taking a walk, out of my office.”

Then in an unprecedented second episode with a Ron/Donna storyline, Donna comes in screaming about how Ron is “in Bloosh!” Bloosh is apparently a weekly lifestyle email written by a Pawnee woman who lived in someone’s pool house in L.A. and came back with the sense of entitlement that goes along with that. It’s actually really funny, especially once we meet Annabel herself, who is basically GOOP with better hair. (Yeah, I said it.) Apparently Annabel GOOP loved one of Ron’s rocking chairs and declared it “THE must-have item of the season.” Ron, predictably, is nonplussed, but when Tom begs him to follow through with the Bloosh piece so that Tom can try to get Rent-A-Swag into the issue, Ron reluctantly agrees.

He goes on Pawnee Today with Joan Callamezzo, who is starry-eyed for Annabel GOOP. Ron’s horrified by the entire fiasco, asking Tom, “Did that woman call my chair ‘delicious’?” Later, at a pretentious and neon blue party, Annabel GOOP is trying to persuade Ron to mass produce his chairs. He explain that his chairs are so quality because they are hand-made, then he tries to divert her attention to Tom. She’s not interested in Rent-A-Swag for this issue, and tells him that maybe he can make it into her spring catalog. That’s too late to be of any use to Tom, and Ron patently refuses to mass-produce his chairs, so Annabel GOOP declares the party over. “It no longer is… it was.” That’s okay, Donna’s stocked up on the free swag from the party.

Tom and Ron share a drink back at the office as Tom jealously says, “People are dying to give you their business, and you didn’t even take it.” Ron says the only thing that’s important to him is his name, he will never be willing to sell it. But Tom is willing to sell his name the next day, when the lawyer says that the name of the store is non-negotiable. Tom asks for an extra $20,000 for the name, plus 5% of the profits from the store, and then tells the camera, “Ron said there’s nothing more valuable than my name, but he’s not a businessman. I am. And now, I have seed money for my next venture. I sold out, baby!”

Leslie, dressed as Buttercup from The Princess Bride, listlessly hands out candy at the City Hall haunted house before she’s ushered out by Ben, dressed as Westley, who takes her to a bar. They get drunk and stupid together as Leslie shouts that they’ve both already peaked. She drags down Ben with her (he wonders if he peaked at 18) and they both decide to get tattoos at the pawn shop with the creepy guy who tried to buy Ann at Jerry Larry’s Fart Attack fundraiser. They narrowly avoid the diseases they would’ve undoubtedly gotten when Ann arrives just in time to drag them out of there.

Ann sits Leslie down and makes her read a letter in order to face the hard facts: in 30 days, she will no longer be a city council member. “But I am Leslie Knope. I am more than a city counselor. I am an unstoppable force of energy. And I will use those days to work as hard as I can.” Ann points out that Leslie has a lot of projects to finish up in her last month in office. I’m really gonna miss Ann.


The sweetest storyline is the one where Chris is working hard to cheer up April, who is missing Andy on their favorite holiday, Halloween. He tries multiple times to make her smile, but she is not receptive. “I’m sorry. I’ve failed you, both as a scary monster, and a friend.” I’m really gonna miss Chris, too. April later thanks him for trying so hard, and admits that if Chris is going to work so hard to cheer up a friend, he’s going to make a great partner for Ann and a great father to their child. (Ann and Chris’ costumes are really cute, too: she’s Red Riding Hood and he’s the Big Bad Wolf.)

The episode ends with Leslie giving her jabroni-less concession speech. Later, Ann explains, “She is like a toddler, bouncing back from a nap” before Leslie reappears with a list of things to do, as well as two pumpkins carved with their likenesses. Is there anything Leslie can’t do?

I’m curious about what’s going to happen for Leslie next. Her last month in office will take us through to the winter hiatus, so hopefully come January, we’ll see Leslie tackling something bigger and better than a city council seat. I don’t know where she can go from here at this stage, but I can’t wait to find out.

I’m really loving the bit that Jerry is now Larry; even Chris sticks to it, as he calls him “Larry” multiple times in the episode. Poor Larry Gengerch.

Mid-term Report Card: Tune In, Tune Out or Turn Off?

As you may have noticed, we skipped doing our regular Tune In/ Tune Out the last two weeks. We were a little distracted by real life (HALLOWEEN! HOUSE GUESTS!) and movies (THOR 2!) and allergies (Me!), but we also figured with various shows taking one (or both) of the last two weeks off, we would, too.

And while we’ll be back to our regularly scheduled TI/TO this week, we wanted to take the opportunity to share our thoughts on the new and returning series that we’ve been watching this autumn. If you’re anything like us, you plan your watching (or DVR-ing) schedule on a nightly basis, so we’ve grouped our picks by day of the week, not by grade.

Did we miss your favorite? Should we have given a show more than one or two episodes to prove itself? Want to rage against the (mainstream media) machine? Catch us in the comments below, and let us know what you think. Happy channel surfing!



Regina feels our pain.

Once Upon a Time, ABC, 8 p.m. EST. Grade: C
Kerry: I gave this a D at first, but an average grade is more fitting of the material. The D in my heart just stands for “disappointment” because I wanted it to be so much better.
Becca: Parts of it are very enjoyable, but it feels like they overwhelm us with the Charming family each week. I can see why the majority of the dwarfs are happy to be in peaceful Storybrooke without them. It would also be great if they created a story about Hook by himself, instead of mainly using him as a love interest for Emma
Moff: It’s difficult to make much of an emotional connection when the characters’ only motivation seems to be to move the plot forward. I’d also like the show runners to give their audience a little more credit: We don’t need every character to spell every little thing out for us. (And maybe, if we do, its the story at fault, not the audience’s comprehension.)

Masterpiece Theatre, PBS, 9 p.m. EST. Grade: A/A-
Becca: Masterpiece holds more gems than Downton Abbey and Sherlock. One of those gems is The Paradise, an enjoyable period drama centered around a department store.
Moff: I agree with Becca about The Paradise, which is wrapping up its first season in the U.S. and has already started season two in the U.K. It’s an interesting counterpoint to Mr. Selfridge, and it’s nice to see so much thought going into arranging the last three series Masterpiece has shown – Endeavour, Silk, and Foyle’s War – to carry through themes of self-reliance and the vagaries of sociopolitical scheming, which are also key in The Paradise.


Serious faces means things are happening.

The Mentalist, CBS, 10 p.m. EST. Grade: B/B-
Moff: As nice as it is to finally see Patrick Jane (and the CBI team) closing in on the elusive killer Red John, I’m left with two questions at the end of every episode in the current arc. First, will Red John really be captured/killed and/or brought to justice this time? Especially as the hunt for him is the impetus behind the whole series? Secondly, isn’t revealing the existence of a massive group of corrupt law enforcement officers who cover for Red John ham-handed at best and, at worst, painting the entire series with a big ‘ol retconning brush? Wouldn’t this reveal have meant more if we’d been given more definitive proof of its existence in previous seasons? C’mon, Show: Let us have an ‘aHA!’ moment at least once.


How I Met Your Mother, CBS, 8 p.m. EST. Grade: C
Kerry: The “bottle season” just isn’t working. I’m not sure how they can get out of this; they’ve pretty much committed to the format for the rest of the series.

Bones, FOX, 8 p.m. EST. Grade: B/B+
Moff: As nice as it is to finally be rid of Pelant, I’m beginning to wonder if this procedural has another full season in it after the current one ends. While there’s always been big, season-spanning arcs (What happened to Brennan’s mom? Who is The Gravedigger? Can they stop the sniper?), the choice to slot the long-anticipated Booth/Brennan wedding in before November sweeps means the last few weeks have felt like the show’s been treading water. I wouldn’t mind seeing Freddie Prinze Jr.’s CIA spook return sooner rather than later, and I’m holding out for a new big mystery or killer to appear sometime this month.


You tell ’em, Captain!

Sleepy Hollow, FOX, 9 p.m. EST. Grade: A
Becca: The best new drama of the year. I enjoy watching the partnership between Ichabod and Abbie (even if I may not ship them). They have an enjoyable partnership, and I value it as much as Sherlock’s and Joan’s on Elementary. The side characters, like Irving, Katrina, and Jenny, are icing on this delectable dessert.
Moff: Agreed. I’ve read several articles that mention how this show “owns its crazy,” and, while I wouldn’t put it that way, it’s nice to see a show actually able to follow through on what’s promised when it asks the audience to suspend disbelief. It reminds me of when I watched The X-Files, except this time Director Skinner is a wry Black guy with better hair and a Twitter account.

Hostages, CBS, 10 p.m. EST. Grade: D

The Blacklist, NBC, 10 p.m. EST. Grade: A-


No banter, no heart. At this point, we’ll settle for slapstick.

Castle, ABC, 10 p.m. EST. Grade: C/D
Kerry: The only thing saving this from a D is the fact that the show and the characters are still salvageable. Something is missing from this show, and the increasingly far-fetched cases are doing nothing to fill the void.
Moff: I gave it a D because I’m disappointed and bewildered. Where’s the banter? Where’s the heart? This isn’t even a case of Moonlighting because even the supporting characters aren’t keeping my interest.


MARVEL’s Agents of S.H.I.E.L.D., ABC, 8 p.m. EST. Grade: B
Becca: Last week’s episode finally started to show potential in how great this series can turn out to be. Here’s hoping they continue on the path, and that it is not too late for them to be a success.

NCIS, CBS, 8 p.m. EST. Grade: A/B
Moff: It’s tough to keep things interesting after this many years, but even if the cases are a little predictable at this point, the performances are still solid and the writers are still finding new facets of the characters to reveal. It looks like November sweeps will introduce Ziva’s replacement, and while I would have preferred a POC to take Cote de Pablo’s place, at least it’ll be an infusion of fresh blood.


Listen to ’em: They’re cops. They know what they’re talking about.

Brooklyn Nine-Nine, FOX, 8:30 p.m. EST. Grade: A/B
Kerry: My favorite new sitcom of the season!

NCIS: LA, CBS, 9 p.m. EST. Grade: B
Moff: I can’t quite put my finger on what’s off this season. It feels like there are a multitude of story threads that were introduced and promptly dropped only for the writers to abruptly remember its existence several episodes later. It’s not entirely disjointed, but there’s a big difference between slow-burn and sloppy story telling.

Not a Tame Lioness

Winky face.

The Mindy Project, FOX, 9:30 p.m. EST. Grade: A
Moff: I’ve only recently started watching season one, but Kerry’s grade for season two has me trying to figure out how antisocial I can be in marathoning what’s left so I can get to the new episodes.

Trophy Wife, ABC, 9:30 p.m. EST. Grade: A/A-
Kerry: It gets better every week. Glad it got a 22-episode order.

FYeah Amy Acker

Prisoner or guard? Only The Machine really knows.

Person of Interest, CBS, 10 p.m. EST. Grade: A/A+
Becca: The show is firing on all cylinders, and they have one of the best, enjoyable casts. Amy Acker is able to bring me goosebumps every time she is on screen.
Moff: I like a show that rewards active engagement, and every week, this show delivers. Sure, it’s evolved from a somewhat a-typical police procedural to a fascinating meta-commentary on technology, privacy, and absolute power – slash – scifi action thriller, but it’s can’t miss. (And now that the HR storyline is *finally* coming to a head? Hoo Boy!)

Pretty Little Liars, ABC Family. Grade: B
Kerry: As far as PLL episodes go, the Halloween special wasn’t too great, but it wasn’t bad either.


The Tomorrow People, The CW, 8 p.m. EST. Grade: B+
Moff: It’s a pretty solid reboot of the original BBC series, keeping and honing the parts that make sense while trimming the fat (or, in this case, the hazy spiritual/new age-y stuff). Plus, saying it’s ‘Amellsday’ is fun.

Back in the Game, ABC, 8:30 p.m. EST. Grade: A
Kerry: Tragically cancelled, but it was fun while it lasted.

Wouldya Kiss Already

Even Ollie can’t believe how good the show’s gotten.

Arrow, The CW, 9 p.m. EST. Grade: A/A+
Kerry: The best superhero show on television.
Becca: Arrow is not experiencing any kind of sophomore slump. It only gets better, and has made me come to love Thea, Roy and Quentin this season. Here’s hoping they continue to only get better, and give us more Sara Lance and Sin.
Moff: Amellsday. AM-ELLS-DAY. A-MELLS-DAY. AMEL-LUS-DAY. See? It’s fun.

Modern Family, ABC, 9 p.m. EST. Grade: B

CSI, CBS, 10 p.m. EST. Grade: B/B-
Moff: Of the three versions of this show, the original has had the most cast turnover, but it’s also the only one that’s lasted. I can only assume it’s because CSI: Original Flavor continues to deliver with weird deaths, gallows humor, office politics that never overshadow the case, and solid performances from a stable of genuinely talented actors.

It’s Always Sunny in Philadelphia, FX/FXX, 10 p.m. EST. Grade: A
Kerry: It was another great season full of selfishness, cursing, and laughs.


Once Upon a Time in Wonderland, ABC, 8 p.m. EST. Grade: F
Moff: I so wanted to like this. I love Alice in Wonderland. I adore Michael Socha, between his turns on Being Human and Misfits. Naveen Andrews can be relied on for his commitment to a character’s story. And I know Jane Espenson is capable of telling a story about a woman who can beat off her oppressors even if she does so through tears. But this show is a mess, and it takes itself too seriously to acknowledge what a mess it is.

Kristen Wiiggle

This one’s for Kerry.

Parks & Recreation, NBC, 8 p.m. EST. Grade: A/A-
Kerry: It was great until it went on a weird month-long hiatus. We’ll see if they can keep their A without Ann Perkins or Chris Traeger.

The Crazy Ones, CBS, 9 p.m. EST. Grade: B/B+
Becca: The cast is brilliant, and it gives me feels every time I watch. Robin Williams and Sarah Michelle Gellar have a dynamic father and daughter relationship, and the supporting cast are excellent.
Moff: It may not have started strong out-the-gate, but it’s one of the few comedies I’m making a point of watching this autumn. Plus, it’s great to see Smidge given a chance to flex her comedy muscles in addition to her dramatic ones (and her sword arm.) And Robin Williams doesn’t overpower any of the younger performers, which isn’t always the case when a ‘comedy legend’ returns to TV after several decades.

The Michael J. Fox Show, NBC, 9:30 p.m. EST. Grade: C
Moff: The writing is uneven, and the confessional-style segues are a little jarring. But it’s salvageable, and the cast is talented.

Deducible Caps

When in doubt, eat the evidence.

Elementary, CBS, 10 p.m. EST. Grade: A/B+
Becca: The characters’ stories this season have been phenomenal, and I only wish it continue on this path.


Night Always Awesome

Wherein Rosalee speaks for the audience.

Grimm, NBC, 9 p.m. EST. Grade: A
Moff: While the first season was a mess – Is it a procedural? Is it a fantasy? Is it a cop drama? A family drama? A romance? – and the second season had its missteps, this action drama is finally hitting its stride. The A- and B-plots are well balanced and on point each week, and ideas the writers floated in the first two seasons are finally becoming more concrete as the characters discover their strengths.

Haven, SyFy, 10 p.m. EST. Grade: B
Moff: This season started out weak, with the introduction of a few new characters who weren’t killed off within one or two episodes. But in the second half of the season, the stakes are being raised exponentially, thanks to one of those new characters. I don’t spend much time theorizing about where a show may go, but if I’m right and Haven is about to reveal the true identity of a character, even tangential Stephen King fans are going to flip.


The Strangest Love

And, though she may hit me, this one’s for Becca.

Saturday Night Live, NBC, 11 p.m. EST. Grade: C/D
Becca: Can we make all of the episode Weekend Update? I keep hoping each new season will get better, but it doesn’t. The saddest part is I find Once Upon a Time more enjoyable than a sketch show I used to look forward to each week a few years ago.
Moff: And with Seth Myer’s tenure as head writer winding down…well. It doesn’t look good.

Some of the shows we’re thinking about catching up on over the winter hiatus are New Girl, Dracula, and Parenthood. Anyone else have suggestions?

Gin It Up!

**This post contains spoilers for the latest episode of Parks and Recreation, “Gin It Up,” as well as light spoilers for the series Orphan Black.**

Those Parks and Recreation writers, they sure know what they’re doing.

Last week, beautiful tropical fish Ann Perkins broke the news to Leslie that she and Chris were considering moving out of Pawnee. Leslie’s reaction, while in character, made for a bummer of an episode. (That’s a scientific term, by the way: bummer of an episode.) I found myself dreading this week’s episode as Thursday drew closer, because there’s nothing quite as depressing as watching a sad Leslie Knope. It’s like disappointing Annie Edison, which as we all know, is akin to choking the Little Mermaid with a bike chain.

I shouldn’t have dreaded this at all. I should’ve trusted those Parks guys. I won’t ever doubt them again. What did they do that was so great, you ask? They brought in Tatiana Maslany! And who is Tatiana Maslany, you ask? Well:

Yeah. You’re a little bit in love with her right now, aren’t you?

If you aren’t familiar with the show Orphan Black, well, I’m not judging you, you have a lot going on in your life right now. I understand that it’s on your To Watch list, and you’ll get to it as soon as possible. It’s cool! In the meantime, I’ll just tell you that Tatiana Maslany plays multiple unique characters who discover they are clones. It’s fantastic, and more to the point, she is fantastic.

So basically, we Orphan Black fans were Tom Haverford when she appeared on our screens.

We identified with Tom when he fell instantly in love with Nadia, the beautiful Doctors without Borders representative from Indianapolis, who is trying to reserve a park for free vaccinations. And we completely understood when Tom busted out a fake British accent, because he panicked when he realized that Nadia was out of his league.

Unfortunately, Tom’s antics freak out Nadia, so he uses “the most powerful weapon I have: bureaucratic incompetence” to try to keep her in Pawnee. He even offers to make daiquiris and busts out DJ Roomba. Somehow, even when Nadia says mean things (like “I hope you all get West Nile”) she’s still charming. And Tom is still smitten with her.

At the end of the episode, April does Tom a solid by telling Nadia that he is into her. Nadia decides that Tom was kind of romantic, and that she doesn’t have anything to lose since she’s leaving the country in two weeks, so she asks Tom if he wants to go out with her. Tom, adorably, says, “Yes, please!” And there was much rejoicing!

Oh right, there were other storylines in this episode, weren’t there? Actually, the Tom/Nadia storyline was the C plot, despite what I would have you believe with my enthusiasm.

We revisited the Recall Leslie Knope storyline this week, and Leslie had a brilliant strategy for counter-campaigning: Printing out “Don’t” stickers. That way, the signs will say “Don’t Recall Leslie Knope,” and she only had to pay for stickers instead of signs! (Of course, her original plan was to print out question marks along with it, because she wanted to make the signs say “Recall Leslie Knope? Don’t.”)

Meanwhile, Donna accidentally sends out an explicit tweet from the official Parks and Rec Twitter account. The media hilariously picks up on “Twitter Watergate,” you know, until they can find a snappier name for it. Leslie and Donna deal with the fallout, but not without some collateral damage: Councilman Jamm reveals some less-than-favorable tweets from Donna’s personal Twitter account about Leslie. This causes Leslie to spiral with worry that she annoys people.

Beautiful rule-breaking moth Ann Perkins is noticeably missing from this episode, presumably to dull the pain of last week, but Chris Traeger is still around, spreading sunshine and happiness as he assists Leslie with her anti-Recall Knope campaign. He tells Leslie that her passion and enthusiasm is bound to rub people the wrong way every once in a while. It’s the sort of thing we’re going to miss when Chris is gone. Leslie and Donna apologize to each other, but no apology is complete without Leslie giving someone a basket of their favorite lipsticks and nail polishes, each individually wrapped.


The other storyline revolves around Ron and his lack of a real will. (His current will is a handwritten note that says, “Upon my death, all of my belongings shall be transferred to the man or animal who has killed me.”) This concerns Ben, since Ron is a newlywed with two stepdaughters and a child on the way. He makes it his mission to make sure Ron gets a notarized will to support his family. In the course of events, we find out that Ron is loaded… so loaded that he only needs to leave his kids 5% of his fortune for them to live comfortably. There’s also a particularly sweet scene where Ron tells Ben that he and Leslie are his second choice to raise his kids, should something happen to him. His first choice? Ralph Piakowski, the 90-year-old maitre’d at Mulligans Steakhouse. And he’s not joking.

The rest of the episode involved April sticking question mark stickers all over everything. As you do.


Hmm? What’s that? Oh, you want me to end this post with a stellar gif of Tatiana Maslany? Well if you insist!