Adios, Big Cheddar!

This afternoon, news broke that Yvette Nicole Brown, who portrays Shirley Bennett on Community, will not be returning for the show’s sixth season on Yahoo. This was met with much sadness; the show started with seven central characters in a study group, and that number has now dwindled to four.

While we lament the loss of a beloved character, it’s fair to say that Shirley was not always given the attention and respect she deserved from the writers. She had great potential, as a divorcee with a mind for business and strategy, to become a real powerhouse and an eventual financial booster to the college itself. While season 5 episodes revolved around Troy’s departure, Abed’s adjustments, Jeff’s growing pains, and Britta’s struggles to figure out her identity, Shirley was often relegated to side character status. She had great one-liners, the best reaction shots, and all the love in the world for her friends, but she deserved her own storyline.

We here at WWFTP are going to miss Shirley terribly, me especially. I identified strongly with her character both in backstory and in current form, and I was always most excited when it seemed a good Shirley episode was coming down the pike. There’s no way to ignore the fact that this is a great loss to the show, and we’ll miss her for all of the following twenty-five reasons, and then some.

01. I’mma die by werewolf!

 

02. This “He is Risen” apron might be my favorite thing this show has ever done.

03. Unlikely friendships could’ve been explored in season six. This one particularly intrigued me.

 

04. Her sexy voice.

 

05. She’s a baker, but that’s not her identity. She was saved from a nervous bakedown.

06. She didn’t take nonsense from anyone.

07. “I’ll make your ass linear!” “I’ll make your ass sense!” is an argument I frequently have with fellow Community fans. Thank you for that, Shirley.

 

08. These three got into some amazing hijinx in the early seasons, and a return to that would’ve been nice. At least we have our DVDs to comfort us

09. This friendship. I had even hoped for more of this in the sixth season, since it was sorely lacking in the fifth.

10. She has her morals, but she also knows how to get stuff done.

11. Her friendship with Abed was unique and touching.

12. We won’t get to see this dynamic duo of badasses again.

13. She really got the gist of Pulp Fiction and I think that’s so great

14. She’s had enough.

 

15. The birth of her third son, Benjamin, was memorable.

16. Just, this:

17. Anyone up for some virgin mudslides? (“Those are milkshakes, Shirley.”)

18. Never forget the showdown between Big Cheddar and Tinkle Town

19. For the love of God, whatever you do, do not call her “sassy.”

20. She was Britta’s biggest cheerleader, even when Britta didn’t believe in herself

21. This is just so great:

 

22. She “you go girl!”‘s herself, and that’s okay.

23. Remember when she dressed up as Not Miss Piggy and threatened a pumpkin-costumed Leonard?

24. She was so sweet to befriend that guy Gary, since everyone else at Greendale hated him. He does come from a land without sun, after all.

 

25. If you can honestly say that you won’t miss Shirley in the final season, she has one response for you:

Thank you so much to Yvette Nicole Brown for her wonderful portrayal of a complex, often flawed, but much loved character. We will miss you and we wish you all the best.

“Sometimes things are just out of your control.”

Last night, Once Upon a Time, Revenge and Brooklyn Nine-Nine came back to our TV screens, and finally, it feels like fall. Those are my Sunday night shows (until next week when Bob’s Burgers returns — should I recap that show? I only discovered it this summer but it’s practically flawless, so I’m considering it) but I don’t feel qualified to cover the first two, mostly because I don’t take them seriously enough to pay close attention. It’d be like if your grandmother was recapping Revenge for you: “And then the one with the pretty hair talked to the tall man who always wears colors, and both of them cried for some reason.” No one wants that.

I’m still not thrilled with Brooklyn’s move to Sunday nights, as they’re already chock full of other well-established shows (and football) on other channels, and I’m worried it’s misplaced in a mostly-animation lineup, but time and ratings will tell. Let’s hope for the best!

True story: I have the first season of Brooklyn loaded on my phone. I take my dog on walks and listen to that show instead of music because that’s just how I roll. I did this all summer. I never got tired of it. I’m still not tired of it. Needless to say, I had high expectations for this premiere, and I’m pleased to report that it did not disappoint. Not even a little.

 

**This post contains spoilers for episode 2.01 of Brooklyn Nine-Nine, “Undercover.”**

We open after a six-month time jump, where Jake’s still deeply undercover. He gets kissed by a bunch of old men, his hair is amazing, he’s got this affecting accent, and really, he seems to be in his element. Vice work can be wearing, and I know it’s only his first job, but Jake’s got the kind of personality that adapts really well depending on the situation, so I’ll be a little surprised if vice isn’t something he seriously considers at some point later on.

It turns out he’s orchestrated a bust on a big family wedding, and after he utters the code words (“dry meatballs”) a joint FBI-NYPD task force invades the wedding and arrests all of the criminals in attendance. Jeffords is the one who apprehends Jake and throws him into the surveillance van, and Jake, with his usual mix of genuine affection and snark, hugs Captain Holt and mutters, “I’ve missed us.” And credits!

 

Boyle is beside himself when Jake returns to the 99, and once again, Jake is adorably unrestrained when he talks about how much he missed everyone. Turns out he only missed three things in his absence: Terry chipped his tooth and had a lisp for a week, Santiago and Boyle wore the same outfit to work one day, and headphones were banned from the office due to “the Gina incident.” They’re all accompanied by flashbacks which are hilarious and make me really glad this show never abandoned the flashback format. Jake recaps his absence in twelve seconds, sans flashback: “Fixed a boxing match, smoked a whole cigar without vomiting, was once in a room with ten guys named Sal, and missed you all so very much!”

But things are tense at the precinct for a number of reasons, and Jake addresses one of them head on when he asks Amy for a private word. He fakes her out at first: “I have to ask, did you arrest a perp named Joe Uterus?” It breaks the tension wonderfully as Amy fills him in on Joe Uterus, but then Jake gets down to business and brings up the thing he said to her at the end of last season, about liking her. She quickly tells him she’s still with Teddy, “romantic stylez,” and Jake immediately retreats and covers his ass juvenile-stylez by saying that he didn’t mean any of it, he was just nervous about going undercover. It seems to break Amy’s heart a little bit, but she also seems to know he’s lying. There’s no way she didn’t spend those entire six months thinking about that night.

 

Meanwhile, the other source of tension at the precinct comes directly from Holt, who is putting his detectives through constant drills. This consists of making Terry wear a dry-erase board around his neck describing a citizen in need of assistance. The examples are hilarious.

 

“Unattended backpack” was my personal favorite because it was just Terry sitting there all curled up, defiantly hissing “tick tick tick!” at the squad. Sometimes I think they misuse his potential for physical humor, choosing to have him Hulk-out and destroy Lego buildings or princess castles, when he’s actually really funny in this context. This humongous guy is curled up next to a trash can at the back of a room, that’s hilarious to me.

These drills have already passed Rosa’s admittedly small threshold of patience, and after Amy successfully solves the case of the Confused Old Woman only to be immediately presented with a 7-year-old boy, she snaps as well. They ask the captain why he keeps running these drills — even Terry doesn’t know why — and Holt gives them the ol’ because-I-said-so.

Rosa and Amy try to comfort the 7-year-old, but Rosa tells Sarge to drop the act when Holt’s not around.

Terry: “You can drop your butt!”
Rosa: “YOU CAN DROP YOUR BUTT!”

Terry wrecks the Lego stables they were building, and Rosa decides to get him a bouncy castle as a giant middle finger to Holt, who is practically snarling when he finds them and deflates the bouncy castle.

Holt demands an apology, but Terry defends his actions, saying the squad is stressed out because they don’t know why they’re doing the drills. It turns out there’s going to be a new NYPD commissioner, which means they’ll be under a microscope. He’s not getting any information from his superiors, and it’s had Holt very stressed out, to the point that his husband hasn’t seen him smile in weeks. Terry points out that his squad feels the same way he does since they don’t know what’s going on, either.

 

The last source of tension is the secret between Gina and Boyle, the one I constantly forget: they slept together at the end of last season. Boyle’s not exactly a vault of secrets — remember last season when he gave away Babylon to Scully and Hitchcock after only a minute of questioning? — but he doesn’t want to tell this one because, “I don’t want to be known as the office slut!” But he admits that he tells Jake everything, so really, it’s just a matter of time. This prompts Gina to go ahead and accept her new social status; she sits with Scully and Hitchcock at lunch, and she dons a naked molerat sweater (“God’s disgusting mistake!”) because that is her spirit animal now.

Unfortunately, Jake finds out that one of the mafiosos, Freddy, got away during the sting, and Freddy’s one of the worst guys: “Extortion, terrible breath, murder! … I put ‘terrible breath’ too high on that list.” He impulsively decides to go back undercover (see? Cut out for vice work) to try to smoke Freddy out, but Holt doesn’t think they’ll trust Jake. But Jake disagrees. “Me and those guys went through some pretty intense stuff.” Cut to Jake and three other guys singing, yep, Billy Joel’s “Piano Man” at karaoke. “Once you Joel together, you’re bonded for life.”

Both Holt and the FBI agent advise Jake to let this go, and Holt adds, “Sometimes things are just out of your control.” But Jake can’t handle that, because he’s on a bit of a spiral. He spent six months working on this case, and in the meantime, deep down, he probably thought Amy was waiting for him. Coming back and seeing that she’s still with Teddy and that Jake spent those six months lonely and missing her (and everyone else), it makes him feel like he’s losing control. He glances back at Amy, then tells Holt, “Not good enough.” He latches onto the one thing he thinks he can control: detaining Freddy Bad Breath.

He enlists Boyle’s help with going back undercover, but Boyle has important questions first: “When you were undercover, did you have a mafia best friend?” Jake says he did a bunch of jobs with a guy named Derek, but his detached tone is lost on Boyle, who can’t hide his jealousy. They plan a ruse to find out where Freddy’s hiding, and it involves Boyle punching Jake in the face, which Boyle is hesitant to do. Jake tells him to just imagine he’s someone Boyle hates, and Boyle growls, “Derek!” and it’s one of the cuter friendship moments they’ve ever had.

Jake successfully gets an address for where Freddy might be hanging out, but Boyle freaks out and punches him and knees him in the balls. He ends up at one of Freddy’s girlfriend’s apartments, played by Jenny Slate, who holds Jake at gunpoint. Boyle busts in like a badass and defuses the situation, and after some questioning, Bianca tells them that Freddy’s heading to catch a flight to Barbados. Jake gets to the airport an hour too late; Freddy’s gone.

He’s dejected, and there’s something about a maggot drawer that seriously grossed me out, and Boyle tries to pep him up by saying “You did everything you could. Sometimes there’s stuff you just can’t control.” Jake likes this new forthright version of Boyle, who insists that Jake should be proud, and that they should go get a drink, “Because there’s a surprise party, and it’s my job to get you to the bar!” Whoops.

At the bar, Jake demands Holt give him a speech, and it’s a sweet thing:

“Your six month absence was noted. Drinks are on me. There’s a two drink maximum per person. It is non-transferable. Your guests will pay their own tab. Valet parking is not included. Tomorrow’s briefing will be fifteen minutes earlier than usual. And I’m very proud of you, Peralta. We missed you.”

Aww. That was so emotional. (I’m imagining that same speech delivered by Craig from Parks and Rec and now I can’t stop laughing.)

Jake brings Amy a drink that is champagne, 30-year-old scotch, top shelf tequila, and olive juice. “Captain set a two-drink max, but he did not set a price limit. Smart!” It’s gross. It sounds gross and it is gross.

 

Heartened by Boyle’s boldness and sage advice that some things are out of his control, Jake confesses that he lied earlier about his feelings. He meant every word he said that night. It gets Amy upset, because what does he expect her to say to that? And he says, “I don’t wanna hold anything back.” Amy accepts this gracefully, so long as they’re clear that “I’m with someone and nothing’s going to happen.” Jake waits a beat, then says, “I’m with someone, nothing’s going to happen, name of your sex tape.”

This sets up an interesting dynamic of having Jake’s feelings out there and Amy’s still repressed. I’m curious how they’re going to play this one out. Ideally, they’ll just fall back into their normal rhythm for a while, and we’ll get glimpses of Jake’s longing looks, but he won’t be pushy or tease Amy about Teddy. I so want this show to get this right, because they seemed to learn from their Boyle/Diaz near-debacle and backed off of that, so they seem to have their finger on the pulse.

Speaking of Boyle, he tells Gina that he didn’t spill their secret to Jake because he didn’t want to hurt her feelings, “because I’m terrified of you and what you’ll do to me!” She’s touched by that, and they clink glasses and say, “Sounds like our nightmare is finally over.”

Cut to them waking up in bed together again. Wacky! And a good change of pace for both characters.

War is Purgatory

Warning: This post includes spoilers from Fox’s Sleepy Hollow Episode 2.01, This is War

We can all rejoice because Sleepy Hollow is finally back.

One of my favorite things about Sleepy Hollow is how capable it can switch up the pairings. Yes, Abbie Mills and Ichabod Crane are the main pairing, but seeing Ichabod teaming up with Jenny Mills this week was enjoyable.

Abbie and Ichabod do have a strong partnership, but it is amazing to see how strong Jenny’s and Ichabod’s relationship seems to be. They trust one another, and I love how they are able to rely on each other. While Jenny wants to go with Ichabod into Purgatory to save Abbie she knows Ichabod is right when he tells her she needs to stay and accepts it. Another pleasing aspect was him being miffed she wasn’t at his birthday party that never really happened, and then she later jokes about it with him and Abbie. One reason why Ichabod and Jenny work is because I firmly believe Ichabod has chemistry with everyone.

Another highlight of the episode was seeing John Cho again, especially without the weird neck. Now Cho is starring on Selfie (which I highly recommend), I fear there will be very little appearances of his character.

Finally, John Noble is still one of the best parts of the series. He already proved he was an extremely talented actor by playing multiple Walter Bishops on Fringe, and he continues to bring his A-game with this series. It is great to see an actual human being playing someone so wicked on this show. Sure the Horseman of Death got a head at one point during this episode, but John Noble’s facial expressions is one of the reasons why he is such a great actor.

Overall it was great episode, but as the beginning went on it left me anxious with finding out what was really happening in their real universe. I was starting to get antsy, after the first ten minutes had went by and the finale hadn’t been really addressed. If I wasn’t wanting answers from the show, I would have enjoyed the first part better.

The only other thing that really threw me off was how fit the Horseman of Death appeared shirtless. I wasn’t expecting it, but I guess he has to do something during the day when he can’t go out.

Saturday’s Highlights of Comic Con

WARNING: This post does contain spoilers for upcoming TV seasons and movies. 

 

One of the most beautiful things about SDCC is that it is so big. It is so big that I generally spend a month watching panels and interviews, but I still will not have watched everything it had to offer. So here’s a few of the best parts that happened Saturday.

 

The Walking Dead panel at Nerd HQ:

 

As much as I love the actual panels at Comic Con, I generally love the panels at Nerd HQ more. It is in a more relaxed setting, and the actors and fans have a great time. Of course Nerd HQ wouldn’t even exist without Comic Con so I am grateful for both.

 

Once Upon a Time Panel:

 

While I am leery about parts of the show, I still love the majority of the actors. It is always great to see them, and Yvette Nicole Brown hosted the panel. I love that she is a huge lover of the show, and she has such a big heart.

 

The Marvel movie panel:

I will say the announcement of Evangeline Lilly made the Ant Man movie more exciting for me.

 

 

We know you for more than the Hulk here.

 

https://twitter.com/adambvary/status/4932046720358154

I think we would all pay money to see this.

 

 

And just when I think there will not be anymore characters appearing in Ultron, they announce another player. This movie is going to be packed with characters we love or will love soon enough.

 

WB DC TV Panel:

This was kind of amazing. To see all the major character of four different shows on stage. I don’t think I have ever seen that many people on the stage. What made it even more golden was Stephen Amell hosting the panel. DC knows how to do their TV.

 

 

 

 

The Women’s Panel at Nerd HQ:

 

 

All these ladies are amazing and I love them.

 

The Best of Friday’s Comic Con: Part 1

WARNING: THIS POST DOES CONTAIN SPOILERS FOR UPCOMING SEASONS.

Friday I spent most of the day in my bed with my face glued to my laptop. So much happened yesterday with my favorite TV shows, and I still haven’t caught up on it all. So here are some favorite highlights from yesterday.

The Walking Dead:

The cast has quickly become one of my favorites and it was a joy to see them at SDCC.

 

The season five trailer was amazing, and my favorite part was seeing Beth alive with her own story line. Beth has played mostly a background character, and it is good to finally see her in the foreground.

 

Agent Carter:

While they still haven’t started filming the series yet I was extremely excited to hear more about this show and see Hayley Atwell.

I am super excited that the Russo brothers are continuing to participate in the Marvel universe. I miss them on Community, but I enjoy seeing the success they have been able to achieve.

 

Agents of S.H.I.E.L.D.:

Any time you have Clark Gregg on a panel it will be beautiful.

Nothing is better than Clark Gregg’s face of excitement

 

We also got a cameo from Patton Oswalt in video form.

 

Although Marvel is not terribly fond of spoilers we did get some of the names of the guests who are appearing. I’m excited Reed Diamond is playing the main baddie. It is always a thrill to see a member of the Whedonverse show up.

 

Cutie.

 

Arrow:

I thought The Walking Dead trailer had already brought me over the edge, but I was wrong. The Arrow trailer gave me the same amount of emotions.

 

Diggle commentary will always be gold. It needs to be put in a frame and hung a wall.

 

I really enjoy that these two shows are going to be so interwoven, and yet will be able to remain two different shows.

Thursday Highlights of Comic Con

San Diego Comic Con (SDCC) is one my favorite times of the year. It is where nerdom rules and we get to find out so much about our favorite fandoms. The one thing that makes this weekend even more beautiful is the internet. If we didn’t have YouTube, Twitter, Instagram, or major sites that cover this weekend, we would be out in the dark. For those who can’t go we get to live vicariously through the internet.

 

Generally Friday is when the Con really starts to pick up, but a few things happened yesterday that are already highlights of the week for me.

 

1. Community Live Son! Or Community Lives On. Thanks to Yahoo we have another season of Community, and Yahoo has already done a great job of promoting it. I’m pretty sure I have seen more promotion for Community at SDCC than NBC ever did for it in the five years combined.

I wish I could get my hands on this.

Thanks to TV Guide, we also got another Community. Seeing them be at SDCC another year warms the heart. Especially when you can see the love of the cast and crew have for the show.

 

Finally, I fully support #Gim, and hope there will be some in season 6. https://twitter.com/TVGuideMagazine/status/492400641843552257

 

 

2. Nerd HQ kicked off. Chuck is probably my favorite show. I know it wasn’t the best show ever created, but it had so much heart. So of course I will watch a whole panel of Mr. Zachary Levi talking with his fans. It was a glorious hour, and you can always play the game how many times will Levi begin to cry during the hour. I find the man adorable.

3. This trailer for the online Firefly game. It is beautiful that a show which only lasted 13 episodes still lives on today.

4. The Walking Dead cast. It was finally confirmed that Emily Kinney was going to be at SDCC with the rest of the cast due to Norman Reedus being a lover of Instagram and his fellow cast mates. So even when he deleted the photo it was already on the internet. Now there have been a few more photos of Emily Kinney. Sure it would have been a nice surprise, but knowing she is there for sure makes me happy.

 

 

Kind of wish there was a way to see what happened on the plane.

 

“We do what we need to do.”

**This post contains spoilers for 4.05 of Suits, “Pound of Flesh.”**

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Good news, everyone! Last week’s Suits was marginally better than it has been all season! I’ll give you a moment to celebrate, because believe me, we need it.

It didn’t start out great; for the ninety billionth week in a row, Rachel complains about her workload and how difficult her super-privileged life is as a law student and as Harvey Specter’s associate, in case you forgot. The sad part is that Mike comes off looking like the jerk here, as he turned off Rachel’s alarm, causing her to be late for work. Like he’s never met/worked for Harvey Specter before. C’mon Mike.

But Rachel is so exhausted you guys, even though she promised everyone who would listen that she could handle this workload. It’s her M.O.: Make a huge stand about being able to handle things as an adult, and then immediately buckle and beg for sympathy from the people around her. She winds up fainting from exhaustion at school, which is not only kind of lame (an ulcer would’ve packed a bigger punch) but it ends up being a plot device for Mike and Harvey to meet on some sort of middle ground. Hey, I never said this episode was perfect, I only said it was better.

Rachel wakes up from a horrible nightmare, which is actually just a flashback of Logan Sanders proposing to her before he suddenly turns into Mike, and then she goes back to sleep all wide-eyed and worried. An actual nervous breakdown would’ve been preferable to this.

Mike, Harvey, Jeff, and Jessica all talk about buying out a block of shares that somehow manages to mess with Mike’s plan and draw the bead from the SEC. Jeff figures out a “questionable” way to acquire the shares, which floats for the majority of the episode until Rachel lands her exhausted butt in the hospital. That’s when Harvey takes Mike out on a date — a literal date with mood lighting, expensive food, and suggestive talking — and manage to mend their fences. Things look good for our favorite duo until afterwards, when the SEC guy, Cahill, materializes out of nowhere and accuses them of colluding.

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This results in Mike being mad at Harvey for not being honest with him about the whole shares thing, and Harvey basically begs Mike to trust him. He goes to bat for Mike against Jessica, but Jessica overrules him. Harvey ends up apologizing to Mike for not taking his takeover plan many months ago, which is nice and all, but it doesn’t help Mike. The scene ends with Harvey telling Mike, “Do what you have to do.”

But Mike finally grows a conscience and tries to pull out of his deal with Forstman, but it’s too late: Sidwell has taken the deal and has cut Mike out of it. Turnabout’s fair play.

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The best part of the episode is the one-off story with Donna and Louis, where he finds her trying to memorize her lines for the part of Portia in Merchant of Venice and freaks out when she tells him that tonight is opening night and she’s still not off-book. He vows to spend the entire day helping her memorize her lines (because of course Louis knows all the words to all of Shakespeare’s plays) and during the course of the rehearsals, Donna confesses that she’s terrified of getting back onstage.

 

The next day, she begs Louis to fill in for one of the injured actors, but Louis has crippling stage fright and refuses. It’s his deep love for Donna that compels him to finally agree, but it’s not without its issues. As hokey as the storyline might’ve seemed to a first-time viewer, it’s this sort of lightheartedness and camaraderie that’s been sorely lacking from this show.

Also, I lied. The absolute best part of the episode was the very end, when Harvey dropped everything to be at the closing night of Donna’s big play. There weren’t even any indicators throughtout the episode that Harvey really cared or was aware of how important it was to her, so it’s a particularly touching scene.

Next week: more yelling, more stalk-talk, and more use of the word “bullshit” during every act.